As Mary Jane navigates both the mundane and the unfathomable realities of caring for Alex, her chronically ill young son, she finds herself building a community of women from many walks of life. Mary Jane is Pulitzer Prize finalist Amy Herzog's remarkably powerful and compassionate portrait of a contemporary American woman striving for grace.

Winner! 2012 New York Times Outstanding Playwright Award Finalist! 2013 Susan Smith Blackburn Prize Nominee! 2013 Drama Desk Award, Outstanding Play Young Americans Zack and Abby have the perfect ex-pat life in Paris: a funky bohemian apartment in up-and-coming Belleville; a stable marriage; and Zack's noble mission to fight pediatric AIDS. But when Abby finds Zack at home one afternoon when he's supposed to be at work, the questions and answers that follow shake the foundation of their seemingly beautiful life.

Americans Zack and Abby are bright, young and recently married. He's a doctor combatting infant disease. She's an actress, who also teaches yoga. It's just before Christmas and they're living the expat high life in bohemian Belleville, Paris. It's all a little too perfect. Belleville was first produced at Yale Repertory Theatre in 2011, and transferred to New York Theatre Workshop in 2013. The play received its UK premiere at the Donmar Warehouse, London, in 2017, in a production directed by Michael Longhurst. Amy Herzog's other plays include Mary Jane, Pulitzer Prize finalist 4000 Miles, After the Revolution and The Great God Pan.

Genre: Drama Character: 1 male and 3 females Scenery: Interior

After suffering a major loss while he was on a cross-country bike trip, 21 year-old Leo seeks solace from his feisty 91 year-old grandmother Vera in her West Village apartment. Over the course of a single month, these unlikely roommates infuriate, bewilder, and ultimately reach each other. 4000 Miles looks at how two outsiders find their way in today's world.

"A funny, moving, altogether wonderful drama. A] heartening reminder that a keen focus on life's small moments can pay off in a big way onstage." - The New York Times

"This well-observed gem deserves to be a hit." - The New York Post

"In 4000 Miles, a warm-hearted new play by Amy Herzog, both love and irritability are woven into an illumination of the healing process after the loss of a loved one. The sensitive play is] filled with small, revelatory and often humorous moments between a grandmother and her grandson." - The Associated Press " 4000 Miles, Amy Herzog's appealing new play, unfolds with the unassuming ease of conversations overheard, among people with complicated relationships." - Bloomberg News

""After the Revolution" is a smart, funny and provocative play. . . . Herzog deftly avoids simple-minded polemics in favor of richly detailed people who are as ready to examine their relationships as they are their consciences."--"Variety"

"A funny, moving new play . . . "4000 Miles" is a quiet meditation on mortality. But it's hardly a downer: Ms. Herzog's altogether wonderful drama also illuminates how companionship can make life meaningful, moment by moment, in death's discomforting shadow."--"The New York Times"

Known for delicately detailed character studies that subtly balance humor and insight, Amy Herzog is swiftly emerging as a striking new voice in the American theater. "After the Revolution," an astute and ironic drama about how society appropriates history for its own psychological needs, was heralded by "The New York Times" as one of the Ten Best New Plays of 2010. Herzog's other critical hit, "4000 Miles," is a quiet rumination on mortality in which twenty-one-year-old Leo seeks solace from his feisty ninety-one-year-old grandmother Vera in her New York apartment.

Amy Herzog received the 2011 Whiting Writers' Award and the 2008 Helen Merrill Award for Aspiring Playwrights. Her plays have been produced or developed at the Yale School of Drama, Ensemble Studio Theater, Arena Stage, Lincoln Center, Actors Theatre of Louisville, New York Stage and Film, Provincetown Playhouse, and ACT in San Francisco. Her newest play, "Belleville," premiered at Yale Rep in fall 2011.

Yarn and fiber enthusiasts everywhere will celebrate the latest addition to Amy Herzog's beloved knitting series (which includes You Can Knit That, Knit to Flatter, and Knit Wear Love). This essential guide details every aspect of sweater knitting, starting with instructions for four basic sweater types: yoke, raglan, drop shoulder, and set-in sleeve. Patterns are offered in multiple sizes and yarn gauges for broad appeal. Following the basics for each of the four sweater types are a diverse range of customizing options, including how to add a hood, cowl neck, turtleneck, pockets, and zip or cardigan front, just to name a few. Amy's clear instruction and expert tips expand the many knitting possibilities, creating the essential knitting resource for knitters everywhere.

It's the middle of the night when 21-year-old Leo arrives on the doorstep of the West Village apartment where his feisty 91-year-old grandmother Vera lives. She's an old Communist who lives alone, he's a latter-day hippie, recently returned from a cross-country bike trip which ended traumatically. Over the course of a single month, these unlikely roommates infuriate, bewilder, and ultimately connect. When Leo's old girlfriend shows up and he begins to reveal the mysterious events of his journey, Leo and Vera discover the narrow line between growing up and growing old. Peopled with nuanced, beautifully-drawn characters, Amy Herzog's award-winning play has established her as a remarkable new talent. 4000 Miles had its 2011 world premiere at New York's Lincoln Center Theater.

