In Derrida, Myth and the Impossibility of Philosophy, Anais N. Spitzer shows that philosophy cannot separate itself from myth since myth is an inevitable condition of the possibility of philosophy. Bombarded by narratives that terrorize and repress, we may often consider myth to be constrictive dogma or, at best, something to be readily disregarded as unphilosophical and irrelevant. However, such dismissals miss a crucial aspect of myth. Harnessing the insights of Jacques Derrida's deconstruction and Mark C. Taylor's philosophical reading of complexity theory, Derrida, Myth and the Impossibility of Philosophy provocatively reframes the pivotal relation of myth to thinking and to philosophy, demonstrating that myth's inherent ambiguity engenders vital and inescapable deconstructive propensities. Exploring myth's disruptive presence, Spitzer shows that philosophy cannot separate itself from myth. Instead, myth is an inevitable condition of the possibility of philosophy. This study provides a nuanced account of myth in the postmodern era, not only laying out the deconstructive underpinnings of myth in philosophy and religion, but establishing the very necessity of myth in the study of ideas.

Offering an original discussion of the gentrification phenomenon in Europe, this book provides new theoretical insights into classical works on the subject. Using a thorough analysis of the diversity of the forms, places and actors of gentrification in an attempt to isolate its 'DNA', the book addresses the place of social groups in cities, their competition over the appropriation of space, the infrastructure unequally offered to them by economic and political actors and the stakes of everyday social relationships.

This intriguing and beautiful folk opera delivers a deeply resonant and defiantly hopeful theatrical experience. Following two intertwining love stories - that of young dreamers Orpheus and Eurydice, and of immortal King Hades and Lady Persephone - Hadestown invites audiences on a hell-raising journey to the underworld and back. Inspired by traditions of classic American folk music and vintage New Orleans jazz, Mitchell's beguiling sung-through musical pits industry against nature, doubt against faith, and fear against love.

This volume sheds light on the argumentative role of metaphor in climate change discourse, unpacking the ways in which stakeholders use specific metaphors to influence perceptions of the climate crisis. While existing research has explored the explanatory function of metaphors in communication on climate change, this book offers an alternative view, one which posits that metaphors can go beyond disseminating scientific observations to promoting biases in the depiction of these observations. Auge analyses oft-used ideas in climate change communication, such as carbon footprint, drawn from a wide-ranging corpus spanning media discourse, scientific discourse, NGO communications, political speech, and everyday speech in English. The book presents an overview of different arguments conveyed through metaphors around five key themes-climate change mitigation; the evolution of climate change; global and local effects; the significance of climate change in specific countries; and the relationship between climate change and other contemporary social issues. The volume highlights how the complexity of climate change often necessitates the use of metaphor and the value of further research on metaphor's argumentative function in elucidating its ideological dimensions in climate change discourse. This book will be of interest to scholars in discourse analysis, corpus linguistics, cognitive linguistics, and environmental communication.

This book provides an in-depth account of military operations against drug gangs and organizations in two of the biggest countries in Latin America: Brazil and Mexico. Recent studies on drug wars have detailed case studies on the war on drugs but do not focus on the role of the army in such policies. Publications that do drive attention to the military in such situations are usually from human rights organizations or the press and are therefore not scholarly works. There are therefore no recent academic books dealing with the role of the military in the fight against drugs in Latin America. This book aims to fill this gap. It also offers an empirical and theoretical examination of the issue of the role of the military (rather than the police) on national soil-the army being generally devoted to interventions abroad, and the police, to law enforcement on the national ground. The book is also the first work to look at high-level negotiations between military and civilian elites that define the conditions for the use of force during military operations. It provides a theoretically informed understanding of contemporary security politics in Brazil and Mexico.

This celebrated volume begins when Nin is about to publish her first book and ends when she leaves Paris for New York. Edited and with a Preface by Gunther tuhlmann; Index.

Chromatin immunoprecipitation sequencing (ChIP-seq), which maps the genome-wide localization patterns of transcription factors and epigenetic marks, is among the most widely used methods in molecular biology. Practical Guide to ChIP-seq Data Analysis will guide readers through the steps of ChIP-seq analysis: from quality control, through peak calling, to downstream analyses. It will help experimental biologists to design their ChIP-seq experiments with the analysis in mind, and to perform the basic analysis steps themselves. It also aims to support bioinformaticians to understand how the data is generated, what the sources of biases are, and which methods are appropriate for different analyses.

This volume, which gathers contributions presented at the annual conferences of l'Association pour le developpement de l'histoire culturelle (ADHC), questions the subjects and boundaries of cultural history in France - with regard to neighboring approaches such as cultural studies, media studies, and gender studies - to elaborate a "social history of representations." Historians, philosophers and sociologists address a large variety of topics and methodological proposals. Definitions, objects and actors, memories and cultural transfers: this book depicts the major questions that underlie the historical debate at the beginning of the 21st century.

El Diccionario de Marcadores Discursivos para estudiantes de espanol como segunda lengua registra alrededor de 700 expresiones de diversos tipos: organizadores del discurso, conjunciones, formulas rutinarias, etc. Estos marcadores estan definidos, ejemplificados, explicados de forma simple y clasificados segun el nivel apropiado para su ensenanza y segun su funcion en el discurso. Este diccionario resulta util tanto para los estudiantes como para sus profesores, gracias a que cuenta con una organizacion clara y sencilla. El conocimiento de estas expresiones permite a los aprendientes enriquecer su espanol oral y escrito e interpretar correctamente las conversaciones. El diccionario esta disenado para que los instructores puedan abordar con facilidad la explicacion y el estudio de estos elementos en la clase.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Let's Read Japanese series provides graded stories for all learners of Japanese, allowing them to practice the language at different levels, and also learn about Japanese culture and society.The books include famous stories from Japan and other parts of the world--re-tellings of traditional stories, classic tales, Japanese legends and poems, as well as some newly commissioned stories--all designed to introduce particular aspects of Japanese culture and society. The stories complement any textbook being used by a student of Japanese anywhere in the world; the books are ideal for those learning in language schools or through self-study.With beautiful color illustrations woven throughout the text, based on classic and contemporary Japanese art, the Let's Read Japanese series will ensure hours of pleasurable learning and practice.Level A1 (CEFR)/Novice ACTFLVocabulary range: 500Characters per story: 500-15--

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Black artists of the avant-garde have always defined the future. Blackspace: On the Poetics of an Afrofuture is the culmination of six years of multidisciplinary research by trans poet and curator Anais Duplan about the aesthetic strategies used by experimental artists of color since the 1960s to pursue liberatory possibility. Through a series of lyric essays, interviews with contemporary artists and writers of color, and ekphrastic poetry, Duplan deconstructs how creative people frame their relationships to the word, "liberation." With a focus on creatives who use digital media and language-as-technology-luminaries like Actress, Juliana Huxtable, Lawrence Andrews, Tony Cokes, Sondra Perry, and Nathaniel Mackey-Duplan offers three lenses for thinking about liberation: the personal, the social, and the existential. Arguing that true freedom is impossible without considering all three, the book culminates with a personal essay meditating on the author's own journey of gender transition while writing the book. Anais Duplan is a trans* poet, curator, and artist. He is the founding curator for the Center for Afrofuturist Studies, an artist residency program for artists of color, based in Iowa City. He has worked as an adjunct poetry professor at the University of Iowa, Columbia University, Sarah Lawrence, and St. Joseph's College. He was a 2017-2019 joint Public Programs Fellow at the Museum of Modern Art and the Studio Museum in Harlem.