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This Bridge We Call Communication: Anzalduan Approaches to Theory,
Method, and Praxis explores contemporary communication research
studies, performative writing, poetry, Latina/o studies, and gender
studies through the lens of Gloria Anzaldua's theories, methods,
and concepts. Utilizing different methodologies and
approaches-testimonio, performative writing, and interpretive,
rhetorical, and critical methodologies-the contributors provide
original research on contexts including healing and pain,
woundedness, identity, Chicana and black feminisms, and experiences
in academia.
This Bridge We Call Communication: Anzalduan Approaches to Theory,
Method, and Praxis explores contemporary communication research
studies, performative writing, poetry, Latina/o studies, and gender
studies through the lens of Gloria Anzaldua's theories, methods,
and concepts. Utilizing different methodologies and
approaches-testimonio, performative writing, and interpretive,
rhetorical, and critical methodologies-the contributors provide
original research on contexts including healing and pain,
woundedness, identity, Chicana and black feminisms, and experiences
in academia.
Urban God Talk: Constructing a Hip Hop Spirituality, edited by
Andre Johnson, is a collection of essays that examine the religious
and spiritual in hip hop. The contributors argue that the
prevailing narrative that hip hop offers nothing in the way of
religion and spirituality is false. From its beginning, hip hop has
had a profound spirituality and advocates religious views-and while
not orthodox or systemic, nevertheless, many in traditional
orthodox religions would find the theological and spiritual
underpinnings in hip hop comforting, empowering, and liberating. In
addition, this volume demonstrates how scholars in different
disciplines approach the study of hip hop, religion, and
spirituality. Whether it is a close reading of a hip hop text,
ethnography, a critical studies approach or even a mixed method
approach, this study is a pedagogical tool for students and
scholars in various disciplines to use and appropriate for their
own research and understanding. Urban God Talk will inspire not
only scholars to further their research, but will also encourage
publishers to print more in this field. The contributors to this
in-depth study show how this subject is an underrepresented area
within hip hop studies, and that the field is broad enough for
numerous monographs, edited works, and journal publications in the
future.
Urban God Talk: Constructing a Hip Hop Spirituality, edited by
Andre Johnson, is a collection of essays that examine the religious
and spiritual in hip hop. The contributors argue that the
prevailing narrative that hip hop offers nothing in the way of
religion and spirituality is false. From its beginning, hip hop has
had a profound spirituality and advocates religious views-and while
not orthodox or systemic, nevertheless, many in traditional
orthodox religions would find the theological and spiritual
underpinnings in hip hop comforting, empowering, and liberating. In
addition, this volume demonstrates how scholars in different
disciplines approach the study of hip hop, religion, and
spirituality. Whether it is a close reading of a hip hop text,
ethnography, a critical studies approach or even a mixed method
approach, this study is a pedagogical tool for students and
scholars in various disciplines to use and appropriate for their
own research and understanding. Urban God Talk will inspire not
only scholars to further their research, but will also encourage
publishers to print more in this field. The contributors to this
in-depth study show how this subject is an underrepresented area
within hip hop studies, and that the field is broad enough for
numerous monographs, edited works, and journal publications in the
future.
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