All 20 episodes from the sixth and final series of the hit comedy drama series set in New York. In 'To Market, To Market', Carrie (Sarah Jessica Parker) is getting so nervous about her date with Berger (Ron Livingston) that she decides to go on a Sim-u-date to calm her nerves. 'Great Sexpectations' sees Carrie realising that the passion she and Berger feel for each other doesn't translate to the bedroom. In 'The Perfect Present', Carrie is concerned by Berger's hostile reaction to his ex-girlfriend's voicemail message. In 'Pick-a-Little, Talk-a-Little', Berger reacts badly to Carrie's jokey criticism of his new novel. In 'Lights, Camera, Relationship', Carrie and Berger's relationship starts to look even more fragile when Carrie gets a big advance for her book just as Berger's option is dropped by his publisher. In 'Hop, Skip and a Week', Berger and Carrie drift even further apart and he finally dumps her - by Post-it note. In 'The Post-it Always Sticks Twice', Carrie vows to her friends that she won't badmouth Berger - but when she runs into some friends of his the temptation proves irresistible. In 'The Catch', Charlotte (Kristin Davis) gets married to Harry (Evan Handler). 'A Woman's Right to Shoes' finds Carrie's new Manolos being stolen at her friend's baby shower. In 'Boy, Interrupted', Carrie runs into an old high school boyfriend, who is in town to attend a local psychiatric facility. 'The Domino Effect' sees Big (Chris Noth) back in town for an operation. In a feverish delirium he opens up to Carrie - but on recovery becomes his usual cool and closed-off self. In 'One', Carrie meets Aleksandr Petrovsky (Mikhail Baryshnikov) at a hot new art exhibition. In 'Let There Be Light', Carrie stays over at Aleksandr's apartment and the two become an official item. In 'Catch-38', Aleksandr tells Carrie that he has a daughter in Paris, and that he doesn't want any more children - leaving Carrie to wonder if, at 38, she's willing to give up a man for a baby she may or may not want to have. 'Out of the Frying Pan' sees Carrie walking out on Aleksandr when, during a conversation about Samantha's (Kim Cattrell) breast cancer, he mentions a friend of his who died of the illness. In 'The Cold War', Carrie arranges for her friends to meet Aleksandr, but he doesn't show up, and it turns out he's anxious about his forthcoming exhibition in Paris. In 'Splat', Carrie accepts Aleksandr's offer to accompany him to Paris. In 'An American Girl in Paris (Part Une)', Carrie, left to her own devices on the streets of Paris while Aleksandr prepares for his exhibition, is missing her friends and her life back home. In the final episode, 'An American Girl in Paris (Part Deux)', Carrie returns to New York and her friends with Big after he tracks her down in Paris and they realise they are meant to be together.

Motivate and nurture every pupil with bespoke support and inclusive, age-appropriate content for those working towards Second Level Maths in secondary schools. This rigorous approach guides learners through mathematical concepts with worked examples, plenty of practice and opportunities to check that skills are secure before moving on. Covering all CfE Second Level Benchmarks, this ready-made and differentiated course puts progression for all pupils at the heart of your curriculum. > Make new learning manageable: Each concept is introduced through step-by-step explanations and progressive worked examples, with proven methods for mastering more difficult concepts > Apply knowledge and practise skills: Pupils are encouraged to test and explore their understanding of new concepts by completing exercises that gradually build in difficulty - with answers included at the back of the book > Meet the needs of each pupil in your class: The explanations and activities are designed to ensure accessibility for all, while extension tasks provide further stretch and challenge > Effectively check and assess progress: 'Check-up' exercises at the end of each chapter consolidate learning and support formative assessment, helping you to monitor progression against the Experiences & Outcomes and Benchmarks > Deliver the 'responsibility for all' Es and Os: Plenty of activities that address literacy and health and wellbeing skills are threaded through the book

