A comprehensive and broad introduction to computer and intrusion forensics, this practical work is designed to help you master the tools, techniques and underlying concepts you need to know, covering the areas of law enforcement, national security and the private sector. The text presents case studies from around the world, and treats key emerging areas such as stegoforensics, image identification, authorship categorization, link discovery and data mining. It also covers the principles and processes for handling evidence from digital sources effectively and law enforcement considerations in dealing with computer-related crimes, as well as how the effectiveness of computer forensics procedures may be influenced by organizational security policy.

A French intelligence officer, Assem, is tasked with tracking down a former member of the U.S. Special Forces suspected of drug trafficking during the War in Afghanistan. En route to Beirut he shares a night with Miriam, an Iraqi archaeologist, who is in a race against time to save ancient artefacts across the Middle East from the terrorist group ISIS. Punctuating these two storylines are vignettes from the bellicose past, all turning points in world history, each showing a will to continue in the face of defeat.

A primal tale of cruelty and redemption The family farm has run to ruin. Rafael's father has abandoned them. His older brothers, the twins Mauro and Joaquin, blame Rafael for their father's departure and exact revenge on their baby brother. Steban, Rafael's other sibling, is a simpleton whose affections and allegiances change with the shifting winds. Ruling over this dysfunctional roost is a tyrannical and avaricious mother. There is nothing bucolic about existence on a dilapidated farm on the lonely Patagonian steppe. Life is ruthless, unforgiving, and bloody. As the family tensions mount, daily life degenerates into open warfare, revealing dark truths about the human soul. For readers of Coetzee's Disgrace, the writing of Dorothy Alison, and the southern gothic of William Faulkner, Nothing but Dust is a gripping, unsentimental, ultimately majestic story about life in one of the most inhospitable places on Earth.

From the author of the New York Times bestseller, "The Elegance of the Hedgehog."
In the heart of Paris, in the posh building made famous in "The Elegance of the Hedgehog," Pierre Athens, the greatest food critic in the world, is dying. Revered by some and reviled by many, Monsieur Arthens has been lording it over the world's most esteemed chefs for years, passing judgment on their creations, deciding their fates with a stroke of his pen, destroying and building reputations on a whim. But now, during these his final hours, his mind has turned to simpler things. He is desperately searching for that singular flavor, that sublime something once sampled, never forgotten, "the Flavor" par excellence. Indeed, this flamboyant and self-absorbed man desires only one thing before he dies: one last taste.
Thus begins a charming voyage that traces the career of Monsieur Arthens from childhood to maturity across a celebration of all manner of culinary delights. Alternating with the voice of the supercilious Arthens is a chorus belonging to his acquaintances and familiars?relatives, lovers, a would-be protege, even a cat. Each will have his or her say about M. Arthens, a man who has inspired only extreme emotions in people. Here, as in "The Elegance of Hedgehog," Muriel Barbery's story celebrates life's simple pleasures and sublime moments while condemning the arrogance and vulgarity of power.

The consumer ethic is ubiquitous. Everything we do, see, hear and even feel appears to be connected in some way to our experience as consumers. The increasingly high profile of debates over consumption, consumer culture, consumer behaviour and consumer rights reflects a world undergoing rapid change. The Changing Consumer charts thenature of that change, as well as discussing why consumption has become so important and what role, if any, it plays in underpinning social, economic and political transformation. Featuring contributions from some of the leading theorists of consumption from across a range of disciplines, this collection includes chapters on:
* Men's consumption and men's magazines
* The changing profile of women as consumers
* the representation of consumption on popular TV shows
* Consuming retro chic
* The symbolic and emotional role of alcohol consumption.
Drawing on fascinating case studies throughout, this book will be essential reading for students and academics interested in the study of consumption.

