This mesmerizing book is the ultimate American almanac, a unique record of life in the United States since 1900. For the first time, all the news, entertainment, art, literature, science and technology, sports, and fashion highlights are recorded in a single book, and this documentation is enriched by anecdotes, facts and figures, ads and fads, headlines, and memorable quotations -- as well by as more than a thousand photographs. And in addition to the listings, a lively and perceptive essay by Lois and Alan Gordon introduces each decade, capturing the flavor of each period.

The section on the 1900s, for example, commemorates Teddy Roosevelt, conservation, the first movie theater, the first World Series, vaudeville, ragtime, Henry James, and Frank Lloyd Wright. The section on the fifties considers the significance of Joseph McCarthy, I Like Ike, The Man in the Gray Flannel Suit, The Power of Positive Thinking, "Father Knows Best, " "Rebel Without a Cause, " The Lonely Crowd, Marilyn Monroe, Rosa Parks, and Sputnik. With its extraordinary wealth of information, American Chronicle ultimately conveys the unique imprint of each year and provides the stuff of contemporary memory. It will evoke and expand the contexts of all our lives.

A groundbreaking mind-body protocol for chronic pain. Chronic pain is an epidemic. 50 million Americans struggle with back pain, headaches, or some other pain that resists all treatment. Desperate pain sufferers are told again and again that there is no cure for chronic pain. Psychotherapist Alan Gordon was in grad school when he started experiencing chronic pain and it completely derailed his life. He saw multiple doctors and received many diagnoses, but none of the medical treatments helped. Frustrated with conventional pain management, he developed Pain Reprocessing Therapy (PRT), a mind-body protocol to eliminate chronic pain. He subsequently founded the Pain Psychology Center in Los Angeles to bring his treatment to other pain sufferers. PRT is rooted in neuroscience, which has shown that while chronic pain feels like it's coming from the body, in most cases it's generated by misfiring pain circuits in the brain. PRT is a system of psychological techniques that rewires the brain to break out of the cycle of chronic pain. The University of Colorado at Boulder recently conducted a large randomized controlled study on PRT, and the results are remarkable. By the end of the study, the majority of patients were pain-free or nearly pain-free. What's more, these dramatic changes held up over time. The Way Out brings PRT to readers. It combines accessible science with a concrete, step-by-step plan to teach sufferers how to heal their own chronic pain.

In 1849, St. Louis was little more than a frontier town, swelling under the pressure of rapid population growth, creaking under the strain of poor infrastructure, and often trapped within the confines of ignorance and prejudice. The cholera epidemic and Great Fire of 1849 were both a consequence of those problems and--despite the devastation they brought--a chance for the city to escape them. This book draws on the incomparable archives of the Missouri Historical Society, including newspaper accounts, letters, diaries, city and county records, and contemporary publications, to reveal the story of 1849 St. Louis as it was experienced by people who lived through that incredible year. The tale that emerges is as impressive as the city it depicts: full of all the drama and excitement of a great narrative and brimming with vivid accounts of momentous events whose causes and effects are still debated today. No St. Louis history buff will want to miss it.

In 1204 A.D., the Fools' Guild is in hiding, under attack from the forces of Pope Innocent III. Theophilos and Claudia, jesters with the Guild, are sent to enlist the help of a former guild member - the minstrel Folquet, now the abbot Folq at a Cistercian monastery - to intercede with the pope on their behalf. But while they are at the abbey pleading their case, a gruesome murder takes place - a monk is killed in the librarium and a cryptic message written on the wall in his blood. In the wake of the murder, Folq issues an ultimatum to Theophilos. If he learns the meaning of the message and finds the killer, Folq will help the Guild. But if the Jester fails, Folq will have the pope declare the Guild anathema. With the future of the Guild on the line, Theophilos, his wife, and their apprentice go off in search of Folquet's past and the meaning of the message, uncovering a long-ago series of events that were as deadly then as they are proving to be now.

In 1203, the ships of the Fourth Crusade, instead of traveling to the Holy Land, show up outside the walls of Constantinople and besiege the city. Within the walls, the jester couple Theophilos and Viola, agents of the Fools' Guild (and working under the names Feste and Aglaia), are on a mission to avert catastrophe.
    With disaster looming, the death of one silk merchant in the city's Venetian Quarter seems insignificant. The merchant, however, was not what he appeared to be and, if Constantionple is to have any hope of surviving the armies massed outside its gates, Feste must quickly uncover what forces were at work when the merchant lost his life.
     Appearing for the first time in paperback, and including the story "The Jester and the Thieves," A Death in the Venetian Quarter is Alan Gordon and his marvelous creation of the Fools' Guild at its very best.

An essential study of Cecil and the Elizabethan court, especially with regard to the establishment of English international power and the defeat of the Armada. From the preface: "It was an ironical fate to achieve while living a flame of the very first magnitude, only to have it consistently debased by posterity: to be acknowledged by contemporaries as the virtual 'Ruler of England' throughout the period that was most decisive in the nation's development, then to be reduced in history to little more than a faithful flunkey; painstaking, astute, patriotic (if you will); but essentially a figure in the background; a minor character in the drama; a necessary but obscure adjunct."

Charles Dickens' London is reimagined for the 21st century. Twenty-four hours in the life of a city that has 371 people in every square kilometer, where every street and square shelters heroes and villains, emotional turmoil, violent allegiances, adventures, the remarkable and the everyday. Olivier Award-winning playwright James Graham forges a uniquely crowd-sourced play, incorporating scenes by emerging writers into his own sweeping narrative. Dickens' panoply of London and Londoners, his big characters and fantastic stories in Sketches by Boz are updated for the modern age, incorporating the broadest range of voices from across the community in a theatrical whirligig of wonder and imagination.

In the 1960s, Canadians could step through time to eighteenth-century trading posts or nineteenth-century pioneer towns. These living history museums promised authentic reconstructions of the past but, as Time Travel shows, they revealed more about mid-twentieth-century interests and perceptions of history than they reflected historical fact. These museums became important components of post-war government economic growth and employment policies. Shaped by political pressures and the need to balance education and entertainment, they reflected Canadians' struggle to establish a pan-Canadian identity in the context of multiculturalism, competing nationalisms, First Nations resistance, and the growth of the state.

In the 1960s, Canadians could step through time to eighteenth-century trading posts or nineteenth-century pioneer towns. These living history museums promised authentic reconstructions of the past but, as Time Travel shows, they revealed more about mid-twentieth-century interests and perceptions of history than they reflected historical fact. These museums became important components of post-war government economic growth and employment policies. Shaped by political pressures and the need to balance education and entertainment, they reflected Canadians' struggle to establish a pan-Canadian identity in the context of multiculturalism, competing nationalisms, First Nations resistance, and the growth of the state.

Historians have long engaged in passionate debate about collective memory and national identity. Alan Gordon focuses on one national hero - Jacques Cartier - to explore how notions about the past have been passed from generation to generation in English- and French-speaking Canada and used to present particular ideas about the world. Nineteenth-century celebrations of Cartier reflected a new understanding of history that accompanied the arrival of modernity in North America. This sensibility, in turn, influenced the political and cultural currents of nation building in Canada. Cartier may have been a point of contact between English and French Canada, but the nature of that contact, as Gordon shows, had profound limitations.