All 18 episodes from the second series of the popular TV comedy. In 'Take Me Out to the Ball Game' Carrie tries to get over her bust-up with Mr Big by dating a baseball player. 'The Awful Truth' finds Miranda talking dirty with her man. 'The Freak Show' has Charlotte date a man called Mr Pussy. 'They Shoot Single People, Don't They?' sees Samantha date a club owner. In 'Four Women and a Funeral' Miranda buys her own apartment. 'The Cheating Curve' finds Carrie back together with Mr Big. 'The Chicken Dance' sees the four friends attend a wedding. 'The Man, The Myth, The Viagra' has Miranda start dating a bartender. 'Old Dogs New Dicks' finds Charlotte dating an uncircumcised man. 'The Caste System' sees Samantha date a wealthy man. 'Evolution' has Charlotte unsure about the man she is dating. In 'La Douleur Exquise!' Miranda dates a man who enjoys the thought of being caught in the act. 'Games People Play' finds Samantha dating a sports fan. 'The Fuck Buddy' has Carrie recovering from another break-up with Mr Big. 'Shortcomings' sees Samantha date Charlotte's brother. 'Was It Good For You?' finds Carrie dating a recovering alcoholic. In 'Twenty-Something Girls vs Thirty-Something Women' the friends take a vacation and Charlotte dates a younger man. And finally in 'Ex and the City' Miranda meets a man she once used to date and Mr Big announces that he is getting married.

This book investigates how the technology used by telehealth services shapes our healthcare, and how we, as humans, collectively change and shape the technology and services used in healthcare. Based on extensive field research on telehealth services in Australia and Brazil, the book reveals some surprisingly obvious conclusions about our powers to shape the society.

Syllabus: CfE (Curriculum for Excellence, from Education Scotland) and SQA Level: BGE S1-3: Fourth Level Subject: Mathematics & Numeracy Aim high and build confidence with this rigorous approach. Pupils are guided through mathematical concepts with worked examples, plenty of practice and opportunities to check that skills are secure before moving on. Covering all CfE Fourth Level Benchmarks (with bridging material to prepare for N5), this ready-made and differentiated course puts progression for every pupil at the heart of your curriculum. > Make new learning manageable: Each concept is introduced through step-by-step explanations and progressive worked examples, with proven methods for mastering difficult concepts > Apply knowledge and practise skills: Pupils are encouraged to test and explore their understanding of new concepts by completing exercises that gradually build in difficulty - with answers provided at the back of the book > Lay firm foundations for National qualifications: Key skills required for N5 Maths are covered in greater depth within the context of Fourth Level topics, giving pupils and teachers a head start in S4 > Meet the needs of each pupil in your class: The explanations and activities are designed to ensure accessibility for those with low prior attainment, while coverage of higher order thinking skills will challenge and extend high achieving pupils > Effectively check and assess progress: 'Check-up' exercises at the end of each chapter consolidate learning and support formative assessment, helping you to monitor progression against the Experiences & Outcomes and Benchmarks > Deliver the 'responsibility for all' Es and Os: Plenty of activities that address literacy and health and wellbeing skills are threaded through the book

Spiritualist and extortionist Patrick Seton is coming up for trial. He's been accused of forgery, and suddenly West London's bachelors are all in a tizzy. Described by Evelyn Waugh as the 'cleverest and most elegant of all Mrs Spark's clever and elegant books', The Bachelors is a biting comedy of English manners. This is one of the 22 novels written by Muriel Spark in her lifetime. All are being published by Polygon in hardback Centenary Editions between November 2017 and September 2018.

Aimed at lay, student, and academic readers alike, this book concerns the imagination and, specifically, imagination in music. It opens with a discussion of the invalidity of the idea of the creative genius and the connected view that ideas originate just in the individual mind. An alternative view of the imaginative process is then presented, that ideas spring from a subconscious dialogue activated by engagement in the world around. Ideas are therefore never just of our own making. This view is supported by evidence from many studies and corresponds with descriptions by artists of their experience of imagining. The third subject is how imaginations can be shared when musicians work with other artists, and the way the constraints imposed by trying to share subconscious imagining result in clearly distinct forms of joint working. The final chapter covers the use of the musical imagination in making meanings from music. The evidence is that music does not communicate meanings directly, and so composers or performers cannot be looked to as authorities on its meaning. Instead, music is commonly heard as analogous to human experience, and listeners who perceive such analogies may then imagine their own meanings from the music.

The book's ambition is to uniquely yoke familiar histories of New Hollywood with aspects of critical theory that, since the 1950s, have embraced advances in the New Rhetoric as pioneered by literary theorist, philosopher, social analyst and educator Kenneth Burke (1897-1993). The study tracks the career arcs of Hollywood film directors Peter Bogdanovich, Martin Scorsese, Michael Cimino and Francis Ford Coppola whose productions are regarded as Burkean perspectives by incongruity. This analysis is contextualized within an overview that, from the 1920s to the present, considers Hollywood as a "languaged industry" that is grounded in Burkean principles of Order, identification, hierarchy, courtship and ambiguities of substance. The project is designed to serve the interests of colleagues and students in Rhetorical Theory, Film Education, Creative Writing, American Studies, Production Studies, and Film and Media Studies.

