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As international political and economic relations have become
increasingly complex, so have the pressures on international
boundaries and the borderlands which surround them. Although there
are still many examples of "traditional" boundary problems
associated with disputes between states concerning control over
territory and maritime space, the papers in this volume demonstrate
the vulnerability of borderlands to other forces, most notably
illegal immigration and cross-border crime. This study aims to
investigate the causes and implications of borderland stress. The
first section explores changing concepts of sovereignty and their
impact on the meaning and functions of international boundaries.
The contributions in the second and third sections offer a
combination of regional appraisals and individual case studies
highlighting the range of problems affecting borderlands around the
world, together with an assessment of some of the initiatives
launched in response to those problems. While many of the
conclusions drawn are rather sobering, it is clear that in some
parts of the world new and imaginative approaches to territorial
organization and management are helping to create safer, more
dynamic and more prosperous borderlands. The papers in this volume
represent the proceedings of the fifth International Conference of
the International Boundaries Research Unit, held at the University
of Durham on 15-17 July 1998.
Nothing serves to remind us of the instability of the "globalized"
order as much as the continuing power of territorial boundaries to
spawn political and humanitarian crises. Although it might seem
that in this important respect the modern world has made little
progress, the work of Gerald Blake continues to prove that peaceful
resolution of problems associated with international boundaries can
be attained. This festschrift reflects the topics and regional
preoccupations of one of the leading researchers in the field.
Professor Blake returned to certain topics throughout his long
career, especially the Middle East, maritime boundaries, and the
relation between borders and demographics. Several of the authors
extend his work in such areas as Arctic jurisdiction, environmental
issues of transboundary water management, and geographic
information systems (GIS). For the growing number of professionals
in conflict management, international humanitarian law, the law of
the sea, environmental law, and energy law, and for workers in such
diverse fields as natural resource management and forced migrations
- as well as for specialists in the Middle East, Africa, and South
East Asia - these revealing essays should offer a wealth of
valuable information and insight.
In this essay, German-Israeli historian Dan Diner argues that the
European consciousness uses America as a metaphor for the dark
sides of modernism. He finds an especially aggressive variant of
this negative judgement in Germany, the roots of which he traces
back to the Romantic period.
Between ten thousand and twelve thousand Jews tried to escape Nazi
genocide by going into hiding. With the help of Jewish and
non-Jewish relatives, friends, or people completely unknown to
them, these "U-boats," as they came to be known, dared to lead a
life underground. Flight and Concealment brings to light their
hidden stories. Deftly weaving together personal accounts with a
broader comparative look at the experiences of Jews throughout
Germany, historian Susanna Schrafstetter tells the story of the
Jews in Munich and Upper Bavaria who fled deportation by going
underground. Archival sources and interviews with survivors and
with the Germans who aided or exploited them reveal a complex,
often intimate story of hope, greed, and sometimes betrayal. Flight
and Concealment shows the options and strategies for survival of
those in hiding and their helpers, and discusses the ways in which
some Germans enriched themselves at the expense of the refugees.
Between ten thousand and twelve thousand Jews tried to escape Nazi
genocide by going into hiding. With the help of Jewish and
non-Jewish relatives, friends, or people completely unknown to
them, these "U-boats," as they came to be known, dared to lead a
life underground. Flight and Concealment brings to light their
hidden stories. Deftly weaving together personal accounts with a
broader comparative look at the experiences of Jews throughout
Germany, historian Susanna Schrafstetter tells the story of the
Jews in Munich and Upper Bavaria who fled deportation by going
underground. Archival sources and interviews with survivors and
with the Germans who aided or exploited them reveal a complex,
often intimate story of hope, greed, and sometimes betrayal. Flight
and Concealment shows the options and strategies for survival of
those in hiding and their helpers, and discusses the ways in which
some Germans enriched themselves at the expense of the refugees.
