Shortly after the giant bronze statue of Cecil John Rhodes came down at the University of Cape Town, student protestors called for the decolonisation of universities. It was a word hardly heard in South Africa's struggle lexicon and many asked: What exactly is decolonisation? This book brings together some of the most innovative thinking on curriculum theory to address this important question.

In the process, several critical questions are raised:

• Is decolonisation simply a slogan for addressing other pressing concerns on campuses and in society?
• What is the colonial legacy with respect to curricula and can it be undone?
• How is the project of curricula decolonisation similar to or different from the quest for post-colonial knowledge, indigenous knowledge or a critical theory of knowledge?
• What does decolonisation mean in a digital age where relationships between knowledge and power are shifting?

Strong conceptual analyses are combined with case studies of attempts to `do decolonisation' in settings as diverse as South Africa, Uganda, Tanzania and Mauritius. This comparative perspective enables reasonable judgments to be made about the prospects for institutional take-up within the curriculum of century-old universities. Decolonisation in Universities is essential reading for undergraduate teaching, postgraduate research and advanced scholarship in the field of curriculum studies.

When André de Ruyter took over as Eskom CEO in January 2020, he quickly realised why it was considered the toughest job in South Africa.

Aside from neglected equipment, ageing power stations and an eroded skills base, he discovered that Eskom was crippled by corruption on a staggering scale. Fake fuel oil deliveries at just one power station cost Eskom R100 million per month; kneepads retailing for R150 a pair were purchased for R80 000; billions of rands of equipment supposedly housed in the company’s storerooms was missing. Faced with police inaction, he was compelled to plunge into a world that was foreign to him – a world of spies and safe houses, of bulletproof vests and bodyguards.

In Truth to Power, De Ruyter tells the behind-the-scenes story of how he launched a private investigation that exposed at least four criminal cartels feeding off Eskom. While fighting this scourge, he had to deal with political interference, absurd regulations, non-paying municipalities, unfounded accusations of racism, wildcat strikes, sabotage and a poisoning attempt. De Ruyter takes the reader inside the boardrooms and government meetings where South Africa’s future is shaped, with ministers often pulling in conflicting directions. He explains how renewable energy is the cheapest and quickest solution to our power crisis, in spite of fierce opposition from vested coal interests.

De Ruyter candidly reflects on his three years at the power utility, his successes and failures, his reasons for leaving and his hopes for the future. As someone who worked at the highest levels of the state but is not beholden to the ruling party, he is uniquely placed to speak truth to power.

Recession, inflation, interest rates, income tax, exchange rates, junk bonds ... We are bombarded with these terms every day, but what do they actually mean? And how do they affect you?

In this updated edition of Everyone's Guide to the South African Economy, all these issues - and more - are addressed. The book clearly explains and evaluates a wide range of economic occur rences - from the budget and the rand/dollar exchange rate to the balance of payments and the role of the South African Reserve Bank.

The book investigates the impact of the 2008/2009 global financial crisis and the COVID pandemic, assesses the state of the sub-Saharan African economy, and explores human development issues in South Africa and their implications for policy-making.

If you are baffled by the specialised jargon of economists and bankers and want to know more about the economic forces that subtly dictate your day-to-day existence, Everyone's Guide to the South African Economy will put you in the picture. This is essential reading for every South African consumer and taxpayer. Economics, after all, is too important to be left to economists.

The Law of Delict in South Africa, third edition, offers an introduction to the general principles of delictual law. Comprehensive in scope, while clear and concise, the text provides a rich contextual framework which supports understanding and application of the principles.

Features:

• The text offers a progressive discussion of the law of delict, analysing the extent to which the common law of delict reflects the diverse, multicultural values of South African society, and proposing a framework for continuing, inclusive development of the common law. In addition, the third edition offers a deeper critical discussion of the relationship between common law principles and the Constitution of the Republic of South Africa.
• The third edition draws critical connections between established principles of delictual law and the rapidly-developing technological context. Discussions, which relate and apply principles to the context of modern technologies, are integrated throughout the text.

