This lively collection of essays showcases recent research into the impact of the conflict on British women during the First World War and since. Looking outside of the familiar representations of wartime women as nurses, munitionettes, and land girls, it introduces the reader to lesser-known aspects of women's war experience, including female composers' musical responses to the war, changes in the culture of women's mourning dress, and the complex relationships between war, motherhood, and politics. Written during the war's centenary, the chapters also consider the gendered nature of war memory in Britain, exploring the emotional legacies of the conflict today, and the place of women's wartime stories on the contemporary stage. The collection brings together work by emerging and established scholars contributing to the shared project of rewriting British women's history of the First World War. It is an essential text for anyone researching or studying this history. This book was originally published as a special issue of Women's History Review.

This lively collection of essays showcases recent research into the impact of the conflict on British women during the First World War and since. Looking outside of the familiar representations of wartime women as nurses, munitionettes, and land girls, it introduces the reader to lesser-known aspects of women's war experience, including female composers' musical responses to the war, changes in the culture of women's mourning dress, and the complex relationships between war, motherhood, and politics. Written during the war's centenary, the chapters also consider the gendered nature of war memory in Britain, exploring the emotional legacies of the conflict today, and the place of women's wartime stories on the contemporary stage. The collection brings together work by emerging and established scholars contributing to the shared project of rewriting British women's history of the First World War. It is an essential text for anyone researching or studying this history. This book was originally published as a special issue of Women's History Review.

This clever bit of literary mischief is an "exquisite, exuberant, X-rated" ("Mirabella") novel about an imaginary eleventh-century Japanese writer. Onogoro, poet and concubine of the general Motosuke, hides a stable boy behind the screen at the head of her bed to spice up her love life with her master.

At 30, Will is the epitome of the New Man: successful, a skilled mountaineer, happy in his equal and open marriage. Then he falls in love with Kathleen, and his charmed life begins to fall apart as he discovers the strength of their passion and his inability to control it.

The concept of motherhood emerges strongly in the writings of Simone de Beauvoir, Violette Leduc and Annie Ernaux, whose work is examined here in the light of current debates about women's reproductive function and the longstanding glorification of the mere au foyer in France, driven by fear of a falling population. In this interdisciplinary study of twentieth-century French women's writing, Fell uncovers tensions at the heart of the literary critique. She shows these authors challenging the patriarchal view of motherhood as the sole justification for a woman's existence while at the same time confronting the conflict inherent in their relationship with their own mothers. A survey of theoretical and historical material demonstrates vividly that the changing concept of motherhood remains a problematic and highly contentious issue for French feminists, whether writing in 1940 or 1999.