This collection of essays and design case studies explores a range of ideas and best practices for adapting to dynamic waterfront conditions while incorporating nature conservation in urbanized coastal areas. The editors have curated a selection of works contributed by leading practitioners in the fields of coastal science, community resilience, habitat restoration, sustainable landscape architecture and floodplain management. By highlighting ocean-friendly innovations and strategies being applied in coastal cities today, this book illustrates ways to cohabit with many other species who share the waterfront with us, feed in salt marshes, bury their eggs on sandy beaches, fly south over cities along the Atlantic Flyway, or attach themselves to an oyster reef. This book responds to the need for inventive, practical, and straightforward ways to weather a changing climate while being responsible shoreline stewards.

This collection of essays and design case studies explores a range of ideas and best practices for adapting to dynamic waterfront conditions while incorporating nature conservation in urbanized coastal areas. The editors have curated a selection of works contributed by leading practitioners in the fields of coastal science, community resilience, habitat restoration, sustainable landscape architecture and floodplain management. By highlighting ocean-friendly innovations and strategies being applied in coastal cities today, this book illustrates ways to cohabit with many other species who share the waterfront with us, feed in salt marshes, bury their eggs on sandy beaches, fly south over cities along the Atlantic Flyway, or attach themselves to an oyster reef. This book responds to the need for inventive, practical, and straightforward ways to weather a changing climate while being responsible shoreline stewards.

Research in the area of recorded music is becoming increasingly diverse. Contributions from a variety of fields, including music performance, composition and production, cultural studies and philosophy, are drawn together here, for the contrasting perspectives they bring to a range of music genres. Discourses in jazz, ethnomusicology and popular music - whose histories and practices have evolved principally from recordings - are presented alongside those of Western classical music, where analysis of recordings is a relatively recent development. Different methodologies have evolved in each of these subdisciplines where recordings have been contextualised variously as tools, texts, or processes, reflective of social practices. This book promotes the sharing of such differences of approach. Attitudes of performers are considered alongside developments in technology, changing listening practices, and social contexts, to explore the ways in which recordings influence the study of music performance and the nature of musical experience.

This comprehensive, accessible guide to Bartók and his music contains up-to-date research by a new generation of Bartók scholars. Part I sets the cultural, social and political background in Hungary at the beginning of the twentieth century, and considers Bartók's research into folk music. Part II surveys his compositional output in all genres, relating changes in style to broad aesthetic issues, his folk music studies, and his activities as a pianist, music editor and teacher. The final part considers various aspects of reception and the variety of responses to Bartók's music in Europe and the United States.