A SUNDAY TIMES BESTSELLER A WATERSTONES BEST BOOK OF 2022: ENTERTAINMENT A MAIL ON SUNDAYS BOOK OF THE YEAR 2022 Alan Rickman remains one of the most beloved actors of all time across almost every genre, from his breakout role as Die Hard's villainous Hans Gruber to his heart-wrenching run as Professor Severus Snape, and beyond. His air of dignity, his sonorous voice and the knowing wit he brought to each role continue to captivate new audiences today. But Rickman's artistry wasn't confined to just his performances. Rickman's writing details the extraordinary and the ordinary in a way that is anecdotal, indiscreet, witty, gossipy and utterly candid. He takes us behind the scenes on films and plays ranging from Sense & Sensibility, the Harry Potter series, Private Lives, My Name Is Rachel Corrie and many more. The diaries run from 1993 to his death in 2016 and offer insight into both a public and private life. Here is Rickman the consummate professional actor, but also the friend, the traveller, the fan, the director, the enthusiast: in short, the real Alan Rickman. Here is a life fully lived, all detailed in intimate and characteristically plain-spoken prose. Reading the diaries is like listening to Rickman chatting to a close friend. Madly, Deeply also includes a foreword by Emma Thompson and a selection of Rickman's early diaries, dating from 1974 to 1982, when his acting life first began.

All the episodes from the popular drama series, created by American Beauty writer Alan Ball, that takes a darkly comical look at members of a dysfunctional Pasadena family that runs an independent funeral home. Episodes comprise: Season One - 'Pilot', 'The Will', 'The Foot', 'Familia', 'An Open Book', 'The Room', 'Brotherhood', 'Crossroads', 'Life's Too Short', 'The New Person', 'The Trip', 'A Private Life' and 'Knock Knock'; Season Two - 'In The Game', 'Out, Out, Brief Candle', 'The Plan', 'Driving Mr. Mossback', 'The Invisible Woman', 'In Place of Anger', 'Back To The Garden', 'It's The Most Wonderful...', 'Someone Else's Eyes', 'The Secret', 'The Liar And The Whore', 'I'll Take You' and 'The Last Time'; Season Three - 'Perfect Circles', 'You Never Know', 'The Eye Inside', 'Nobody Sleeps', 'The Trap', 'Making Love Work', 'Timing and Space', 'Tears Bones and Desire', 'The Opening', 'Everyone Leaves', 'Death Works Overtime', 'Twilight' and 'I'm Sorry I'm Lost'; Season Four - 'Falling Into Place', 'In Case Of Rapture', 'Parallel Play', 'Can I Come Up Now', 'That's My Dog', 'Terror Starts At Home', 'The Dare', 'Coming And Going', 'Grinding The Corn', 'The Black Forest', 'The Bomb Shelter' and 'Untitled'; Season Five - 'A Coat of White Primer', 'Dancing For Me', 'Hold My Hand', 'Time Flies', 'Eat a Peach', 'Rainbow of Her Reasons', 'The Silence', 'Singing For Our Lives', 'Ecotone', 'All Alone', 'Static' and 'Everyone's Waiting'.

By turns entertaining and tragic, this beautifully crafted history reveals the origins of a great university in the dilemmas of Virginia slavery. Thomas Jefferson shares centre stage with his family and fellow planters, all dependent on the labour of enslaved black families. With a declining Virginia yielding to commercially vibrant northern states, in 1819 Jefferson proposed to build a university to educate and improve the sons of the planter elite. He hoped they might one day lead a revitalised Virginia free of slavery-and free of the former slaves. Jefferson's campaign was a contest for the future of a state and the larger nation. Although he prevails, Jefferson's vision of reform through education is hobbled by the actions of genteel students with a defiant sense of honour derived from owning slaves. It is the women of this hypermasculine society who redeem the best elements of his legacy.

