From the author of 'This Sporting Life' and 'A Prodigal Child', this novel explores a relationship of exceptional intensity between the demoniac Victor Tolson and Leonard Radcliffe.

'A classic.' - Susan Hill, author of "The Woman in Black" and "I'm King of the Castle"
'John Wain's best novel in a long time . . . an interesting story . . . stunning.' - "The Observer"
'John Wain's contribution to the gathering army of lone, upset figures is a notable one.' - William Trevor, "Books and Bookmen"
'Harrowing but deeply compassionate . . . marks a new and impressive development in Mr. Wain's writing.' "British Book News"
'This searching novel throws a critical spotlight on the life that the modern world compels us to lead.' - "Encounter"
Arthur Geary, a 45-year-old research scientist, quits his job and leaves his wife and children, taking up residence in a hotel near Paddington Station, where he passes all his time sitting on the platforms, watching the people and trains come and go. Overwhelmed by the stresses of modern life, including his difficult job and failing marriage, Geary finds the limitless sky of London unbearable and seeks refuge beneath the 'smaller sky' of the glass-roofed station. But when friends and family become concerned with his unusual behaviour, and he begins to be hounded by psychiatrists and television reporters, Geary's search for peace and freedom becomes increasingly desperate . . .
One of the great English men of letters of the 20th century, John Wain (1925-1994) won almost every major British literary award during a career that spanned five decades, and his works are now being rediscovered. "The Smaller Sky" (1967), a classic novel of alienation and despair, is one of Wain's most enduring achievements and returns to print for the first time in more than 35 years. This edition includes a new introduction by Alice Ferrebe.

How did social, cultural and political events in Britain during the 1950s shape modern British fiction? As Britain emerged from the shadow of war into the new decade of the 1950s, the seeds of profound social change were being sown. Exploring the full range of fiction in the 1950s, this volume surveys the ways in which these changes were reflected in British culture. Chapters cover the rise of the 'Angry Young Men', an emerging youth culture and vivid new voices from immigrant and feminist writers. A major critical re-evaluation of the decade, the book covers such writers as Margery Allingham, Kingsley Amis, E. R. Braithwaite, Rodney Garland, Martyn Goff, Attia Hosain, George Lamming, Marghanita Laski, Doris Lessing, Colin MacInnes, Naomi Mitchison, V. S. Naipaul, Barbara Pym, Mary Renault, Sam Selvon, Alan Sillitoe, John Sommerfield, Muriel Spark, J. R. R. Tolkien, Angus Wilson and John Wyndham.

Challenges the myths about apathy and smugness surrounding British literature of the period. Alice Ferrebe's lively study rereads the decade and its literature as crucial in twentieth-century British history for its emergent and increasingly complicated politics of difference, as ideas about identity, authority and belonging were tested and contested. By placing a diverse selection of texts alongside those of the established canon of Movement and 'Angry' writing, a literary culture of true diversity and depth is brought into view. The volume characterises the 1950s as a time of confrontation with a range of concerns still avidly debated today, including immigration, education, the challenging behaviour of youth, nuclear threat, the post-industrial and post-imperial legacy, a consumerist economy and a feminist movement hampered by the perceivedly comprehensive nature of its recent success. Contrary to Jimmy Porter's defeatist judgement on his era in John Osborne's 1956 play Look Back in Anger, the volume upholds such concerns as 'good, brave causes' indeed.