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16th-century Flemish painter Pieter Bruegel the Elder redefined how
people perceived human nature. Bruegel turned his critical eye to
mankind’s labours and pleasures, its foibles and rituals of daily
life. Portraying landscapes, peasant life and biblical scenes in
startling detail, Bruegel questioned how well we really know
ourselves and also how we know, or visually read, others. This
superbly illustrated volume, now in paperback, examines how
Bruegel’s art and ideas enabled people to ponder what it meant to
be human. It will appeal to all those interested in art and
philosophy, the Renaissance and the painting of the Dutch Golden
Age.
Contrary to previously held beliefs that bilingualism wonder hinder
cognitive and language development in children, research has shown
that bilingual children show enhanced cognitive flexibility and an
ability to better focus their attention. This book explores both
emergent literacy and bilingualism in children in four Asian
countries - Hong Kong, Singapore, Myanmar, and Taiwan, giving
specific examples of how adults (including parents, teachers, and
other education professionals) can use creative interaction - as
opposed to rote learning - to increase children's interest in
learning English as a second language. This is especially important
in the increasingly computer-connected world, where innovation can
be key in making second language learning both interesting and
effective. Specific contributions to this volume include a case
study of Taiwanese families analyzing home videos of their
children's responses to the task of reading a Mandarin picture
book; of vocabulary instruction in Hong Kong which requires
children to gain triple language proficiency (Cantonese, English,
and Mandarin); of the relation between Cantonese proficiency
amongst 5 year olds in Hong Kong and their receptiveness to
learning new English vocabulary; of the relation between English
reading ability and Mandarin speaking ability amongst Singaporean
children; of the importance of teachers' sensitivity to gender
differences among 6 year olds in Singapore learning English as a
second language; of the active promotion of storytelling by
teachers in Myanmar, in order to develop children's interest in
story structure, and to stimulate early language skills; and of an
emphasis on family-based emergent literacy activities for children
in Taiwan. This book was originally published as a special issue of
Early Child Development and Care.
Unlike the work of his contemporaries Rubens and Caravaggio, who
painted on a grand scale, seventeenth-century Flemish painter Jan
Brueghel’s tiny, detail-filled paintings took their place not in
galleries but among touchable objects. This first book-length study
of his work investigates how educated beholders valued the
experience of refined, miniaturized artworks in Baroque Europe, and
how, conversely, Brueghel’s distinctive aesthetic set a
standard—and a technique—for the production of inexpensive
popular images. It has been easy for art historians to overlook the
work of Jan Brueghel, Pieter’s son. Yet the very qualities of
smallness and intimacy that have marginalized him among historians
made the younger Brueghel a central figure in the
seventeenth-century art world. Elizabeth Honig’s thoughtful
exploration reveals how his works—which were portable, mobile,
and intimate—questioned conceptions of distance, dimension, and
style. Honig proposes an alternate form of visuality that allows us
to reevaluate how pictures were experienced in seventeenth-century
Europe, how they functioned, and how and what they communicated. A
monumental examination of an extraordinary artist, Jan Brueghel and
the Senses of Scale reconsiders Brueghel’s paintings and restores
them to their rightful place in history.
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