By turns entertaining and tragic, this beautifully crafted history reveals the origins of a great university in the dilemmas of Virginia slavery. Thomas Jefferson shares centre stage with his family and fellow planters, all dependent on the labour of enslaved black families. With a declining Virginia yielding to commercially vibrant northern states, in 1819 Jefferson proposed to build a university to educate and improve the sons of the planter elite. He hoped they might one day lead a revitalised Virginia free of slavery-and free of the former slaves. Jefferson's campaign was a contest for the future of a state and the larger nation. Although he prevails, Jefferson's vision of reform through education is hobbled by the actions of genteel students with a defiant sense of honour derived from owning slaves. It is the women of this hypermasculine society who redeem the best elements of his legacy.

'A diary is an assassin's cloak which we wear when we stab a comrade in the back with a pen', wrote William Soutar in 1934. But a diary is also a place for recording everyday thoughts and special occasions, private fears and hopeful dreams. The Assassin's Cloak gathers together some of the most entertaining and inspiring entries for each day of the year, as writers ranging from Queen Victoria to Andy Warhol, Samuel Pepys to Adrian Mole, pen their musings on the historic and the mundane. Spanning centuries and international in scope, this peerless anthology pays tribute to a genre that is at once the most intimate and public of all literary forms. This new updated edition is published to mark the twentieth anniversary of the book's original publication.

In this beautifully written history of America's formative period, an eminent historian upends the traditional story of a young nation marching to its continent-spanning destiny. The newly constituted United States actually emerged as an internally fragile union of states that clashed over a tenuous balance of regional power. European empires and the new republic of Mexico sought to contain that union by allying with Native peoples who defended their homelands. Bitter political divisions pitted those favouring strong government with elite rule against those, like Andrew Jackson, espousing a democratic populism for white men. With a flood of settlers pouring into the west, the United States invaded Canada, Florida, Texas and much of Mexico. It forcibly removed most of the Native peoples living east of the Mississippi. And after the Mexican war, with conquered territory reaching west to the Pacific, the sectional divisions over slavery produced a crisis.

Aimed at lay, student, and academic readers alike, this book concerns the imagination and, specifically, imagination in music. It opens with a discussion of the invalidity of the idea of the creative genius and the connected view that ideas originate just in the individual mind. An alternative view of the imaginative process is then presented, that ideas spring from a subconscious dialogue activated by engagement in the world around. Ideas are therefore never just of our own making. This view is supported by evidence from many studies and corresponds with descriptions by artists of their experience of imagining. The third subject is how imaginations can be shared when musicians work with other artists, and the way the constraints imposed by trying to share subconscious imagining result in clearly distinct forms of joint working. The final chapter covers the use of the musical imagination in making meanings from music. The evidence is that music does not communicate meanings directly, and so composers or performers cannot be looked to as authorities on its meaning. Instead, music is commonly heard as analogous to human experience, and listeners who perceive such analogies may then imagine their own meanings from the music.

In this beautifully written history of America's formative period, an eminent historian upends the traditional story of a young nation marching to its continent-spanning destiny. The newly constituted United States actually emerged as an internally fragile union of states that clashed over a tenuous balance of regional power. European empires and the new republic of Mexico sought to contain that union by allying with Native peoples who defended their homelands. Bitter political divisions pitted those favouring strong government with elite rule against those, like Andrew Jackson, espousing a democratic populism for white men. With a flood of settlers pouring into the west, the United States invaded Canada, Florida, Texas and much of Mexico. It forcibly removed most of the Native peoples living east of the Mississippi. And after the Mexican war, with conquered territory reaching west to the Pacific, the sectional divisions over slavery produced a crisis.

Often understood as a high-minded, orderly event, the American Revolution grows in this masterful history like a ground fire overspreading Britain's mainland colonies, fuelled by local conditions and resistant to control. Emerging from the rivalries of European empires and their allies, the revolution pivoted on western expansion as well as resistance to new British taxes. In the seaboard cities, leading Patriots mobilised popular support by summoning crowds to harass opponents. Along the frontier, the war often featured guerrilla violence that persisted long after the peace treaty. The smouldering discord called forth a movement to consolidate power in a Federal Constitution but it was Jefferson's "empire of liberty" that carried the Revolution forward. This magisterial history reveals the American Revolution in its time, free of wishful hindsight.