Are you increasingly distracted, demotivated and unable to focus on simple tasks?

There's a good chance your smartphone is to blame. In the always-on age of notifications, emails and the news cycle, it's easy to waste the majority of our days mindlessly scrolling. But according to psychiatric specialist and mental health guru Dr Anders Hansen, being tethered to our devices 24/7 is taking its toll on our mental wellbeing. Sleeplessness, anxiety, depression and burnout are just some of the consequences of feeling digitally overloaded.

In The Attention Fix, Hansen shares an informative guide to what unrestricted social media use is actually doing to our brains, and the practical steps we can take to break the addiction cycle. Unpacking the latest scientific research on the brain, he explains knowledge to cure your smartphone addiction and foster deep, single-task focus. By taking control of your screen time, you'll feel happier, healthier and more productive.

“There will be a black Springbok over my dead body.” — Dr Danie Craven, President of the South African Rugby Board, 1969

Just a year after the controversial D’Oliveira affair, the organised disruption of the all-white 1969/70 South African rugby and cricket tours to Britain represented a significant challenge to apartheid politics. Led by future cabinet minister Peter Hain, the ‘Stop the Seventy Tour’ campaign brought about the cancellation of both tours, presaging white South Africa’s expulsion from the Olympics and the end of apartheid sport altogether.

With his brand of attention-grabbing, direct action sports protest, the 19-year-old Hain emerged as a hero to some and enemy to others. Now, reflecting on these experiences with fifty years of hindsight, Lord Hain, together with South Africa’s foremost sports historian and fellow anti-apartheid activist André Odendaal, shows how decades of relentless international and domestic campaigning for equality led to a Springbok team captained by black athlete Siya Kolisi winning the 2019 Rugby World Cup.

Interspersing a wide range of examples with personal testimony, Pitch Battles explores the themes of sport, globalisation and resistance from the deep past to the present day. Published in the same year as the Stop The Tour documentary from acclaimed director Louis Myles, this compelling story of sacrifice, struggle and triumph reveals how sport should never be divorced from politics or society’s values.

In a telegram dated 29 April 1963, thirty-year-old Afrikaans poet Ingrid Jonker thanks André Brink, a young novelist of twenty-eight, for flowers and a letter he sent her. In the more than two hundred letters that followed this telegram, one of South African literature’s most famous love affairs unfolds. Jonker’s final letter to Brink is dated 18 April 1965. She drowned herself in the ocean at Three Anchor Bay three months later.

More than fifty years on, this poignant, often stormy relationship still grips readers’ imaginations.

In December 2014, three months before his death on 6 February 2015, André Brink offered these never-before-seen letters, as well as personal photographs, for publication.

This timely book offers an integrated and pragmatic approach to understanding recovery from all types of shock. Whilst particular focus is given to identifying and exploring various aspects of recovering societies in the context of COVID-19, Pandemic Recovery? is framed with a wider appreciation of other societal challenges, most notably anthropogenic climate change.

Children's animated sequel directed by John Kafka. After returning from their honeymoon, Cinderella (voice of Jennifer Hale) and Prince Charming (Christopher D. Barnes) attempt to settle into the routine of normal palace life. However, when she is cast in the role of Royal Hostess, Cinderella finds the prospect so daunting that she begins to think the happily-ever-afters might have been spoken too soon. But with the Fairy Godmother (Russi Taylor) and her friends on hand to help out, Cinderella soon sees she can overcome any challenge put in front of her.

