Create retro neon artwork that's truly electric with this funky rock painting kit!

Let author and artist Amanda Rogers guide you through creating 8 glowing rock painting projects that perfectly capture the style and nostalgia of retro neon lights and lettering.

Featuring a 24-page book plus rocks, paints, brushes and dotting tools, you'll be creating your own electrifying rock art to keep or share in no time!

This book makes a significant contribution to interdisciplinary engagements between Theatre Studies and Cultural Geography in its analysis of how theatre articulates transnational geographies of Asian culture and identity. Deploying a geographical approach to transnational culture, Rogers analyses the cross-border relationships that exist within and between Asian American, British East Asian, and South East Asian theatres, investigating the effect of transnationalism on the construction of identity, the development of creative praxis, and the reception of works in different social fields. This book therefore examines how practitioners engage with one another across borders, and details the cross-cultural performances, creative opportunities, and political alliances that result. By viewing ethnic minority theatres as part of global - rather than simply national - cultural fields, Rogers argues that transnational relationships take multiple forms and have varying impetuses that cannot always be equated to diasporic longing for a homeland or as strategically motivated for economic gain. This argument is developed through a series of chapters that examine how different transnational spatialities are produced and re-worked through the practice of theatre making, drawing upon an analysis of rehearsals, performances, festivals, and semi-structured interviews with practitioners. The book extends existing discussions of performance and globalization, particularly through its focus on the multiplicity of transnational spatiality and the networks between English-language Asian theatres. Its analysis of spatially extensive relations also contributes to an emerging body of research on creative geographies by situating theatrical praxis in relation to cross-border flows. Performing Asian Transnationalisms demonstrates how performances reflect and rework conventional transnational geographies in imaginative and innovative ways.

This book makes a significant contribution to interdisciplinary engagements between Theatre Studies and Cultural Geography in its analysis of how theatre articulates transnational geographies of Asian culture and identity. Deploying a geographical approach to transnational culture, Rogers analyses the cross-border relationships that exist within and between Asian American, British East Asian, and South East Asian theatres, investigating the effect of transnationalism on the construction of identity, the development of creative praxis, and the reception of works in different social fields. This book therefore examines how practitioners engage with one another across borders, and details the cross-cultural performances, creative opportunities, and political alliances that result. By viewing ethnic minority theatres as part of global - rather than simply national - cultural fields, Rogers argues that transnational relationships take multiple forms and have varying impetuses that cannot always be equated to diasporic longing for a homeland or as strategically motivated for economic gain. This argument is developed through a series of chapters that examine how different transnational spatialities are produced and re-worked through the practice of theatre making, drawing upon an analysis of rehearsals, performances, festivals, and semi-structured interviews with practitioners. The book extends existing discussions of performance and globalization, particularly through its focus on the multiplicity of transnational spatiality and the networks between English-language Asian theatres. Its analysis of spatially extensive relations also contributes to an emerging body of research on creative geographies by situating theatrical praxis in relation to cross-border flows. Performing Asian Transnationalisms demonstrates how performances reflect and rework conventional transnational geographies in imaginative and innovative ways.

This is a book about a little kitty named Skittles and their puppy friend Pickles who have a love for all things Fall and want to share their favorites with the little ones who are just learning about the world around them and the ABC's. A perfect book for anyone who shares the love for the seasons and want to teach their children the ABC's of Fall.

* First collection of full-length plays from British East Asian playwrights * Ideal for schools, colleges and theatre companies * In association with a conference at Tara Theatre and Goldsmiths University in Spring 2018 A landmark collection of contemporary full-length plays by British East Asian writers. Exploring subjects such as cultural identity, the fragmentation of communities, tradition, invisibility and discrimination, these plays are ideal to perform. With an introduction by academics Dr Amanda Rogers and Dr Ashley Thorpe, which sets the plays into context and explores the hidden history of theatre from the BEA community. BOUND FEET BLUES by Yang-May Ooi THE LAST DAYS OF LIMEHOUSE by Jeremy Tiang JAMAICA BOY by Stephen Hoo CONVERSATIONS WITH MY UNKNOWN MOTHER by Lucy Chau Lai-Tuen SPECIAL OCCASIONS by Amy Ng TANGO by Joel Tan THE FU MANCHU COMPLEX by Daniel York Loh