This book is an intimate, fond and funny memoir of one of the greatest novelists of the last century. This colourful, personal, anecdotal, indiscreet and admiring memoir charts the course of Muriel Spark's life revealing her as she really was. Once, she commented sitting over a glass of chianti at the kitchen table, that she was upset that the academic whom she had appointed her official biographer did not appear to think that she had ever cracked a joke in her life. Alan Taylor here sets the record straight about this and many other things. With sources ranging from notebooks kept from his very first encounter with Muriel and the hundreds of letters they exchanged over the years, this is an invaluable portrait of one of Edinburgh's premiere novelists. The book will be published to celebrate the 100th anniversary of Muriel's birth in 2018.

Increasingly, psychiatrists make little distinction between psychiatric and neurologic disorders, considering them all as dysfunctions of the central nervous system. This is a practical how to book intended primarily for trainees and practicing clinicians unfamiliar with the relatively new field of neuropsychiatry. It is written as the author might teach the material during clinical rounds and in small group seminars. In a clear and engaging style, he explains what to do and how to do it, giving the rationale for each step, and synthesizing neuropsychiatric principles with practical guidelines for diagnosis and management of adult patients. Many tables are included for quick reference and to help the reader to quickly see the big picture of a given topic. The book covers personality and personality disorders, depression, bipolar disorder, psychiatric disorders, alcohol and substance abuse, epilepsy, traumatic brain injury and stroke, anxiety disorders, obsessive compulsive disorders, headache and violence. It can be used as an introductory text for psychiatric residents, medical students, and others who care for persons with behavioral disorders. It can also be used as a clinical manual or reference by practitioners in psychiatry and neurology.

Glasgow: The Autobiography tells the story of the fabled, former Second City of the British Empire from its origins as a bucolic village on the rivers Kelvin and Clyde, through the Industrial Revolution to the dawning of the second millennium. Arranged chronologically and introduced by journalist and Glasgowphile Alan Taylor, the book includes extracts from an astonishing array of writers. Some, such as William and Dorothy Wordsworth, Dirk Bogarde and Evelyn Waugh, were visitors and left their vivid impressions as they passed through on. Many others were born and bred Glaswegians who knew the city and its inhabitants - and its secrets - intimately. They come from every walk of life and, in addition to professional writers, include anthropologists and scientists, artists and murderers, housewives and hacks, footballers and comedians, politicians and entrepreneurs, immigrants and locals. Together they present a varied and vivid portrait of one of the world's great cities in all its grime and glory - a place which is at once infuriating, frustrating, inspiring, beguiling, sensational and never, ever dull.

"Whoever reads these essays—and whether they follow the book from cover to cover, or dip into chapters at random—will find the rich abundance and variety of early American scholarship set out before them. Readers new to the field will grasp a sense of its expansiveness and possibilities, but seasoned scholars, too, will find here a feast of insights and possibilities that will engage, provoke, and inspire them."—from the Foreword, by Christopher Clark How is American history written? In a penetrating series of review essays, prize-winning author Alan Taylor provides his own answer to this question. In the pages of The New Republic, he has regularly scrutinized the writing of the most interesting historians of early American history. Together these reviews provide the general reader a rich and rewarding introduction to their subjects. The books reviewed span an enormous range of scholarship, from popular biographies of Founding Fathers, to investigations of murders of prostitutes to discussions of frontier technology. Grouped thematically, the essays reveal a historian with an unrivaled breadth of knowledge and an admirable passion for his subject, and one who has contributed a continent-wide perspective to colonial history. As readers steep themselves in world-class scholarship, they also discover a writer who takes very seriously his role as reader.

This book investigates how the technology used by telehealth services shapes our healthcare, and how we, as humans, collectively change and shape the technology and services used in healthcare. Based on extensive field research on telehealth services in Australia and Brazil, the book reveals some surprisingly obvious conclusions about our powers to shape the society.

This book provides a comprehensive review of melancholia as a severe disorder of mood, associated with suicide, psychosis, and catatonia. The syndrome is defined with a clear diagnosis, prognosis, and range of management strategies, differentiated from other similar psychiatric, neurological, and general medical conditions. It challenges accepted doctrines in the classification and biology of the mood disorders and defines melancholia as a treatable mental illness. Described for millennia in medical texts and used as a term in literature and poetry, melancholia was included within early versions of the major diagnostic classificatory systems, but lost favour in later editions. This book updates the arguments for the diagnosis, describes its characteristics in detail, and promotes treatment and prevention. The book offers great hope to those with a disorder too often mis-diagnosed and often fatal. It should be read by all those responsible for the management of patients with mood disorders.