Contents:
1. Introduction: the meaning of consumption; the meaning of change? Steven Miles, Kevin Meethan and Alison Anderson 2. Setting the Scene: changing conceptions of consumption Alan Warde 3. Consuming Women; winning women? Janice Winship 4. Consuming Men; producing Loaded Ben Crewe 5. Producing TV; consuming TV Steve Spittle 6. Consuming Advertising; consuming cultural history Liz McFall and Paul du Gay 7. Consuming Retro; consuming design Adrian Franklin 8. Consuming Symbolic Meaning; consuming alcohol 9. Consuming Technology; consuming home computers Elaine Lally 10. Consuming Youth; consuming lifestyles Steven Miles 11. Changing Consumer; changing disciplinarity Russell W. Belk

Over the past decade, the environment has become a contentious issue provoking intense political debate and public concern. In this innovative and comprehensive work, important research on media and the environment is successfully interwoven into an integrated cultural studies text. Arguing that any study of mass media must be placed within the wider context of culture, politics and society, the author offers an in-depth analysis of pressure politics and the environmental lobby, as well as a critical examination of the production, transmission and negotiation of news discourse. Media, Culture and the Environment will be welcomed by students of cultural and media studies and by those studying environmental politics and human geography.

NOVEMBER 24, 2004 The day of the tragedy. The end of a brotherhood. The Baltimore Boys. The Goldman Gang. That was what they called Marcus Goldman and his cousins Woody and Hillel. Three brilliant young men with dazzling futures ahead of them, before their kingdom crumbled beneath the weight of lies, jealousy and betrayal. For years, Marcus has struggled with the burdens of his past, but now he must attempt to banish his demons and tell the true and astonishing story of the Baltimore Boys. The stunning new novel from the author of the global bestseller, The Truth about the Harry Quebert Affair Translated from the French by Alison Anderson

This book is intended for final year undergraduates and postgraduates in cultural and media studies, as well as postgraduate and academic researchers. Courses on culture and the media within sociology, environmental studies, human geography and politics.

A French intelligence officer, Assem, is tasked with tracking down a former member of the U.S. Special Forces suspected of drug trafficking during the War in Afghanistan. En route to Beirut he shares a night with Miriam, an Iraqi archaeologist, who is in a race against time to save ancient artefacts across the Middle East from the terrorist group ISIS. Punctuating these two storylines are vignettes from the bellicose past, all turning points in world history, each showing a will to continue in the face of defeat.

This book helps you learn how to make your own maple syrup from start to finish. Third-generation syrup makers Alison and Steven Anderson show you how to collect sap using a tree-friendly tubing system and then cook, bottle, and even market your syrup. Whether you want a few bottles of syrup for your family's pancakes or you want to start your own business, this in-depth reference has the information you need.

Sandrine Cordier works in an office, but her daily routine is in no way as dull. Sandrine is a volcanic woman, full of ideas and energy, and a world-class cook who wants to open her own restaurant. An opportunity arises when she meets Antoine Lacuenta, an unemployed professor looking for new life goals. With a master plan that one could only call Machiavellian, Sandrine includes Antoine in her venture. Things proceed smoothly until Sandrine accidentally discovers a shady newspaper operation that will lead her to flush out the news magnate Marcel Lacarriere and his many scandals.

Winner of the 2018 Fénéon Literary Prize

A subtle, captivating, and insightful exploration of the mysterious connections between love, submission, and creation.

Helen and Franck, both born into high-ranking diplomatic families, meet in Rome as high-school students and immediately detect in each other the wounded child hidden beneath their gilded social status. Their relationship becomes a dangerous, explosive mix of love and friendship.

Immediately after Helen's graduation, they leave their past and family behind to move in together in her apartment in Amsterdam. While Helen immerses herself in her studies and embarks on a promising academic career, Frank, after a few difficult years, makes a spectacular debut on the Dutch Art scene with his first paintings. Helen remains faithfully by his side during his rise to fame, overseeing the domestic details of his life in apparent total self-abnegation.

Are introverted Helen and flamboyant Franck who they really appear to be? Are they victims or monsters? Kerninon’s English language debut, full of masterfully orchestrated twists and turns, leaves simple distinctions behind and progresses on to far more intriguing terrain.

