A beautiful photographic stroll around the bookshops, restaurants, literary locations and authors’ neighbourhoods in the Big Apple. Literary Landscapes: New York is the follow-up to Literary Landscapes: Paris and contains a familiar blend of everything precious to the bibliophile – a blend of quirky bookstores, authors’ favourite bars, storied hotels, grand libraries, on- and off-Broadway theatres which launched major plays, New York residences and literary locations, such as The Metropolitan Museum of Art – described in Edith Wharton’s The Age of Innocence. For beloved bookstores there is the Argosy, dating to 1925 and the oldest in Manhattan, Three Lives & Company in West Village, The Strand in East Village, The Corner Bookstore on the Upper East Side, the Alabaster Bookshop, and, stretching across to Brooklyn, the Greenlight Bookstore. LLNYC takes in Sardi’s – birthplace of the Tony; the Algonquin Hotel, notorious home of the Round Table and Dorothy Parker’s acidic assassins; The Odeon (restaurant) made famous by Jay McInerny’s Bright Lights Big City; Pete’s Tavern with O. Henry’s writing seat, and the White Horse Tavern, Dylan Thomas’s last night out in the Big Apple and a pub frequented by Norman Mailer, Jack Kerouac, Anais Nin, Frank McCourt and Bob Zimmerman. New York is blessed with There are the grand public libraries such as the Beaux-Arts New York Public Library, the Morgan Library and across the East River, the magnificent Art Deco Brooklyn Public Library. When it comes to hotels, The Plaza appears in F. Scott Fitzgerald’s The Great Gatsby, but it is the Chelsea Hotel that has the most literary resonance. Mark Twain stayed there, Arthur Miller wrote there, as did Arthur C. Clarke and Simone de Beauvoir. Literary locations abound for New York from Breakfast at Tiffany’s by Truman Capote to Washington Square by Henry James. Stuart Little (E.B. White) sailed his boat on the lake in Central Park while the Bethesda Fountain was central to Tony Kushner’s Angels in America. The book takes a short trip up Long Island to visit Walt Whitman’s birthplace and while nothing but plaques remain of the New York homes that Herman Melville knew, we visit the literary giants buried alongside Melville in Woodlawn Cemetery including Damon Runyan and Joseph Pullitzer. All these chapters are interspersed with telling quotes about the city that never sleeps. “Every man seems to feel that he has got the duties of two lifetimes to accomplish in one, and so he rushes, rushes, rushes, and never has time to be companionable – never has any time at his disposal to fool away on matters which do not involve dollars and duty and business.” Mark Twain, 1867

These seven short plays by various authors, originally commissioned and produced by the Tricycle Theatre London, explore the nature of the crisis in the Darfur region of Sudan.

How does one reconcile the tension between the community of one's own Catholic upbringing and a sexuality and gender identity that may be in conflict with some of the tenets of the faith - especially when one is a member of the Gay, Lesbian, Bisexual, Transgender, Queer, and Intersex community? Queer and Catholic offers a source of comfort to members of these communities, focusing on not only practicing Catholics, but also the entire experience of growing up Catholic. This unique book discusses Catholicism beyond its religiosity and considers its implications as a culture of origin. This widely varied and entertaining book pulls together a comprehensive collection of essays, stories, and poetry that together represent an honest and engaging reflection of being a queer person within the Catholic experience.

PASS PORT is a travel document—a transcript of the first half of the at-sea installation SOUNDING((ING))S, which `maps’ two means of crossing one border: by sea across the English Channel, and underneath the seabed through the Channel Tunnel. Bilingual wordplay destabilises two languages used to deny refugees movement across the English-French border. The installation offers the recovery and re-appropriation of sounds from and about the body—the female body in patriarchal language, the disabled body in an age of austerity and welfare cuts, and the asylum-seeking body within the EU. “Amy Evans derives her wordplay in part at least from the hermetic and ety-mological linguistic investigations of another modernist poet, H.D. … —sea/ water/flood puns run through her SOUND((ING))S sequence. They have the effect of being both witty and edgy: edgy in their exploration of the liminal bor-der of land/sea and edgy in conveying a sense of threat both to and from the sea.” —Harriet Tarlo, Plumwood Mountain Journal

The poems in this chapbook form an individual sequence. At the same time, they present a new and longer section of an ongoing series. The Sea Quells responds to and continues Collecting Shells, which was published in 2011 with Oystercatcher Press and is included, in excerpt form, in the anthologies Sea Pie (Shearsman) and Dear World and Everyone In It (Bloodaxe).

How does one reconcile the tension between the community of one 's own Catholic upbringing and a sexuality and gender identity that may be in conflict with some of the tenets of the faith especially when one is a member of the Gay, Lesbian, Bisexual, Transgender, Queer, and Intersex community? Queer and Catholic offers a source of comfort to members of these communities, focusing on not only practicing Catholics, but also the entire experience of growing up Catholic. This unique book discusses Catholicism beyond its religiosity and considers its implications as a culture of origin. This widely varied and entertaining book pulls together a comprehensive collection of essays, stories, and poetry that together represent an honest and engaging reflection of being a queer person within the Catholic experience.