The Oxford Handbook of Sound and Image in Digital Media surveys the contemporary landscape of audiovisual media. Contributors to the volume look not only to changes brought by digital innovations, but to the complex social and technological past that informs, and is transformed by, new media. This collection is conceived as a series of dialogues and inquiries by leading scholars from both image- and sound-based disciplines. Chapters explore the history and the future of moving-image media across a range of formats including blockbuster films, video games, music videos, social media, digital visualization technologies, experimental film, documentaries, video art, pornography, immersive theater, and electronic music. Sound, music, and noise emerge within these studies as integral forces within shifting networks of representation. The essays in this collection span a range of disciplinary approaches (film studies, musicology, philosophy, cultural studies, the digital humanities) and subjects of study (Iranian documentaries, the Twilight franchise, military combat footage, and Lady Gaga videos). Thematic sections and direct exchanges among authors facilitate further engagement with the debates invoked by the text.

""The Great God Pan" is a haunting, deeply affecting play about the interaction of identity, psychology and pathology. Ms. Herzog writes with keen sensitivity to the complex weave of feelings embedded in all human relationships, with particular attention to the way we tiptoe around areas of radioactive emotion." - "New York Times"
"Whatever the ideal contemporary American drama is, it has to look a lot like "The Great God Pan." It is provocative and subtle, slowly, carefully revelatory, sweetly moving, thought-provoking, funny and insightful." - "New York Observer"
"An intelligent, delicately articulate writer." - "Village Voice"
"A moving and unsettling look at the nature of identity and the vagaries of memory. With subtlety and compassion, Herzog contemplates how well we can really know ourselves." - "Backstage"
Jamie's life in Brooklyn seems just fine: a beautiful girlfriend, a burgeoning journalism career, and parents who live just far enough away. But when a possible childhood trauma comes to light, lives are thrown into a tailspin. Unsettling and deeply compassionate, "The Great God Pan" tells the intimate tale of what is lost and won when a hidden truth is suddenly revealed.
Amy Herzog's plays include "4000 Miles" (Pulitzer Prize finalist), "After the Revolution" and "Belleville." Ms. Herzog is the recipient of numerous awards, including the Whiting Writers' Award, an Obie Award and the Helen Merrill Award for Aspiring Playwrights.

A fascinating look at one of the most experimental, volatile, and influential decades, Film, Fashion, and the 1960s, examines the numerous ways in which film and fashion intersected and affected identity expression during the era. From A Hard Day's Night to Breakfast at Tiffany's, from the works of Ingmar Bergman to Blake Edwards, the groundbreaking cinema of the 1960s often used fashion as the ultimate expression for urbanity, youth, and political (un)awareness. Crumbling hierarchies brought together previously separate cultural domains, and these blurred boundaries could be seen in unisex fashions and roles played out on the silver screen. As this volume amply demonstrates, fashion in films from Italy, France, England, Sweden, India, and the United States helped portray the rapidly changing faces of this cultural avant-gardism. This blending of fashion and film ultimately created a new aesthetic that continues to influence the fashion and media of today.

A fascinating look at one of the most experimental, volatile, and influential decades, Film, Fashion, and the 1960s, examines the numerous ways in which film and fashion intersected and affected identity expression during the era. From A Hard Day's Night to Breakfast at Tiffany's, from the works of Ingmar Bergman to Blake Edwards, the groundbreaking cinema of the 1960s often used fashion as the ultimate expression for urbanity, youth, and political (un)awareness. Crumbling hierarchies brought together previously separate cultural domains, and these blurred boundaries could be seen in unisex fashions and roles played out on the silver screen. As this volume amply demonstrates, fashion in films from Italy, France, England, Sweden, India, and the United States helped portray the rapidly changing faces of this cultural avant-gardism. This blending of fashion and film ultimately created a new aesthetic that continues to influence the fashion and media of today.

Musical spectacles are excessive and abstract, reconfiguring time and space and creating intense bodily responses. Amy Herzog's engaging work examines those instances where music and movement erupt from within more linear narrative frameworks. The representational strategies found in these films are often formulaic, repeating familiar story lines and stereotypical depictions of race, gender, and class. Yet she finds the musical moment contains a powerful disruptive potential.

"Dreams of Difference, Songs of the Same" investigates the tension and the fusion of difference and repetition in films to ask, How does the musical moment work? Herzog looks at an eclectic mix of works, including the Soundie and Scopitone jukebox films, the musicals of French director Jacques Demy, the synchronized swimming spectacles of Esther Williams, and an apocalyptic musical by Taiwanese director Tsai Ming-liang. Several refrains circulate among these texts: their reliance on cliches, their rewriting of cultural narratives, and their hallucinatory treatment of memory and history.

Drawing on the philosophical work of Gilles Deleuze, she explores all of these dissonances as productive forces, and in doing so demonstrates the transformative power of the unexpected.