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Create retro neon artwork that's truly electric with this funky rock
painting kit!
Let author and artist Amanda Rogers guide you through creating 8
glowing rock painting projects that perfectly capture the
style and nostalgia of retro neon lights and lettering.
Featuring a 24-page book plus rocks, paints, brushes and dotting tools,
you'll be creating your own electrifying rock art to keep or
share in no time!
This book makes a significant contribution to interdisciplinary
engagements between Theatre Studies and Cultural Geography in its
analysis of how theatre articulates transnational geographies of
Asian culture and identity. Deploying a geographical approach to
transnational culture, Rogers analyses the cross-border
relationships that exist within and between Asian American, British
East Asian, and South East Asian theatres, investigating the effect
of transnationalism on the construction of identity, the
development of creative praxis, and the reception of works in
different social fields. This book therefore examines how
practitioners engage with one another across borders, and details
the cross-cultural performances, creative opportunities, and
political alliances that result. By viewing ethnic minority
theatres as part of global - rather than simply national - cultural
fields, Rogers argues that transnational relationships take
multiple forms and have varying impetuses that cannot always be
equated to diasporic longing for a homeland or as strategically
motivated for economic gain. This argument is developed through a
series of chapters that examine how different transnational
spatialities are produced and re-worked through the practice of
theatre making, drawing upon an analysis of rehearsals,
performances, festivals, and semi-structured interviews with
practitioners. The book extends existing discussions of performance
and globalization, particularly through its focus on the
multiplicity of transnational spatiality and the networks between
English-language Asian theatres. Its analysis of spatially
extensive relations also contributes to an emerging body of
research on creative geographies by situating theatrical praxis in
relation to cross-border flows. Performing Asian Transnationalisms
demonstrates how performances reflect and rework conventional
transnational geographies in imaginative and innovative ways.
* First collection of full-length plays from British East Asian
playwrights * Ideal for schools, colleges and theatre companies *
In association with a conference at Tara Theatre and Goldsmiths
University in Spring 2018 A landmark collection of contemporary
full-length plays by British East Asian writers. Exploring subjects
such as cultural identity, the fragmentation of communities,
tradition, invisibility and discrimination, these plays are ideal
to perform. With an introduction by academics Dr Amanda Rogers and
Dr Ashley Thorpe, which sets the plays into context and explores
the hidden history of theatre from the BEA community. BOUND FEET
BLUES by Yang-May Ooi THE LAST DAYS OF LIMEHOUSE by Jeremy Tiang
JAMAICA BOY by Stephen Hoo CONVERSATIONS WITH MY UNKNOWN MOTHER by
Lucy Chau Lai-Tuen SPECIAL OCCASIONS by Amy Ng TANGO by Joel Tan
THE FU MANCHU COMPLEX by Daniel York Loh
This is a book about a little kitty named Skittles and their puppy
friend Pickles who have a love for all things Fall and want to
share their favorites with the little ones who are just learning
about the world around them and the ABC's. A perfect book for
anyone who shares the love for the seasons and want to teach their
children the ABC's of Fall.
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