In Galatians, the apostle Paul makes his most passionate and direct appeal for a gospel free of ethnic or ritual exclusion. Paul's gospel is that of salvation through Christ alone - in him there is 'neither Jew nor Greek, slave nor free, male nor female, for you are all one in Christ Jesus'. By placing Paul's discussion firmly within its historical context, R. Alan Cole illuminates the potency and power of Paul's message to the Galatian church.This classic commentary has been completely retypeset and presented in a fresh, vibrant new large paperback format, with new global branding.

Exodus, Cole says, is 'the centre of the Old Testament'. It recounts the supreme Old Testament example of the saving acts of God, narrates the instituting of Passover and enshrines the giving of God's law. It portrays Moses, the prototype of all Israel's prophets, and Aaron, the first high priest.

The truth of Chan Buddhism - better known as "Zen" - is regularly said to be beyond language, and yet Chan authors - medieval and modern - produced an enormous quantity of literature over the centuries. To make sense of this well-known paradox, Patriarchs on Paper explores several genres of Chan literature that appeared during the Tang and Song dynasties (c. 600-1300), including genealogies, biographies, dialogues, poems, monastic handbooks, and koans. Working through this diverse body of literature, Alan Cole details how Chan authors developed several strategies to evoke images of a perfect Buddhism in which wonderfully simple masters transmitted Buddhism's final truth to one another, suddenly and easily, and, of course, independent of literature and the complexities of the Buddhist monastic system. Chan literature, then, reveled in staging delightful images of a Buddhism free of Buddhism, tempting the reader, over and over, with the possibility of finding behind the thick facade of real Buddhism-with all its rules, texts, doctrines, and institutional solidity-an ethereal world of pure spirit. Patriarchs on Paper charts the emergence of this kind of "fantasy Buddhism" and details how it interacted with more traditional forms of Chinese Buddhism in order to show how Chan's illustrious ancestors were created in literature in order to further a wide range of real-world agendas.

In Galatians, the apostle Paul makes his most passionate and direct appeal for a gospel free of ethnic or ritual exclusion. Paul's gospel is that of salvation through Christ alone--in him there is "neither Jew nor Greek, slave nor free, male nor female, for you are all one in Christ Jesus." By placing Paul's discussion firmly within its historical context, R. Alan Cole illuminates the potency and power of Paul's message to the Galatian church. The original, unrevised text of this volume has been completely retypeset and printed in a larger, more attractive format with the new cover design for the series. The Tyndale New Testament Commentaries have long been a trusted resource for Bible study. Written by some of the world's most distinguished evangelical scholars, these twenty volumes offer clear, reliable, and relevant explanations of every book in the New Testament. These Tyndale volumes are designed to help readers understand what the Bible actually says and what it means. The introduction to each volume gives a concise but thorough description of the authorship, date, and historical background of the biblical book under consideration. The commentary itself examines the text section by section, drawing out its main themes. It also comments on individual verses and deals with problems of interpretation. The aim throughout is to get at the true meaning of the Bible and to make its message plain to readers today.

Exodus, Cole says, is "the centre of the Old Testament." It recounts the supreme Old Testament example of the saving acts of God, narrates the instituting of Passover and enshrines the giving of God's law. It portrays Moses, the prototype of all Israel's prophets, and Aaron, the first high priest. The book of Exodus is especially important to Christians because Christ fulfilled its great themes: He accomplished God's greatest act of deliverance. He became the passover lamb. He sealed a new covenant with his blood. "No book therefore will more repay careful study, if we wish to understand the central message of the New Testament, than this book." The original, unrevised text of this volume has been completely retypeset and printed in a larger, more attractive format with the new cover design for the series.

This book offers a provocative rereading of the early history of Chan Buddhism (Zen). Working from a history-of-religions point of view that asks how and why certain literary tropes were chosen to depict the essence of the Buddhist tradition to Chinese readers, this analysis focuses on the narrative logics of the early Chan genealogies - the seventh-and eighth-century lineage texts that claimed that certain high-profile Chinese men were descendents of Bodhidharma and the Buddha. This book argues that early Chan's image of the perfect-master-who-owns-tradition was constructed for reasons that have little to do with Buddhist practice, new styles of enlightened wisdom, or 'orthodoxy', and much more to do with politics, property, geography, and, of course, new forms of writing.

This beautifully written work sheds new light on the origins and nature of Mahayana Buddhism with close readings of four well-known texts--the Lotus Sutra, Diamond Sutra, Tathagatagarbha Sutra, and Vimalakirtinirdesa. Treating these sutras as literary works rather than as straightforward philosophic or doctrinal treatises, Alan Cole argues that these writings were carefully sculpted to undermine traditional monastic Buddhism and to gain legitimacy and authority for Mahayana Buddhism as it was veering away from Buddhism's older oral and institutional forms. His sophisticated and sustained analysis of the narrative structures and seductive literary strategies used in these sutras suggests that they were specifically written to encourage devotion to the written word instead of other forms of authority, be they human, institutional, or iconic.

The truth of Chan Buddhism - better known as "Zen" - is regularly said to be beyond language, and yet Chan authors - medieval and modern - produced an enormous quantity of literature over the centuries. To make sense of this well-known paradox, Patriarchs on Paper explores several genres of Chan literature that appeared during the Tang and Song dynasties (c. 600-1300), including genealogies, biographies, dialogues, poems, monastic handbooks, and koans. Working through this diverse body of literature, Alan Cole details how Chan authors developed several strategies to evoke images of a perfect Buddhism in which wonderfully simple masters transmitted Buddhism's final truth to one another, suddenly and easily, and, of course, independent of literature and the complexities of the Buddhist monastic system. Chan literature, then, reveled in staging delightful images of a Buddhism free of Buddhism, tempting the reader, over and over, with the possibility of finding behind the thick facade of real Buddhism-with all its rules, texts, doctrines, and institutional solidity-an ethereal world of pure spirit. Patriarchs on Paper charts the emergence of this kind of "fantasy Buddhism" and details how it interacted with more traditional forms of Chinese Buddhism in order to show how Chan's illustrious ancestors were created in literature in order to further a wide range of real-world agendas.