Making a strong case for a revaluation of Wyndham Lewis (1882-1957), this collection argues that significant aspects of Lewis's writing, painting, and thinking have not yet received the attention they deserve. The contributors explore Lewis's contributions to the production and circulation of modernism and assess the links between Lewis's writing and painting and the work of other key contemporary figures, to position Lewis not only as one of the first twentieth-century cultural critics but also as one who anticipated the work of the Frankfurt School and other social theorists. Familiar topics and themes such as Vorticism receive fresh appraisals, and Lewis's significance as a philosopher-critic, novelist, and artist becomes fully realized in the context of his associations with important figures such as John Rodker, Charlie Chaplin, Evelyn Waugh, Naomi Mitchison, and Rebecca West. Lewis emerges as a figure whose writings on politics, corporate patronage, shell shock, anthropology, art, and cinema extend their influence into the late twentieth and early twenty-first centuries.

Making a strong case for a revaluation of Wyndham Lewis (1882-1957), this collection argues that significant aspects of Lewis's writing, painting, and thinking have not yet received the attention they deserve. The contributors explore Lewis's contributions to the production and circulation of modernism and assess the links between Lewis's writing and painting and the work of other key contemporary figures, to position Lewis not only as one of the first twentieth-century cultural critics but also as one who anticipated the work of the Frankfurt School and other social theorists. Familiar topics and themes such as Vorticism receive fresh appraisals, and Lewis's significance as a philosopher-critic, novelist, and artist becomes fully realized in the context of his associations with important figures such as John Rodker, Charlie Chaplin, Evelyn Waugh, Naomi Mitchison, and Rebecca West. Lewis emerges as a figure whose writings on politics, corporate patronage, shell shock, anthropology, art, and cinema extend their influence into the late twentieth and early twenty-first centuries.

Roxy lives in the forest with her three best friends, who she loves to visit and play games with. Roxy is in a wheelchair, so sometimes it is harder for her to go to the same places and play the same games as the other animals. Roxy and her friends realise that by making a few small changes and working together, they can make the forest a better place for everyone. Roxy teaches us that there are bunches of ways to be more inclusive of those who have a disability so that everyone can join in. Part of the Truth & Tails series, which aims to eliminate prejudices and encourage acceptance in young children aged 4-8, the story of Roxy and her friends is accompanied by hand-drawn, watercolour illustrations.

Molly is a mole with many friends, including a deer, a butterfly, and an owl. Sometimes Molly feels sad because she doesn't look the same as her friends, and feels very different to them. By helping each of them out with a task, Molly learns that her friends love her for the amazing qualities that are unique just to her. Molly the Mole addresses the difference between the way we perceive ourselves and the way our friends and family perceive us. Molly learns the importance of being kind and patient with others, and that everyone is unique. Part of the Truth and Tails series, which aims to eliminate prejudices and encourage acceptance in young children aged 4-8, this delightful story is accompanied by hand-drawn, watercolour illustrations.

IMPACT is a story about the lasting effect rape has on women, three women in particular. There's Marianne, who loses the baby she's carrying and is left barren because of the rape. There's Lisa, who runs away from home to escape a pedophile and is working toward a degree in journalism. Zoe is the wife of the rapist. Because of the rape, their lives become intertwined.

Although the individual stories are the thrust of the book, the development of their strengths and weaknesses makes each character come alive.

The purpose of this book is to bring a sense of satisfaction to the many women throughout the world who have been attacked, whether by family members or complete strangers. I believe IMPACT will have universal appeal to all women, even those who have never been physically abused.