Sequel to the big-budget reboot of the comic book series following the anthropomorphic ninjutsu-trained turtles Leonardo (Pete Ploszek), Michelangelo (Noel Fisher), Donatello (Jeremy Howard) and Raphael (Alan Ritchson). The turtle's arch nemesis Shredder (Brian Tee) has returned and employed Techno Cosmic Research Institute scientist Dr. Stockman (Tyler Perry) to create some mutants of his own in the form of ferocious duo Bebop (Gary Anthony Williams) and Rocksteady (Stephen Farrelly). Meanwhile, the evil Kraang (voice of Fred Armisen) has arrived from Dimension X to lead an invasion of New York City. With the help of journalist April O'Neil (Megan Fox) and vigilante Casey Jones (Stephen Amell), the turtles face a fight on two fronts to save the city from certain destruction.

"Life in Trinidad as described by Mr. Naipaul through the eyes of a "street arab" in "Miguel Street" is enchanting, mysterious, varied and richly comic. His happy-go lucky community, in what to the stranger's eye would be a slum, abounds in eccentric characters: indeed everyone is eccentric, and tolerant of other eccentrics." - The ScotsmanLife in Trinidad as described through the eyes of a street arab.

The world of "Crick Crack, Monkey" is a dual one. Tee, the central character, is suspended between the warmth, spontaneity, and exuberance of Tantie's household, into which she and her brother are received when their father immigrates to England, and the formality and pretension of her Aunt Beatrice's world, which Tee is obliged to enter when she wins a scholarship. Tee's initiation into the middle class is an uneasy one: she is confused and disturbed by the discrimination of color and class that she learns at Aunt Beatrice's hands and by the attitudes and values that divide her two aunts. Tee's shifting perceptions find no resolution, only acknowledgment that coherence will require a mature revaluation of her experience.

Portia Doubleday and Marc-André Grondin star in this romantic comedy directed by Sean Garrity. Kate (Doubleday) dreams of being a designer for a top fashion house, but her father's reputation for ripping off the houses she wants to work for makes getting a job near impossible. When she agrees to work for the family business she decides to disguise herself as a top male designer in order to expose the company for the frauds that they really are. The cast also includes Chris Noth, Lauren Holly and Natalie Krill.

Jodie Whittaker stars in this London-set psychological thriller. Mia (Whittaker) is an emotionally fragile young nurse struggling to come to terms with her mother's recent death. When an old woman in her building commits suicide in front of her, Mia becomes intensely curious about her. Admitted into the old woman's flat by the mysterious caretaker, Max (David Warner), Mia is shocked to discover that it is filled with mementoes and belongings from Mia's own past, including pictures of her abusive former lover Ludwig (Dougray Scott). So begins a journey into her past in which Mia finally learns to accept her own mistakes and faults, including her strong affection for the partner who hurt her, even as she tries to avoid the tragic ending that fate appears to have in store for her. Emilia Fox co-stars.

Adam Sandler stars in this comedy as an absent father who re-enters the life of his estranged son in an attempt to sting him for cash. Donny, a foul-mouthed, hedonistic middle-aged playboy who is facing a jail sentence for tax evasion, finds out that Todd (Andy Samberg), the son he fathered as a teenager with his high school teacher, is now a hedge fund manager and about to tie the knot with his fiancée (Leighton Meester). Donny instantly sees an opportunity to get hold of the cash he needs to bail him out of jail, and turns up at Todd's door the day before his wedding, sending his son's well-ordered life spinning into chaos.

Psychological thriller set in the American ballet world starring Natalie Portman in an award-winning performance. Nina (Portman) is a dancer in a New York City ballet company. Still living with her domineering and obsessive mother Erica (Barbara Hershey), a former ballerina herself, Nina barely has a life outside her dancing. When the company's artistic director Thomas Leroy (Vincent Cassel) decides to replace prima ballerina Beth MacIntyre (Winona Ryder) for a major new production of Swan Lake, Nina finds herself losing sight of her own identity as she becomes caught up in a twisted competitive friendship with her rival Lily (Mila Kunis). Portman won the 2011 Golden Globe, BAFTA and Academy Award for Best Actress.

Four-film collection featuring Marvel Comics superheroes.