A book that challenges our most basic assumptions about
Judeo-Christian monotheism Contrary to popular belief, Judaism was
not always strictly monotheistic. Two Gods in Heaven reveals the
long and little-known history of a second, junior god in Judaism,
showing how this idea was embraced by rabbis and Jewish mystics in
the early centuries of the common era and casting Judaism's
relationship with Christianity in an entirely different light.
Drawing on an in-depth analysis of ancient sources that have
received little attention until now, Peter Schafer demonstrates how
the Jews of the pre-Christian Second Temple period had various
names for a second heavenly power-such as Son of Man, Son of the
Most High, and Firstborn before All Creation. He traces the
development of the concept from the Son of Man vision in the
biblical book of Daniel to the Qumran literature, the Ethiopic book
of Enoch, and the Jewish philosopher Philo of Alexandria. After the
destruction of the Second Temple, the picture changes drastically.
While the early Christians of the New Testament took up the idea
and developed it further, their Jewish contemporaries were divided.
Most rejected the second god, but some-particularly the Jews of
Babylonia and the writers of early Jewish mysticism-revived the
ancient Jewish notion of two gods in heaven. Describing how early
Christianity and certain strands of rabbinic Judaism competed for
ownership of a second god to the creator, this boldly argued and
elegantly written book radically transforms our understanding of
Judeo-Christian monotheism.
For five years during the Second World War, the Allies launched a
trial and error bombing campaign against Germany's historical city
landscape. Peaking in the war's final three months, it was the
first air attack of its kind. Civilian dwellings were struck by-in
today's terms-"weapons of mass destruction," with a total of
600,000 casualties, including 70,000 children. In The Fire,
historian Jorg Friedrich explores this crucial chapter in military
and world history. Combining meticulous research with striking
illustrations, Friedrich presents a vivid account of the saturation
bombing, rendering in acute detail the annihilation of cities such
as Dresden, the jewel of Germany's rich art and architectural
heritage. He incorporates the personal stories and firsthand
testimony of German civilians into his narrative, creating a
macabre portrait of unimaginable suffering, horror, and grief, and
he draws on official military documents to unravel the reasoning
behind the strikes. Evolving military technologies made the
extermination of whole cities possible, but owing, perhaps, to the
Allied victory and what W. G. Sebald noted as "a pre-conscious
self-censorship, a way of obscuring a world that could no longer be
presented in comprehensible terms," the wisdom of this strategy has
never been questioned. The Fire is a rare account of the air raids
as they were experienced by the civilians who were their targets.
For five years during the Second World War, the Allies launched
a trial and error bombing campaign against Germany's historical
city landscape. Peaking in the war's final three months, it was the
first air attack of its kind. Civilian dwellings were struck by-in
today's terms-"weapons of mass destruction," with a total of
600,000 casualties, including 70,000 children.
In "The Fire," historian Jorg Friedrich explores this crucial
chapter in military and world history. Combining meticulous
research with striking illustrations, Friedrich presents a vivid
account of the saturation bombing, rendering in acute detail the
annihilation of cities such as Dresden, the jewel of Germany's rich
art and architectural heritage. He incorporates the personal
stories and firsthand testimony of German civilians into his
narrative, creating a macabre portrait of unimaginable suffering,
horror, and grief, and he draws on official military documents to
unravel the reasoning behind the strikes.
Evolving military technologies made the extermination of whole
cities possible, but owing, perhaps, to the Allied victory and what
W. G. Sebald noted as "a pre-conscious self-censorship, a way of
obscuring a world that could no longer be presented in
comprehensible terms," the wisdom of this strategy has never been
questioned. "The Fire" is a rare account of the air raids as they
were experienced by the civilians who were their targets.
At a crossroads between Africa, Asia, and Europe, the South Arabian
kingdoms were major commercial and cultural players in world
history. Their art and architecture, and especially their
irrigation system, featuring a gigantic dam high in the mountains,
give witness to a fascinating civilization, the myth and historical
dimensions of which have captured our collective imaginations. The
author, who participated in several archaeological excavations in
Southern Arabia, provides a concise history of the kingdoms from
the 10th century B.C.E. to the 7th century C.E. European reviewers
of the German edition praised especially his elaboration on the
social structures of the kingdoms, their economy and trade,
geography, languages, scripture, military and religion.
