Franz Welser-Möst conducts the Wiener Philharmoniker in this live performance commemorating the centenary of the assassination of Franz Ferdinand in Sarajevo.

Alban Berg's dark, satirical opera charts the rise and fall of a femme fatale, from life as a society hostess to prostitution and eventually bloody death at the hands of Jack the Ripper. Franz Welser-Most leads the Orchestra of the Zurich Opera House in this production from 2002, with Laura Aiken in the lead role.

Claudio Abbado conducts the Simon Bolivar Youth Orchestra in this performance of works by Prokofiev, Berg, and Tchaikovsky, recorded live at the Lucerne Festival in 2010.

Peter Mussbach's highly-stylised production of Berg's opera, recorded live at the Oper Frankfurt in 1996. Dale Duesing takes the lead role, with Kristine Ciesinski as Marie, Dieter Bundschuh as the Captain and Frode Olsen as the Doctor. The conductor is Sylvain Cambreling.

Andris Nelsons leads the Lucerne Festival Orchestra in this concert performed in memory of Italian conductor Claudio Addado, who died in January 2014. The performance, which features violinist Isabelle Faust, was recorded at the Concert Hall of KKL Lucerne.

The Austrian premier of Alban Berg's darkly satirical opera, recorded live at Vienna's Theater an Der Wien in 1962. In what proved to be a career-defining performance, American soprano Evelyn Lear takes on the role of Lulu, a femme fatale who descends from life as a society hostess into prostitution. Other cast members include Rudolph Schock, Paul Schöffler and Josef Knapp. The conductor is Karl Böhm.

According to Elias Canetti, "with Wozzeck, Buchner achieved the most complete revolution in the whole of literature". The same can be said of Berg's opera, as revolutionary in the history of music. Mark DeVoto and Theo Hirsrunner discuss why this complex score suits the chaotic nature of the play. In his famous essay about the opera, Theodor Adorno shows how what seems fragmentary in the text is actually complete. Kenneth Segar offers a new interpretation of the play in the light of the most recent Buchner research. The play as Berg knew it is set out with a translation, and this unique source material is complemented by a series of critical reactions to the first London production in 1952. Contents: 'Wozzeck' in Context, Mark DeVoto; Georg Buchner's 'Woyzeck': an Interpretation, Kenneth; The Musico-Dramatic Structure of 'Wozzeck'; Musical Form and Dramatic Expression in 'Wozzeck', Theo Hirsbrunner; On the Characteristics of 'Wozzeck', Theodor W. Adorno; 'Wozzeck' at Covent Garden, 1952, John Amis, Eric Walter White, Arthur Jacobs, William Mann, Joan Chissell, Geoffrey Bush, Deryck Cooke, Robert L. Jacobs; Wozzeck: Libretto by Georg Buchner, edited by Franzos and Landau, 1909; Wozzeck: Performing translation by Vida Harford and Eric Blackall; Additional material fiom Buchner translated by Stewart Spencer