Though many practitioners of yoga and meditation are familiar with the Sri Cakra yantra, few fully understand the depth of meaning in this representation of the cosmos. Even fewer have been exposed to the practices of mantra and puja (worship) associated with it. Andre Padoux, with Roger Orphe-Jeanty, offers the first English translation of the Yoginihrdaya, a seminal Hindu tantric text dating back to the 10th or 11th century CE. The Yoginihrdaya discloses to initiates the secret of the Heart of the Yogini, or the supreme Reality: the divine plane where the Goddess (Tripurasundari, or Consciousness itself) manifests her power and glory. As Padoux demonstrates, the Yoginihrdaya is not a philosophical treatise aimed at expounding particular metaphysical tenets. It aims to show a way towards liberation, or, more precisely, to a tantric form of liberation in this life--jivanmukti, which grants both liberation from the fetters of the world and domination over it.

Providing a systematic and complete overview of the highest scholarly quality on Tantric mantras in Hinduism, this book presents a summary on the nature of Tantric mantras, their phonetic aspect, structure and classifications. Additionally, it explains the metaphysical-theological nature of Tantric mantras and gives an introduction to their beliefs and practices. In individual chapters, Andre Padoux discusses the extraction and examination of mantras, certain characteristics such as their "perfect nature" and their imperfections, and he describes certain mantrics practices. For the first time, Andre Padoux' work on Tantric mantras is made accessible to an English-speaking readership. This book will be of great interest to scholars of Religious Studies, Theology, Indology, South Asian Studies, and Asian Religion.

Providing a systematic and complete overview of the highest scholarly quality on Tantric mantras in Hinduism, this book presents a summary on the nature of Tantric mantras, their phonetic aspect, structure and classifications. Additionally, it explains the metaphysical-theological nature of Tantric mantras and gives an introduction to their beliefs and practices. In individual chapters, Andre Padoux discusses the extraction and examination of mantras, certain characteristics such as their "perfect nature" and their imperfections, and he describes certain mantrics practices. For the first time, Andre Padoux' work on Tantric mantras is made accessible to an English-speaking readership. This book will be of great interest to scholars of Religious Studies, Theology, Indology, South Asian Studies, and Asian Religion.

Tantra occupies an odd position in Western understandings of Hindu spirituality. Its relationship to sex has made its name instantly recognizable, but this emphasis on sex has obscured its philosophical concerns and ritual practices, to say nothing of its overall importance to Hindu religious life. This book offers a clear, well-grounded overview of Tantra that offers substantial new insights for scholars and practitioners. Andre Padoux opens by detailing the history of Tantra, including its origins, founding texts, and major beliefs. The second part of the book delves more deeply into key concepts like the tantric body, mysticism, sex, mantras, sacred geography, and iconography, while the final part considers the practice of Tantra today, both in India and in the West. The result is an authoritative account of Tantra's history and present place in the world, suitable for beginners and longtime practitioners alike.

Though many practitioners of yoga and meditation are familiar with the Sri Cakra yantra, few fully understand the depth of meaning in this representation of the cosmos. Even fewer have been exposed to the practices of mantra and puja (worship) associated with it. Andre Padoux, with Roger Orphe-Jeanty, offers the first English translation of the Yoginihrdaya, a seminal Hindu tantric text dating back to the 10th or 11th century CE. The Yoginihrdaya discloses to initiates the secret of the Heart of the Yogini, or the supreme Reality: the divine plane where the Goddess (Tripurasundari, or Consciousness itself) manifests her power and glory. As Padoux demonstrates, the Yoginihrdaya is not a philosophical treatise aimed at expounding particular metaphysical tenets. It aims to show a way towards liberation, or, more precisely, to a tantric form of liberation in this life--jivanmukti, which grants both liberation from the fetters of the world and domination over it.

This collection of rare, abstract Tantra drawings was conceived when the French poet Franck Andre Jamme stumbled on a small catalogue of Tantric art at a Paris bookseller's stall. The volume included writings by Octavio Paz and Henri Michaux, and Jamme became fascinated by the images' affinity with modern art and poetry. He read voraciously and even journeyed to India, searching in vain for Tantric practitioners, until a bus accident on the road to Jaipur sent him home to France with serious injuries. When he returned a few years later, he met a soothsayer who proclaimed that Jamme had now paid sufficient tribute to the goddess Shakti and required him to take a vow: he must visit the "tantrikas" alone or only in the company of a loved one. Since then, Jamme has gained extraordinary access to very private communities of adepts and their intensely beautiful works. These contemporary, anonymous drawings from Rajasthan are unlike the more familiar strands of Tantric art--the geometric yantras, or erotic illustrations of the "Kama Sutra." The progeny of seventeenth-century illustrated religious treatises, these drawings have evolved into a distinct visual lexicon designed to awaken heightened states of consciousness and are imbued with specific spiritual meanings (e.g. spirals and arrows for energy, an inverted triangle for Shakti). A revelatory volume on this occluded genre of Indian art, "Tantra Song" is a convergence of east and west, the spiritual and the aesthetic, the ancient and the modern.
Franck Andre Jamme is the author of more than a dozen volumes of poetry. His translated workds (by John Ashbery, Charles Borkuis, David Kelley and others) include "New Exercises," "Another Silent Attack," "The Recitation of Forgetting" and "Extracts of the Life of a Beetle." He has collaborated on books with a number of artists including Philippe Favier, Suzan Frecon, Acharya Vyakul and Hanns Schimansk. A specialist in Art Brut, Tantric and tribal art of India, he has participated in exhibitions at Centre Pompidou, Beaux-Art de Paris and The Drawing Center, among others.

In "Tantra," Andre Padoux, an expert on India and Hinduism, dispels the common myths and stereotypes of tantrism--including its reputation for indulging extravagance, excess, and hedonism--and reveals instead the richness of Tantra's rituals, symbols, and philosophies. The author discusses Tantra's importance to some of the most fundamental aspects of Hinduism, including goddess worship, the science of mantras, ritual sexuality, mandalas, and more, but also illuminates Tantra's relevance in Western culture. This is an essential guide to the myriad aspects of the practice of Hindu tantrism. "En "El tantra," Andre Padoux, un experto en la India y el hinduismo, desvanece los mitos y estereotipos comunes del tantrismo--incluyendo su reputacion de permitir extravagancias, excesos y hedonismo--y revela mas bien la riqueza de los rituales, los simbolos y las filosofias del tantra. El autor discute la importancia del tantra a algunos de los aspectos mas fundamentales del hinduismo, incluyendo el culto de la diosa, la ciencia de los mantras, la sexualidad ritualizada, mandalas y mas, pero ilumina tambien la relevancia del tantra en la cultura occidental. Esta es una guia esencial a los aspectos variados de la practica del tantrismo hindu."