The themes of God, Mind and Knowledge are central to the philosophy of religion but they are now being taken up by professional philosophers who have not previously contributed to the field. This book is a collection of original essays by eminent and rising philosophers and it explores the boundaries between philosophy of religion, philosophy of mind, metaphysics, and epistemology. Its introduction will make it accessible to newcomers to the field, especially those approaching it from theology. Many of the book's topics lie at the focal point of debates - instigated in part by the so-called New Atheists - in contemporary culture about whether it is rational to have religious beliefs, and the role these beliefs can or should play in the life of individuals and of society.

The themes of God, Mind and Knowledge are central to the philosophy of religion but they are now being taken up by professional philosophers who have not previously contributed to the field. This book is a collection of original essays by eminent and rising philosophers and it explores the boundaries between philosophy of religion, philosophy of mind, metaphysics, and epistemology. Its introduction will make it accessible to newcomers to the field, especially those approaching it from theology. Many of the book's topics lie at the focal point of debates - instigated in part by the so-called New Atheists - in contemporary culture about whether it is rational to have religious beliefs, and the role these beliefs can or should play in the life of individuals and of society.

This book is a thorough, practical review of the challenges facing clinicians treating skin microbes and how to combat these therapeutic dilemmas. It expresses the critical public health concern of antimicrobial resistance and shows how microorganisms are developing the ability to halt the progress of antimicrobials like antibiotics, antivirals, and antifungals. Chapters are grouped together in five sections for ease of use. The first three sections of the book convey foundational information on the mechanisms of antibiotics, antivirals, and antifungals resistance, as well as the implications of lack of vaccination. The fourth section then turns to the specifics of drug resistance for protozoan and helminth infections focusing primarily on initial and subsequent resistance to treatment. The book closes with a discussion on the potential solutions of innovative therapy including new delivery mechanisms, broad-spectrum antibiotics, phytocompounds, and biofilms. Chapters feature magnified, microscopic photos for identifying structures as they appear on the skin. Part of the Updates in Clinical Dermatology series, Overcoming Antimicrobial Resistance of the Skin is an important resource relevant during the COVID-19 pandemic, and is written for all medical healthcare professionals.

The largest edible fruit native to the United States tastes like a cross between a banana and a mango. It grows wild in twenty-six states, gracing Eastern forests each fall with sweet-smelling, tropical-flavored abundance. Historically, it fed and sustained Native Americans and European explorers, presidents, and enslaved African Americans, inspiring folk songs, poetry, and scores of place names from Georgia to Illinois. Its trees are an organic grower's dream, requiring no pesticides or herbicides to thrive, and containing compounds that are among the most potent anticancer agents yet discovered. So why have so few people heard of the pawpaw, much less tasted one? In Pawpaw-a 2016 James Beard Foundation Award nominee in the Writing & Literature category-author Andrew Moore explores the past, present, and future of this unique fruit, traveling from the Ozarks to Monticello; canoeing the lower Mississippi in search of wild fruit; drinking pawpaw beer in Durham, North Carolina; tracking down lost cultivars in Appalachian hollers; and helping out during harvest season in a Maryland orchard. Along the way, he gathers pawpaw lore and knowledge not only from the plant breeders and horticulturists working to bring pawpaws into the mainstream (including Neal Peterson, known in pawpaw circles as the fruit's own "Johnny Pawpawseed"), but also regular folks who remember eating them in the woods as kids, but haven't had one in over fifty years. As much as Pawpaw is a compendium of pawpaw knowledge, it also plumbs deeper questions about American foodways-how economic, biologic, and cultural forces combine, leading us to eat what we eat, and sometimes to ignore the incredible, delicious food growing all around us. If you haven't yet eaten a pawpaw, this book won't let you rest until you do.

