Although the author (with many previous unique Snarkian works under his belt) describes "Snarkmaster" as the final work in a trilogy, it stands alone quite distinctly as a unique, gripping tale of a power struggle between good and evil, concluding with the development of an unusual intermediate state. Most of the story takes place prior to the traditional Snark voyage (described in verse in Lewis Carroll's "The Hunting of the Snark"), but becomes inextricably linked with it-unless it isn't... The literary structure of "Snarkmaster" reveals some influence of Carroll's "Sylvie and Bruno" tales, as the characters (including the great Charles Dodgson himself) experience dream states and the appearance of at least one fairy. The comprehensive glossary and painstakingly hand-detailed maps of each of the islands in the archipelago may not be essential to follow the story, but they certainly enhance it. The meticulously hand-inked illustrations emphasize some of the important aspects of the story and provide a tropical ambiance for the text. While not necessarily a prerequisite, knowledge of Carroll's original poem is likely to make Snarkmaster more enjoyable for most readers.

"The Haunting of the Snarkasbord" is a dark, humorous parody of Lewis Carroll's "The Hunting of the Snark" concerning what followed the Baker's vanishing and the Crew's continued hunt for a snark on Snark Island. Alison Tannenbaum wrote the poetry in "Snarkasbord: A Crewsome Choice" and also wrote notes on Byron W. Sewell's illustrations for it. An introduction and Gardnerian-style notes have been written by August A. Imholtz, Jr in his inimitable style. This edition marks the first public publication of the poems "The Booking," "The Recrewting," and "The Sailing"-the three "Missing Fits" composed by Charlie Lovett. These were originally written for a secret English Snarkian Society, and were mentioned by Selwyn Goodacre in his "The Listing of the Snark" in Martin Gardner's final version of The Annotated Hunting of the Snark. Hitherto, they have only ever been seen by the members or guests of the Society. In addition to his wonderful illustrations, Byron W. Sewell has contributed an original short story, ,"" which tells what happened to the Baker from the viewpoint of the Boojum. Like Lovett's parodies, this short story has never before been seen by the public; it was issued in a very limited number to his Carrollian friends.