X-Men Origins: Wolverine
Hugh Jackman reprises his role as clawed mutant Wolverine (formerly James Logan) in this blockbuster superhero action prequel based on the Marvel comic strip. The film, set over the years leading up to the action of the 2003 'X-Men' movie, follows the young Logan from the first awakenings of his mutant powers in childhood up to his amnesiac rebirth as Wolverine, and recounts his tumultuous relationship with his ferocious half-brother Victor Creed, aka Sabretooth (Liev Schreiber) and the events that lead him to sign up to the ominous Weapon X programme.

Daredevil
For Daredevil, justice is blind, and for the guilty there's hell to pay. Ben Affleck and Jennifer Garner ignite dangerous sparks and nonstop thrills in this "dazzling action-adventure" (The Film Journal) about the newest breed of superhero. By day, blind attorney Matt Murdock (Affleck) toils for justice in Hell's Kitchen. By night, he's Daredevil, The Man Without Fear--a powerful, masked vigilante stalking the dark streets with an uncanny "radar sense" that allows him to "see" with superhuman capabilities. But when the love of his life, fiery Elektra Natchios (Garner), is targeted by New York City's ruthless Kingpin of crime (Michael Clarke Duncan) and his deadly assassin Bullseye (Colin Farrell), Daredevil may be about to meet his match.

Elektra
Jennifer Garner proves that looks can kill as the sexiest action hero to burst from the pages of Marvel Comics. Restored to life after sustaining mortal wounds in Daredevil, an icy, solitary Elektra (Garner) now lives only for death as the world's most lethal assassin. Using her bone-crunching martial arts skills and Kimagure (the ability to see into the future), Elektra is on a collision course with darkness until her latest assignment forces her to make a choice that will lead either to her redemption or destruction in the ultimate battle between good and evil.

Fantastic Four: Rise of the Silver Surfer
Marvel's first family of superheroes, The Fantastic Four, meets their greatest challenge yet in Fantastic Four: Rise Of The Silver Surfer as the enigmatic, intergalactic herald, The Silver Surfer comes to Earth to prepare it for its destruction. As he races around the globe wreaking havoc, Reed, Sue, Johnny and Ben must unravel the mystery of the Silver Surfer and confront the surprising return of their mortal enemy Dr. Doom before all hope is lost.

An electrifying wild ride of a debut novel from award-winning playwright Anders Lustgarten

Meet Cherry, a bandit queen on the run, driving a pink soft-top convertible through the badlands of South-East England. She's never felt more Thelma & Louise in her life - except there are three of them in the car and one of them is dead.

How did a head nurse and mother of two end up driving a handcuffed policeman and the corpse of a murdered refugee on a journey to find justice? Pursued by a racist, roid-raged, shaven-headed officer of the law - not to mention by her husband and daughter - what else can a woman with a conscience do in modern Britain?

Thrilling, radical and darkly comedic, Anders Lustgarten's open-hearted storm of a book explores pressing political concerns with clear-sightedness and holds a mirror up to contemporary Britain.

Rutger Hauer stars in this action comedy as a homeless man who takes vigilantism to a new scale. Arriving in a new city, our hero soon realises that it is a hotbed of crime and corruption presided over by gang bosses and bent cops who will do nothing to deliver justice. Armed robberies, prostitution and paedophilia are rife, and the only obvious way to tackle the perpetrators is to take to the streets with a 20-guage pump-action shotgun.

BERLIN, NOVEMBER 1938. With storm troopers battering against his door, Otto Silbermann must flee out the back of his own home. He emerges onto streets thrumming with violence: it is Kristallnacht, and synagogues are being burnt, Jews rounded up and their businesses destroyed. Turned away from establishments he had long patronised, betrayed by friends and colleagues, Otto finds his life as a respected businessman has dissolved overnight. Desperately trying to conceal his Jewish identity, he takes train after train across Germany in a race to escape this homeland that is no longer home. Twenty-three-year-old Ulrich Alexander Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Shot through with Hitckcockian tension, The Passenger is a blisteringly immediate story of flight and survival in Nazi Germany.