The Kunstkammer was a programmatic display of art and oddities
amassed by wealthy Europeans during the sixteenth to the eighteenth
centuries. These nascent museums reflected the ambitions of such
thinkers as Descartes, Locke, and Kepler to unite the forces of
nature with art and technology. Bredekamp advances a radical view
that the baroque Kunstkammer is also the nucleus of modern
cyberspace.
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Discovery Miles 1 520
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The Kunstkammer was a programmatic display of art and oddities
amassed by wealthy Europeans during the sixteenth to the eighteenth
centuries. These nascent museums reflected the ambitions of such
thinkers as Descartes, Locke, and Kepler to unite the forces of
nature with art and technology. Bredekamp advances a radical view
that the baroque Kunstkammer is also the nucleus of modern
cyberspace.
Firedance: Words that Burn A searing selection of short stories
from the circle of Firedance authors. The child, the girl, slowly
rose up out of the water, then turned away, laughing, and skipped
and danced over the path of fire towards the setting sun. My kind,
the Fire Dancers, we make the machines work. We harvest the sun for
energy. The star had been growing closer to the atmosphere. The
forests burned with fire that ran across the ground like sunlight
at daybreak. It was a ragged, wild dance that left the land
exhausted. Fire danced amongst the rebels. Horses bolted, their
manes, their tails afire, liquid flame dripping upon the grass. As
he watched, she whirled, like a dervish, faster and faster until
she burst into a fireball. The painting I found most striking is
one that he calls 'The Fire Dance, ' or 'Upa 'upa in the native
Tahitian language. Fire-starting was something of a talent, perhaps
his only one. 'My land in this realm is fraught with tension, fire
and instability; I dare not leave.' 'Why do you call that dog
Firedance, not Henry?' Three ragged children gyrate to rhythms that
none can hear to make the fire, the animating fire. 'Ya gotta learn
a lesson kid: you mess with me, and you're messing with fire.'
What do we do when God becomes an unwanted houseguest, you're in
love with the wrong girl and aliens decide to eat California? Take
a wild ride with 15 writers from around the globe to discover their
version of a broken world... and the humour, compassion and love
which saves us. From murder to manga, heartbreak to horror, Broken
Worlds dances us through times, genres and worlds. Prepare to be
thrilled, tickled, scared and enchanted... it's one hell of a ride.
To arrive at the pinnacle is a mark of progress. But where do we go
from here? At this point, because we can only improve modestly due
to diminishing marginal returns, things change. Mentalities change,
philosophies change, priorities change, people change--and at the
root of these changes, we find cultural evidence for the demise of
the American economy. City at the Cusp looks thoroughly at this
sociological issue, providing a unique glance at, and possible
remedies for, overcoming this incredibly timely and urgent matter.
That Gad Beck, a Jew in the Berlin of Nazi Germany, lived through
the Holocaust at all is surprising. The fact that he lived it as a
homosexual Jew who spent the entire war funnelling food, money and
clothing to hidden Jews and helping smuggle others out of the
country is amazing. It was love that gave him both the impetus and
the strength to fight. The rise of National Socialism was tearing
his family apart, destroying his school, thwarting his dream of
emigration to Israel. Then the Nazis came for Manfred Lewin, Beck's
first love, and for his family. Gad's love for Manfred gave him the
courage to don a three-sizes-too-large Hitler Youth uniform, march
into the transit camp where the Lewins were being held, and demand
- and obtain, to his astonishment - the release of his lover. But
Manfred would not leave without his family, and so went back into
the camp. The Lewins did not survive. Coming of age as a gay man
during the war and maintaining a series of romantic relationships
while carrying on his resistance work, Beck reveals a tenacity and
irrepressible spirit that is his real legacy. His determination to
keep loving, living and believing in every human possibility
without compromise - even in the face of the unthinkably monstrous
- makes this quite a different story of the Holocaust.
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