The most important and productive statements on the translation of literature from Roman times to the 1920s are collected in this book. Arranged thematically around the main topics which recur over the centuries - power, poetics, universe of discourse, language, education - it contains texts previously unavailable in English, and translated here for the first time from classical, Medieval, and Renaissance Latin, from French and from German. As the first survey of its kind in both scope and selection it argues that translation commands a central position in the shaping of European literatures and cultures.
DEGREESTranslation/History/Culture creates a framework for further study of the history of translation in the West by tracing European historical thought about translation, and discussing the topicality of many of the texts included.

One of the first books to shine a light on the broad scope of translation studies, this Routledge Translation Classic is widely regarded as a pillar of the discipline. Authored by one of the most infl uential translation theorists of the twentieth century, Translation, Rewriting, and the Manipulation of Literary Fame shows how rewriting - translation, anthologization, historiography, criticism, editing - infl uences the reception and canonization of works of literature. Firmly placing the production and reception of literature within the wider framework of a culture and its history, Andre Lefevere explores how rewriting manipulates works of literature to ideological and artistic ends, and demonstrates how rewriting a text can give it a new, sometimes subversive, historical or literary status. Ranging across various literatures, including Classical Latin, French, and German, and here reissued with a new foreword by Scott G. Williams, this is a seminal text for all students and specialists in translation studies, literary theory, and comparative and world literature.

One of the first books to shine a light on the broad scope of translation studies, this Routledge Translation Classic is widely regarded as a pillar of the discipline. Authored by one of the most infl uential translation theorists of the twentieth century, Translation, Rewriting, and the Manipulation of Literary Fame shows how rewriting - translation, anthologization, historiography, criticism, editing - infl uences the reception and canonization of works of literature. Firmly placing the production and reception of literature within the wider framework of a culture and its history, Andre Lefevere explores how rewriting manipulates works of literature to ideological and artistic ends, and demonstrates how rewriting a text can give it a new, sometimes subversive, historical or literary status. Ranging across various literatures, including Classical Latin, French, and German, and here reissued with a new foreword by Scott G. Williams, this is a seminal text for all students and specialists in translation studies, literary theory, and comparative and world literature.

Translation Studies is currently one of the fastest growing interdisciplinary subjects in the world. Constructing Cultures brings together for the first time the work of the two translator/scholars who are regarded as founders of this major field of study. This collection of essays continues to develop some of the principal research lines that both have been pursuing in recent years, most specifically the cultural turn in Translation Studies. Among topics discussed are Chinese and Western theories of translation, the limits of translatability, when is a translation not a translation, why cultures develop certain genres at certain times, what is the relationship between Translation Studies and Cultural Studies. Some essays are genre specific, focusing on theatre translation or the translating of poetry, others are devoted to specific case studies, and consider the fortunes of such major writers as Virgil or Brecht in English. Written in the accessible, jargon-free style that characterises the work of Bassnett and Lefevere, this collection of essays will be invaluable to anyone interested in translation and comparative cultural studies.

Translation Studies is currently one of the fastest growing interdisciplinary subjects in the world. Constructing Cultures brings together for the first time the work of the two translator/scholars who are regarded as founders of this major field of study. This collection of essays continues to develop some of the principal research lines that both have been pursuing in recent years, most specifically the cultural turn in Translation Studies. Among topics discussed are Chinese and Western theories of translation, the limits of translatability, when is a translation not a translation, why cultures develop certain genres at certain times, what is the relationship between Translation Studies and Cultural Studies. Some essays are genre specific, focusing on theatre translation or the translating of poetry, others are devoted to specific case studies, and consider the fortunes of such major writers as Virgil or Brecht in English. Written in the accessible, jargon-free style that characterises the work of Bassnett and Lefevere, this collection of essays will be invaluable to anyone interested in translation and comparative cultural studies.

The problems of translating literature explored through both theoretical approaches and practical case studies. Interest in the issues of translation continues to grow, and is reflected in this collection of essays by specialists in both literature and translation studies, all of whom have experience of translating literary texts themselves. The essays include both diverse theoretical approaches and practical case studies, and a wide range of topics are covered, including the history of translation in Scotland, the problems of translating Chinese poetry into English, renaissance theories of translation, George Eliot's translations, and Eastern European perceptions of English Romantic literature. Professor SUSAN BASSNETT teaches at the Centre for British and Comparative Cultural Studies at the University of Warwick. Contributors: SUSAN BASSNETT, THEO HERMANS, FELICITY ROSSLYN, ANDRE LEFEVERE, PIOTR KUHIWCZAK, JOHN CORBETT, SUSANNE STARK

The most important and productive statements on the translation of literature from Roman times to the 1920s are collected in this book. Arranged thematically around the main topics which recur over the centuries - power, poetics, universe of discourse, language, education - it contains texts previously unavailable in English, and translated here for the first time from classical, Medieval, and Renaissance Latin, from French and from German. As the first survey of its kind in both scope and selection it argues that translation commands a central position in the shaping of European literatures and cultures.
DEGREESTranslation/History/Culture creates a framework for further study of the history of translation in the West by tracing European historical thought about translation, and discussing the topicality of many of the texts included.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

Parzival, an Arthurian romance completed by Wolfram von Eschenbach in the first years of the thirteenth century, is one of the foremost works of German literature and a classic that can stand with the great masterpieces of the world. The most important aspects of human existence, worldly and spiritual, are presented in strikingly modern terms against the panorama of battles and tournaments and Parzival's long search for the Grail. The world of knighthood, of love and loyalty and human endeavor despite the cruelty and suffering of life, is constantly mingling with the world of the Grail, affirming the inherent unity between man's temporal condition and his quest for something beyond human existence.>