Religion, Emotion, Sensation asks what affect theory has to say about God or gods, religion or religions, scriptures, theologies, and liturgies. Contributors explore the crossings and crisscrossings between affect theory and theology and the study of religion more broadly, as well as the political and social import of such work. Bringing together affect theorists, theologians, biblical scholars, and scholars of religion, this volume enacts creative transdisciplinary interventions in the study of affect and religion through exploring such topics as biblical literature, Christology, animism, Rastafarianism, the women’s Mosque Movement, the unending Korean War, the Sewol ferry disaster, trans and gender queer identities, YA fiction, queer historiography, the prison industrial complex, debt and neoliberalism, and death and poetry. Contributors: Mathew Arthur, Amy Hollywood, Wonhee Anne Joh, Dong Sung Kim, A. Paige Rawson, Erin Runions, Donovan O. Schaefer, Gregory J. Seigworth, Max Thornton, Alexis G. Waller

Three scholars of religion explore literature and the literary as sites of critical transformation. We are living in a time of radical uncertainty, faced with serious political, ecological, economic, epidemiological, and social problems. Scholars of religion Constance M. Furey, Sarah Hammerschlag, and Amy Hollywood come together in this volume with a shared conviction that what and how we read opens new ways of imagining our political futures and our lives. Each essay in this book suggests different ways to characterize the object of devotion and the stance of the devout subject before it. Furey writes about devotion in terms of vivification, energy, and artifice; Hammerschlag in terms of commentary, mimicry, and fetishism; and Hollywood in terms of anarchy, antinomianism, and atopia. They are interested in literature not as providing models for ethical, political, or religious life, but as creating the site in which the possible-and the impossible-transport the reader, enabling new forms of thought, habits of mind, and ways of life. Ranging from German theologian Martin Luther to French-Jewish philosopher Sarah Kofman to American poet Susan Howe, this volume is not just a reflection on forms of devotion and their critical and creative import but also a powerful enactment of devotion itself.

Three scholars of religion explore literature and the literary as sites of critical transformation. We are living in a time of radical uncertainty, faced with serious political, ecological, economic, epidemiological, and social problems. Scholars of religion Constance M. Furey, Sarah Hammerschlag, and Amy Hollywood come together in this volume with a shared conviction that what and how we read opens new ways of imagining our political futures and our lives. Each essay in this book suggests different ways to characterize the object of devotion and the stance of the devout subject before it. Furey writes about devotion in terms of vivification, energy, and artifice; Hammerschlag in terms of commentary, mimicry, and fetishism; and Hollywood in terms of anarchy, antinomianism, and atopia. They are interested in literature not as providing models for ethical, political, or religious life, but as creating the site in which the possible-and the impossible-transport the reader, enabling new forms of thought, habits of mind, and ways of life. Ranging from German theologian Martin Luther to French-Jewish philosopher Sarah Kofman to American poet Susan Howe, this volume is not just a reflection on forms of devotion and their critical and creative import but also a powerful enactment of devotion itself.

"Sensible Ecstasy" investigates the attraction to excessive forms of Christian mysticism among twentieth-century French intellectuals and demonstrates the work that the figure of the mystic does for these thinkers. With special attention to Georges Bataille, Simone de Beauvoir, Jacques Lacan, and Luce Irigaray, Amy Hollywood asks why resolutely secular, even anti-Christian intellectuals are drawn to affective, bodily, and widely denigrated forms of mysticism.
What is particular to these thinkers, Hollywood reveals, is their attention to forms of mysticism associated with women. They regard mystics such as Angela of Foligno, Hadewijch, and Teresa of Avila not as emotionally excessive or escapist, but as unique in their ability to think outside of the restrictive oppositions that continue to afflict our understanding of subjectivity, the body, and sexual difference. Mystics such as these, like their twentieth-century descendants, bridge the gaps between action and contemplation, emotion and reason, and body and soul, offering new ways of thinking about language and the limits of representation.

