This is the first book to comprehensively examine Latin America's literary response to the deadly HIV virus. Proposing a bio-political reading of AIDs in the neoliberal era, Lina Meruane examines how literary representations of AIDS enter into larger discussions of community, sexuality, nation, displacement and globalization.

***A CRIME READS BEST BOOK OF THE YEAR*** An addictive and nuanced narrative about conflict-rife Colombia. A boy witnesses a violent confrontation in a remote part of town in the state of Cauca, Colombia. Minutes later, someone arrives at the scene to clear up all trace of the incident. No one in town claims to have heard or seen anything, and yet an anonymous accusation launches a dangerous investigation that unfolds within the corrupt world of the Christian churches of Latin America. A story that urgently reveals inequality and violence that govern an entire country, The Night Will Be Long is a devastatingly humorous thriller that will appeal to fans of Roberto Bolano and Fernanda Melchor's Hurricane Season. Santiago Gamboa's fascinating characters introduce an addictive and nuanced narrative about conflict-rife Colombia.

An enthralling biography about one of the most intriguing women of the Victorian age: the first self-invented international social celebrity. Lola Montez was one of the most celebrated and notorious women of the nineteenth century. A raven-haired Andalusian who performed her scandalous "Spider Dance" in the greatest performance halls across Europe, she dazzled and beguiled all who met her with her astonishing beauty, sexuality, and shocking disregard for propriety. But Lola was an impostor, a self-invention. Born Eliza Gilbert, the beautiful Irish wild child escaped a stifling marriage and reimagined herself as Lola the Sevillian flamenco dancer and noblewoman, choosing a life of adventure, fame, sex, and scandal rather than submitting to the strictures of her era. Lola cast her spell on the European aristocracy and the most famous intellectuals and artists of the time, including Alexandre Dumas, Franz Liszt, and George Sand, and became the obsession of King Ludwig I of Bavaria. She then set out for the New World, arriving in San Francisco at the height of the gold rush, where she lived like a pioneer and performed for rowdy miners before making her way to New York. There, her inevitable downfall was every bit as dramatic as her rise. Yet there was one final reinvention to come for the most defiant woman of the Victorian age-a woman known as a "savage beauty" who was idolized, romanticized, vilified, truly known by no one, and a century ahead of her time.

This is the first book to comprehensively examine Latin America's literary response to the deadly HIV virus. Proposing a bio-political reading of AIDs in the neoliberal era, Lina Meruane examines how literary representations of AIDS enter into larger discussions of community, sexuality, nation, displacement and globalization.

'A book of deep reckoning' New York Times 'Becomes a way of looking honestly at what mourning really feels like' Guardian A man in tumult returns to Ordesa, the small mountain town where he was born, and where his parents have recently died. He sits down to write. Newly sober, his career on the wane, his relationship with his own children strained, what he produces is a dizzying chronicle of his childhood and an unsparing account of his life's trials, failures and triumphs. He reckons with the ghosts of his parents, the pain of loss and, as the pages fill with words, he tries to piece together the bits of himself. What is a person without a family? What is a person when faced with memories alone? An autobiographical novel by a Spanish literary icon, written with the intimacy of a diary, Ordesa is a beautiful, redemptive meditation on identity, grief and the passing of time.

"Supremely well-crafted" - Kirkus Reviews (Starred Review) "A lively story of how children are affected by their parents, emphasised by a third narrative strand where Larry and a daughter of Escobar's strike up a friendship on a plane trip, neither aware of their darker connection." - The Irish Times Larry returns to Colombia twelve years after the disappearance of his father, an old associate of Pablo Escobar. His remains have finally been unearthed in a mass grave, and Larry is returning to give them a proper burial . . . but not before a reunion with his childhood friend Pedro. Pedro takes him straight from the airport to the Alborada celebration, during which fireworks explode all over Medellin, and the entire city loses its inhibitions. His homecoming quickly becomes a rude awakening. The years of luxury living in bodyguard-surrounded mansions are now firmly in the past, as Larry watches his family-including his ex-beauty queen mother and troubled brother-fall deeper into depression, drug addiction, and the traps of the family business. Faced by an uncertain reality, Larry is forced to confront his family's turbulent history and reclaim himself from the dark remnants of a city trying to rediscover itself. Unflinching and remarkably controlled, Jorge Franco creates a stunning portrait of a generation wounded by their parents' mistakes. What the readers are saying: "This is an amazingly good book for how it captures the various emotions Larry and the other characters go through and for the Cold emptiness it finds at the heart of it all." "It makes for a fascinating moral quandary and Franco handles the subject matter well." "Highly recommended for anyone interested in realistic Latin American fiction."

An enthralling biography about one of the most intriguing women of the Victorian age: the first self-invented international social celebrity. Lola Montez was one of the most celebrated and notorious women of the nineteenth century. A raven-haired Andalusian who performed her scandalous "Spider Dance" in the greatest performance halls across Europe, she dazzled and beguiled all who met her with her astonishing beauty, sexuality, and shocking disregard for propriety. But Lola was an impostor, a self-invention. Born Eliza Gilbert, the beautiful Irish wild child escaped a stifling marriage and reimagined herself as Lola the Sevillian flamenco dancer and noblewoman, choosing a life of adventure, fame, sex, and scandal rather than submitting to the strictures of her era. Lola cast her spell on the European aristocracy and the most famous intellectuals and artists of the time, including Alexandre Dumas, Franz Liszt, and George Sand, and became the obsession of King Ludwig I of Bavaria. She then set out for the New World, arriving in San Francisco at the height of the gold rush, where she lived like a pioneer and performed for rowdy miners before making her way to New York. There, her inevitable downfall was every bit as dramatic as her rise. Yet there was one final reinvention to come for the most defiant woman of the Victorian age-a woman known as a "savage beauty" who was idolized, romanticized, vilified, truly known by no one, and a century ahead of her time.

The closest you’ll ever get to the most infamous drug kingpin in modern history, told by the person who stood by his side

The story of Pablo Escobar, one of the wealthiest, powerful and violent criminals of all time has fascinated the world. Yet the one person closest to him has never spoken out – until now. Maria Victoria Henao met Pablo when she was 13, eloped with him at 15, and despite his numerous infidelities and violence, stayed by his side for the following 16 years until his death. At the same time, she urged him to make peace with his enemies and managed to negotiate her and her children’s freedom after Pablo’s demise.

The most intriguing character in the Escobar narrative is ready to share her story and reveal the real man behind the legend.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Ordesa - a small Spanish town in the Pyrenees - is where our narrator was born, a place his father loved dearly, a place suffused with memories. Now, forty-six years later, he returns to the valley with his own children on a summer vacation. His parents are dead, his marriage has ended and he's struggling to piece together the bits of himself. Single and living in an apartment he hates, clinging to snatched moments of quality time with his apathetic children, newly sober and with his career on the wane, the ghosts of the narrator's family besiege him, but also bring him hope. Out of despair, he writes this chronicle, this homage, this memoir of his family: grandparents whose photos were never taken, whose funerals were never attended, parents unable to show their love. Maybe the tragedy of life itself is not death, but truly realising the importance of family only once they've passed. Perhaps this trip to Ordesa can help him fall in love with life - his life - once more. A masterwork of autofiction from Spanish literary icon Manuel Vilas, Ordesa is a deeply moving meditation on identity, nationality, family, loss and the passing of time.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!