Composed between 1500 and 1502, "The Life of Henry VII" is the first "official" Tudor account of the triumph of Henry VII over Richard III. Its author, the French humanist Bernard Andre, was a poet and historian at the court of Henry VII and tutor to the young Prince Arthur. Steeped in classical literature and familiar with all the tropes of the ancient biographical tradition, Andre filled his account with classical allusions, invented speeches, and historical set pieces. Although cast as a biography, the work dramatizes the dynastic shift that resulted from Henry Tudor's seizure of the English throne at the Battle of Bosworth Field in 1485 and the death of Richard III. Its author had little interest in historical "facts," and when he was uncertain about details, he simply left open space in the manuscript for later completion. He focused instead on the nobility of Henry VII's lineage, the moral character of key figures, and the hidden workings of history. Andre's account thus reflects the impact of new humanist models on English historiography. It is the first extended argument for Henry's legitimate claims to the English crown. "The Life of Henry VII" survives in a single manuscript, edited by James Gairdner in the nineteenth-century Rolls Series. It occupies an important place in the literary tradition of treatments of Richard III, begun by Andre, continued by Thomas More and Polydore Vergil, and reaching its classic expression in Shakespeare. First English translation. Introduction, bibliography, index.

Before skyscrapers forever transformed the landscape of the modern metropolis, the conveyance that made them possible had to be created. Invented in New York in the 1850s, the elevator became an urban fact of life on both sides of the Atlantic by the early twentieth century. While it may at first glance seem a modest innovation, it had wide-ranging effects, from fundamentally restructuring building design to reinforcing social class hierarchies by moving luxury apartments to upper levels, previously the domain of the lower classes. The cramped elevator cabin itself served as a reflection of life in modern growing cities, as a space of simultaneous intimacy and anonymity, constantly in motion. In this elegant and fascinating book, Andreas Bernard explores how the appearance of this new element changed notions of verticality and urban space. Transforming such landmarks as the Waldorf-Astoria and Ritz Tower in New York, he traces how the elevator quickly took hold in large American cities while gaining much slower acceptance in European cities like Paris and Berlin. Combining technological and architectural history with the literary and cinematic, Bernard opens up new ways of looking at the elevator--as a secular confessional when stalled between floors or as a recurring space in which couples fall in love. Rising upwards through modernity, Lifted takes the reader on a compelling ride through the history of the elevator.

Composed between 1500 and 1502, "The Life of Henry VII" is the first "official" Tudor account of the triumph of Henry VII over Richard III. Its author, the French humanist Bernard Andre, was a poet and historian at the court of Henry VII and tutor to the young Prince Arthur. Steeped in classical literature and familiar with all the tropes of the ancient biographical tradition, Andre filled his account with classical allusions, invented speeches, and historical set pieces. Although cast as a biography, the work dramatizes the dynastic shift that resulted from Henry Tudor's seizure of the English throne at the Battle of Bosworth Field in 1485 and the death of Richard III. Its author had little interest in historical "facts," and when he was uncertain about details, he simply left open space in the manuscript for later completion. He focused instead on the nobility of Henry VII's lineage, the moral character of key figures, and the hidden workings of history. Andre's account thus reflects the impact of new humanist models on English historiography. It is the first extended argument for Henry's legitimate claims to the English crown. "The Life of Henry VII" survives in a single manuscript, edited by James Gairdner in the nineteenth-century Rolls Series. It occupies an important place in the literary tradition of treatments of Richard III, begun by Andre, continued by Thomas More and Polydore Vergil, and reaching its classic expression in Shakespeare. First English translation. Introduction, bibliography, index.