Research in the area of recorded music is becoming increasingly
diverse. Contributions from a variety of fields, including music
performance, composition and production, cultural studies and
philosophy, are drawn together here, for the contrasting
perspectives they bring to a range of music genres. Discourses in
jazz, ethnomusicology and popular music - whose histories and
practices have evolved principally from recordings - are presented
alongside those of Western classical music, where analysis of
recordings is a relatively recent development. Different
methodologies have evolved in each of these subdisciplines where
recordings have been contextualised variously as tools, texts, or
processes, reflective of social practices. This book promotes the
sharing of such differences of approach. Attitudes of performers
are considered alongside developments in technology, changing
listening practices, and social contexts, to explore the ways in
which recordings influence the study of music performance and the
nature of musical experience.
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