‘“What?” said the reverend gent, “Dance through my hours of leisure? Smoke? Bathe myself with scent? Play croquet? Oh, with pleasure!”’ Today W.S. Gilbert is best known for the comic operas he produced in collaboration with Arthur Sullivan, but another of his great – and numerous – literary contributions were his humorous ballads, written and illustrated under the pseudonym ‘Bab’. Combining his trademark absurdist wit with keenly observed character studies, the ballads are a satirical tour de force that lambast society figures. This new selection, chosen and introduced by Andrew Crowther, Secretary of the W.S. Gilbert Society, brings together the very best of the ballads and presents the ‘Bab’ works for a new readership.

'Take care. The consequences of an act are often much more numerous and important than people have any idea of.' Today W.S. Gilbert is best known for the comic operas he produced in collaboration with Arthur Sullivan, a creative partnership that diverged over the supernatural. Unlike Sullivan, Gilbert was a great fan of fairy tales, and Foggerty's Fairy, one of his most unjustly neglected plays, is a brilliant farcical comedy that hinges on the wish-granting of a fairy. Loosely based on his short story 'The Story of a Twelfth Cake', Foggerty's Fairy considers the dangers of playing with the past. Trying to shore up his relationship, a man enlists a fairy's help to make a few tweaks in his past - he soon realises, however, these small changes have made great waves through time, and his present becomes unbearable.

The author of The Pirates of Penzance, The Mikado, HMS Pinafore and the other great Savoy libretti, W.S. Gilbert, witty, caustic and disrespectful, was one of the celebrities of the late Victorian age. In his time he had been many things: journalist, theatre critic, cartoonist, comic poet, stage director, writer of short stories and dramatist; a political satire he wrote was banned by the Lord Chamberlain at the personal insistence of the Prince of Wales. He wrote the most brilliantly inventive plays of his time. With Arthur Sullivan he wrote comic operas that defined the age. He became richer and more famous than he could have imagined, but at the price of his artistic freedom. This is the story of an angry and quarrelsome man, discontented with himself and the age he lived in, raging at life's absurdities and laughing at them. In this book his glorious, contradictory character is explored and brought vividly to life.