Bug-Jargal (1826; first published as a short story in 1819) is an early novel by French writer Victor Hugo (1802-1885). It describes the friendship between the enslaved African prince Bug-Jargal and Leopold D'Auverney, a French military officer, during the slave revolt in Santo Domingo of August, 1791, that would eventually lead to the creation of the republic of Haiti in 1804. --- Bug-Jargal, black slave and son of a king, is a man "of the noblest moral and intellectual character, passionately in love with a white woman, yet tempering the wildest passion with the deepest respect... There is no reader of the tale, who can forget the entrancing interest of the scenes in the camp of the insurgent chief Biassou, or the death-struggle between Habibrah and D'Auverney, upon the brink of the cataract. The latter, in particular, is drawn with such intense force, that the reader seems almost to be a witness of the changing fortunes of the fight, and can hardly breathe freely till he comes to the close." (The Edinburgh Review)

Andrew Moore's new book, Blue Alabama, focuses on the American South, depicts the economic, social and cultural divisions that characterize the South and the love of history, tradition and land that binds its citizens. Following upon in-depth explorations of the economically ravaged city of Detroit (2007 - 2009) and the mythic high plains region along the 100th Meridian (2011 - 2014), Blue Alabama continues the artist's investigation of "the inner empire" of the United States.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

"Colas Breugnon" is a charming romance of life in Burgundy three hundred years ago. It is an "autobiographical" novel, the story being told in the first person by Colas, who reviews his fifty years of life, and describes all its joys and sorrows. The story is gay and humorous, and full of wise observations about life. --- "Colas Breugnon is the jovial Burgundian, the lusty wood-carver, the practical joker always fond of his glass, the droll fellow. Before everything, Colas Breugnon is a free man. He loves his king, but only so long as the king leaves him his liberty; he loves his wife, but follows his own bent; he is on excellent terms with the priest of a neighboring parish, but never goes to church; he idolizes his children, but his vigorous individuality makes him unwilling to live with them. He is friendly with all, but subject to none; he is freer than the king; he has that sense of humor characteristic of the free spirit to whom the whole world belongs. From the artistic point of view, 'Colas Breugnon' may perhaps be regarded as Rolland's most successful work. This is because it is woven in one piece, because it flows with a continuous rhythm, because its progress is never arrested by the discussion of thorny problems. It is written throughout in the same key. The first sentence gives the note like a tuning fork, and thence the entire book takes its pitch. Throughout, the same lively melody is sustained. The writer employs a peculiarly happy form. His style is poetic without being actually versified; it has a melodious measure without being strictly metrical. This work is unlike any of Rolland's other writings. It is not an historic study, a critical appreciation, a philosophic essay, nor yet even, in the strictest sense of the word, a novel. It is rather a volume of reminiscences as told by a man of fifty; and the very aimlessness with which this man talks is in itself a pleasure; for Breugnon is himself the one subject of the book, holding our attention by the display of a wayward, sympathetic, and aggressive personality." (Stefan Zweig)

Herbert George Wells (1866-1946) was an English writer best remembered today for his science fiction works. Wells and Jules Verne are each sometimes referred to as "The Father of Science Fiction." --- He has foretold many futures for us, some utterly abhorrent, others more or less attractive... There was, for example, "The Man Who Could Work Miracles" "his name was George McWhirter; ... he was a little man and had eyes of a hot brown, very erect red hair, a mustache with ends he twisted up, and freckles." This unpromising looking individual, and he was a blatant skeptic, too, becomes suddenly possessed of the power to make anything happen that he wills, but he finds the use of this mysterious gift by no means to his advantage. It brings him and others into all sorts of trouble, and only his renunciation of it saves the world from destruction. --- We shudder at the thought of humanity being suffocated on a blazing world as in "The Star," ... which is a little gem in its way without a superfluous word or a false tone... Those were the days when Mr. Wells was writing for pleasure. He was enabled to throw off in the early nineties a swift succession of short stories astonishingly varied in style and theme. As he became more experienced in the art of writing, or rather of marketing manuscripts, he seems to have regretted this youthful prodigality of bright ideas. Many of them he later worked over on a more extensive scale as the metallurgist goes back to a mine and with an improved process extracts more gold from the tailings and dump than the miner got out of the ore originally. --- In its power to forecast the future science finds both its validation and justification. By this alone it tests its conclusions and demonstrates its usefulness. In fact, the sole object of science is prophecy... The mind of the scientific man is directed forward and he has no use for history except as it gives him data by which to draw a curve that he may project into the future. It is, therefore, not a chance direction of his fancy that so many of Wells's books, both romances and studies, deal with the future. It is the natural result of his scientific training, which not only led him to a rich unworked field of fictional motives, but made him consider the problems of life from a novel and very illuminative point of view. (Edwin E. Slosson)