The first in-depth look at the work of the globally celebrated and multidisciplinary London-based designer Faye Toogood - this book covers all aspects of her work, from clothes and furniture, to installations and interior design Faye Toogood is unlike any other designer. Her impressive creative output encompasses not only furniture, but sculpture, fashion, interiors, and homeware. This book is the first to explore Toogood's unique approach to design across disciplines through the studio's guiding principles: drawing, material, sculpture, and landscape. In doing so it not only reveals the fascinating creative process behind Toogood's beautiful designs, but also illustrates the interconnectedness of her design across a range of practices together with the poetry that flows throughout her work. The book also features her collaborations with (and commissions by) such brands as Birkenstock, Carhartt WIP, Comme des Garcons, Dover Street Market, Hermes, Mulberry and National Gallery of Victoria.

Exploding Fashion examines the impact of innovative pattern-cutting in several key examples of 20th century fashion design. With over 200 illustrations, it 'explodes' designs by 6 game-changing fashion designers from the world's leading fashion houses, and reverse engineers them in order to understand how they work. Written by a curator and professor at Central Saint Martins, London's premier college of art and design, this is the first comprehensive exploration of how a traditional design process can enter into a dialogue with new concepts, illuminating haute couture and pret-a-porter methods for a visually-driven digital age.

A beautifully photographed insider's look at the highly influential personal style and wardrobe of Isabella Blow, one of fashion's most courageous, outrageous, and imaginative muses. Isabella Blow was said to have been a one-off of her own creation in a world of copycats. She had a gift for spotting fashion genius-her discoveries included Alexander McQueen, Hussein Chalayan, and Sophie Dahl, all of whom became instantaneously iconic. Her eye put her at the center of the high fashion scene, yet Isabella's pedigree, intoxicating energy, wicked sense of humor, boundaries-pushing aesthetics, and her willingness to wear the outrageous made her into a fashion icon. This elaborate volume-published with Somerset House and in association with the Isabella Blow Foundation and Central Saint Martins to accompany the fall 2013 exhibition-is an exhaustive survey of Isabella's personal collection. With over 100 gorgeous full-color and black-and-white photographs shot exclusively for this publication by Nick Knight, this volume is the first to catalogue her own famous wardrobe that includes thousands of pieces by the most important contemporary designers, including McQueen, Philip Treacy, and Manolo Blahnik. The impact of Isabella's influence can be seen within this captivating and inspiring volume, an essential addition to libraries of the fashionable, cultured, and eclectic.

In this timely book, three noted fashion historians examine the global transformations in the fashion industry today, and identify the challenges of the future. Since the dawn of designer fashion at the beginning of the 20th century, the role and position of the designer has drastically changed. This book addresses how the interpretation of creativity, authorship, craft, and innovation have evolved in this new context, and asks what role designers play in a globalised and digitised fashion world.

A captivating photographic odyssey spanning fashion, Hollywood and travel, this is the first publication in almost 40 years on the work of George Hoyningen-Huene, the photographer whose images defined an era. Baron George Hoyningen-Huene (1900–1968), known simply as Huene, worked during the golden age of couture fashion and Hollywood cinema. He was born in St Petersburg to a wealthy family, but they had to flee their home during the Russian revolution in 1917. Huene spent time in England before moving to Paris, where he was employed to create photographs for Vogue and Vanity Fair and rapidly established himself as a visual innovator, fusing elements of neoclassicism and surrealism to create chic, arresting images. In 1935, Huene joined Harper’s Bazaar magazine, where he remained a contributor until 1946, following which he settled in California and embarked on a second career as a colour coordinator for Hollywood films. Supported by an international exhibition opening at Chanel Nexus Hall in Tokyo, this book combines elegant design and production values with rigorous new research and scholarship. Organized into eight chapters, each supported by texts by contributing writers from the worlds of fashion, cinema and photography, and featuring names and faces that have defined our view of style, glamour and grace in the 20th century, it reminds us of Huene’s position among the greats of photography.