Religion, Emotion, Sensation asks what affect theory has to say about God or gods, religion or religions, scriptures, theologies, and liturgies. Contributors explore the crossings and crisscrossings between affect theory and theology and the study of religion more broadly, as well as the political and social import of such work. Bringing together affect theorists, theologians, biblical scholars, and scholars of religion, this volume enacts creative transdisciplinary interventions in the study of affect and religion through exploring such topics as biblical literature, Christology, animism, Rastafarianism, the women's Mosque Movement, the unending Korean War, the Sewol ferry disaster, trans and gender queer identities, YA fiction, queer historiography, the prison industrial complex, debt and neoliberalism, and death and poetry. Contributors: Mathew Arthur, Amy Hollywood, Wonhee Anne Joh, Dong Sung Kim, A. Paige Rawson, Erin Runions, Donovan O. Schaefer, Gregory J. Seigworth, Max Thornton, Alexis G. Waller

The Cambridge Companion to Christian Mysticism is a multi-authored interdisciplinary guide to the study of Christian mysticism, with an emphasis on the third through the seventeenth centuries. The book is thematically organized in terms of the central contexts, practices and concepts associated with the mystical life in early, medieval and early modern Christianity. This book looks beyond the term 'mysticism', which was an early modern invention, to explore the ways in which the ancient terms 'mystic' and 'mystical' were used in the Christian tradition: what kinds of practices, modes of life and experiences were described as 'mystical'? What understanding of Christianity and of the life of Christian perfection is articulated through mystical interpretations of scripture, mystical contemplation, mystical vision, mystical theology or mystical union? This volume both provides a clear introduction to the Christian mystical life and articulates a bold new approach to the study of mysticism.

The Cambridge Companion to Christian Mysticism is a multi-authored interdisciplinary guide to the study of Christian mysticism, with an emphasis on the third through the seventeenth centuries. The book is thematically organized in terms of the central contexts, practices, and concepts associated with the mystical life in early, medieval, and early modern Christianity. Written by leading authorities and younger scholars from a range of disciplines, the volume both provides a clear introduction to the Christian mystical life and articulates a bold new approach to the study of mysticism. The book looks beyond the term mysticism, which was an early modern invention, to explore the ways in the ancient terms mystic and mystical were used in the Christian tradition: What kinds of practices, modes of life, and experiences were described as mystical ? What understanding of Christianity and of the life of Christian perfection is articulated through mystical interpretations of scripture, mystical contemplation, mystical vision, mystical theology, or mystical union? What practices and experiences provided the framework within which one could describe mystical phenomena? And what topics are at the forefront of the contemporary study of Christian mystical practice and experience?

Acute Melancholia and Other Essays deploys spirited and progressive approaches to the study of Christian mysticism and the philosophy of religion. Ideal for novices and experienced scholars alike, the volume makes a forceful case for thinking about religion as both belief and practice, in which traditions marked by change are passed down through generations, laying the groundwork for their own critique. Through a provocative integration of medieval sources and texts by Jacques Derrida, Judith Butler, Talal Asad, and Dipesh Chakrabarty, this book redefines what it means to engage critically with history and those embedded within it.

Acute Melancholia and Other Essays deploys spirited and progressive approaches to the study of Christian mysticism and the philosophy of religion. Ideal for novices and experienced scholars alike, the volume makes a forceful case for thinking about religion as both belief and practice, in which traditions marked by change are passed down through generations, laying the groundwork for their own critique. Through a provocative integration of medieval sources and texts by Jacques Derrida, Judith Butler, Talal Asad, and Dipesh Chakrabarty, this book redefines what it means to engage critically with history and those embedded within it.

The Soul as Virgin Wife presents the first book-length study to give a detailed account of the theological and mystical teachings written by women themselves, especially by those known as beguines, which have been especially neglected. Hollywood explicates the difference between the erotic and imagistic mysticism, arguing that Mechthild, Porete, and Eckhart challenge the sexual ideologies prevalent in their culture and claim a union without distinction between the soul and the divine. The beguines' emphasis in the later Middle Ages on spiritual poverty has long been recognized as an important influence on subsequent German and Flemish mystical writers, in particular the great German Dominican preacher and apophatic theologian Meister Eckhart. In The Soul as Virgin Wife, Amy Hollywood presents the first book-length study to give a detailed textual account of these debts. Through an analysis of Magdeburg's The Flowing Light of the Godhead, Marguerite Porete's Mirror of Simple Souls, and the Latin commentaries and vernacular sermons of Eckhart, Hollywood uncovers the intricate web of influence and divergence between the beguinal spiritualities and Eckhart.