In 1912, six months after Robert Falcon Scott and four of his men came to grief in Antarctica, a thirty-two-year-old Russian navigator named Valerian Albanov embarked on an expedition that would prove even more disastrous. In search of new Arctic hunting grounds, Albanov's ship, the Saint Anna, was frozen fast in the pack ice of the treacherous Kara Sea-a misfortune grievously compounded by an incompetent commander, the absence of crucial nautical charts, insufficient fuel, and inadequate provisions that left the crew weak and debilitated by scurvy.

For nearly a year and a half, the twenty-five men and one woman aboard the Saint Anna endured terrible hardships and danger as the icebound ship drifted helplessly north. Convinced that the Saint Anna would never free herself from the ice, Albanov and thirteen crewmen left the ship in January 1914, hauling makeshift sledges and kayaks behind them across the frozen sea, hoping to reach the distant coast of Franz Josef Land. With only a shockingly inaccurate map to guide him, Albanov led his men on a 235-mile journey of continuous peril, enduring blizzards, disintegrating ice floes, attacks by polar bears and walrus, starvation, sickness, snowblindness, and mutiny. That any of the team survived is a wonder. That Albanov kept a diary of his ninety-day ordeal-a story that Jon Krakauer calls an "astounding, utterly compelling book," and David Roberts calls "as lean and taut as a good thriller"-is nearly miraculous.

First published in Russia in 1917, Albanov's narrative is here translated into English for the first time. Haunting, suspenseful, and told with gripping detail, In the Land of White Death can now rightfully take its place among the classic writings of Nansen, Scott, Cherry-Garrard, and Shackleton.

The Republic of the Congo, 1964. A young man is facing a firing squad, preparing for his last moment on Earth. He reflects on his childhood with a distant mother, and the moments which have led to him finding himself staring death in the face. Patrick Nothomb is a young diplomat, aged 28, when he is taken hostage with thousands of others in Stanleyville (now Kisangani) by rebels. Over the course of four months, Nothomb has negotiated with his captors each and every day, saving the lives of 1500 citizens. Inspired by the life of her father, who died at the beginning of the COVID 19 pandemic, Amélie Nothomb slips into his shoes to give voice to his story.

The Gospel according to Amelie Jesus is perhaps the most universally known figure in the Western world, yet he remains one of the most obscure. In her reinterpretation of the story of the Passion and crucifixion, Nothomb gives voice to a transgressive Messiah, the son of God portrayed as deeply human. Not so much because of his broken chastity vows, rather because of his inability to forgive himself for the pointless and sadistic mise-en-scene that is the Passion. It all starts with the farcical trial at the court of Pontius Pilate. When the witnesses for the prosecution stand up one by one, they turn out to be, paradoxically, the very ones who were healed by Jesus' miracles, from the disgruntled beggar no longer able to solicit alms, to the man who, freed from satanic possession, now finds his life fatally boring. As the familiar, harrowing tale unfolds in all its dramatic intensity, Nothomb veers from the tragic to the comic, from deep compassion to cold mercilessness. She distils the essence of life down to its basic components - love, death and thirst - revealing that real human strength resides in the body, not in the spirit.

A novel about passion, death, and the ambiguous relationship between art and reality Antonia grows up in rural Corsica, a place of deeply-rooted traditions and strong family ties. When she's fourteen, her uncle, a priest, gives her a camera-suddenly changing the way she looks at the world and igniting a life-long passion. Over two decades later, Antonia runs into Dragan, a soldier whom she had met when she was reporting on the war in the former Yugoslavia. The two spend the night in deep conversation, reminiscing about their experience of the conflict. As she drives home, Antonia loses control of her car, plunges off a cliff and is killed instantly. Tasked with officiating at her funeral, Antonia's uncle is forced to reflect on her life and legacy and on the profound questions they beg about ambition and doubt, passion and guilt, representation and reality. Wide in scope but rich in detail, restrained yet deeply moving, In His Own Image weaves together the story of a life with universal themes that resonate across time and space.