The uses of fiction in early modern Europe are far more varied than is often assumed by those who consider fiction to be synonymous with the novel. The contributors to this volume demonstrate the significant role that fiction plays in early modern European culture, not only in a variety of its literary genres, but also in its formation of philosophical ideas, political theories, and the law. The volume explores these uses of fiction in a series of interrelated case studies, ranging from the Italian Renaissance to the French Revolution and examining the work of, among others, Montaigne, Corneille, Descartes, Hobbes, Locke, and Diderot. It asks: Where does fiction live, and thrive? Under what conditions, and to what ends? It suggests that fiction is best understood not as a genre or a discipline but, instead, as a frontier: one that demarcates literary genres and disciplines of knowledge and which, crucially, allows for the circulation of ideas between them.

Sport studies and sports history have witnessed a recent substantial increase in publications. However, the relationship between literature and sport has been little explored. Sport, Literature, Society looks at a wide variety of case studies ranging from Japan to England, from India to Australia and covers sports as diverse as cycling, football, wrestling and boxing. It concentrates on historical perspectives. The contributors are all academics of international reputation and include historians of sport and literary scholars. Literature may shape our perceptions and reactions to sport as much as sport may inform our reading. As mimetic practice, as aesthetic object, as imaginative release, sport is analogous to literature and the other arts; at the same time, it can become the subject of literary, visual or musical elaborations. Literature often conceptualises the place and role of sport in culture and society. Indeed, sport inhabits literature in ways that have not been adequately studied. Sport studies have investigated the relationships between sport and society, education, gender, nation, and class. To look again at these relationships through the prism of literature enables us to change our focus and to assess the centrality of sport in culture. This book was published as a special issue of the International Journal of the History of Sport.

This study addresses the intricate links between oral culture and literate culture in the eighteenth century. Tadie traces how perceptions and representations of language move from a dominance of the spoken work to a dominance of the written word; and this is echoed in the order of the five chapters on conversation, gesture, theatre, fiction, and print. Tadie offers a reading of Sterne's works, arguing that the use of language lies at the centre of Sterne's art; he approaches the historical dimension of the texts in the context of eighteenth-century theories of language. He brings into focus the heterogeneity of Sterne's texts; and he demonstrates how Sterne's awareness for the variations of language links up with his interest in the form of the book, and with the use of all the potentialities of print. The study broaches the issue of the 'rise of the novel' in the eighteenth century. it refuses the idea of progress, or of slow emergence of the novel in the eighteenth century, which would lead progressively from Defoe to the Fielding-Richardson debate, to a possible view of Sterne as the great ironist of the form of the novel. Tadie asserts that Sterne's writings do not simply address the nature of the novel, but they engage with all the forms of language representation made available by the culture of the age.