Alastair Duke has long been recognized as one of the leading scholars of the early modern Netherlands, known internationally for his important work on the impact of religious change on political events which was the focus of his Reformation and Revolt in the Low Countries (1990). Bringing together an updated selection of his previously published essays - together with one entirely new chapter and two that appear in English here for the first time - this volume explores the emergence of new political and religious identities in the early modern Netherlands. Firstly it analyses the emergence of a common identity amongst the amorphous collection of states in north-western Europe that were united first under the rule of the Valois Dukes of Burgundy and later the Habsburg princes, and traces the fortunes of this notion during the political and religious conflicts that divided the Low Countries during the second half of the sixteenth century. A second group of essays considers the emergence of dissidence and opposition to the regime, and explores how this was expressed and disseminated through popular culture. Finally, the volume shows how in the age of confessionalisation and civil war, challenging issues of identity presented themselves to both dissenting groups and individuals. Taken together these essays demonstrate how these dissident identities shaped and contributed to the development of the Netherlands during the early modern period.

This interdisciplinary volume illuminates the shadowy history of the disadvantaged, sick and those who did not conform to the accepted norms of society. It explores how marginal identity was formed, perceived and represented in Britain and Europe during the medieval and early modern periods. It illustrates that the identities of marginal groups were shaped by their place within primarily urban communities, both in terms of their socio-economic status and the spaces in which they lived and worked. Some of these groups - such as executioners, prostitutes, pedlars and slaves - performed a significant social and economic function but on the basis of this were stigmatized by other townspeople. Language was used to control and limit the activities of others within society such as single women and foreigners, as well as the victims of sexual crimes. For many, such as lepers and the disabled, marginal status could be ambiguous, cyclical or short-lived and affected by key religious, political and economic events. Traditional histories have often considered these groups in isolation. Based on new research, a series of case studies from Britain and across Europe illustrate and provide important insights into the problems faced by these marginal groups and the ways in which medieval and early modern communities were shaped and developed.

Until recently the impact of the Lutheran Reformation has been largely regarded in political and socio-economic terms, yet for most people it was not the abstract theological debates that had the greatest impact upon their lives, but what they saw in their parish churches every Sunday. This collection of essays provides a coherent and interdisciplinary investigation of the impact that the Lutheran Reformation had on the appearance, architecture and arrangement of early modern churches. Drawing upon recent research being undertaken by leading art historians and historians on Lutheran places of worship, the volume emphasises often surprising levels of continuity, reflecting the survival of Catholic fixtures, fittings and altarpieces, and exploring how these could be remodelled in order to conform with the tenets of Lutheran belief. The volume not only addresses Lutheran art but also the way in which the architecture of their churches reflected the importance of preaching and the administration of the sacraments. Furthermore the collection is committed to extending these discussions beyond a purely German context, and to look at churches not only within the Holy Roman Empire, but also in Scandinavia, the Baltic States as well as towns dominated by Saxon communities in areas such as in Hungary and Transylvania. By focusing on ecclesiastical 'material culture' the collection helps to place the art and architecture of Lutheran places of worship into the historical, political and theological context of early modern Europe.

This interdisciplinary volume illuminates the shadowy history of the disadvantaged, sick and those who did not conform to the accepted norms of society. It explores how marginal identity was formed, perceived and represented in Britain and Europe during the medieval and early modern periods. It illustrates that the identities of marginal groups were shaped by their place within primarily urban communities, both in terms of their socio-economic status and the spaces in which they lived and worked. Some of these groups - such as executioners, prostitutes, pedlars and slaves - performed a significant social and economic function but on the basis of this were stigmatized by other townspeople. Language was used to control and limit the activities of others within society such as single women and foreigners, as well as the victims of sexual crimes. For many, such as lepers and the disabled, marginal status could be ambiguous, cyclical or short-lived and affected by key religious, political and economic events. Traditional histories have often considered these groups in isolation. Based on new research, a series of case studies from Britain and across Europe illustrate and provide important insights into the problems faced by these marginal groups and the ways in which medieval and early modern communities were shaped and developed.

The Black Death first hit Europe in 1347. This horrific disease ripped through towns, villages and families. Men, women, children, young and old succumbed to a painful, drawn-out death as pustules, abscesses and boils erupted over their bodies. SUbsequent attacks of the disease, coming almost every decade, so limited the population that it was not until the eighteenth century that it managed to surpass the levels of the 1340s. For over three hundred years, Europeans were stalked by death. In the end, this mysterious disease that had terrorized, terrified and killed millions, disappeared at inexplicably as it had appeared. William Naphy is Senior Lecturer and Head of History at the University of Aberdeen. his other books include Born to be gay and Sex Crimes, both by Tempus. Andrew Spicer is Lecturer in Early Modern European History at Oxford Brookes University.

Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties. An extended Background Chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society. Five chapters are devoted to 'classic' film noir (1940-59): chapters explore its contexts of production and reception, its visual style, and its narrative patterns and themes chapters on character types and star performances elucidate noir's complex construction of gender with its weak, ambivalent males and predatory femmes fatales and also provide a detailed analysis of three noir auteurs, - Anthony Mann, Robert Siodmak and Fritz Lang Three chapters investigate 'neo-noir' and British film noir: chapters trace the complex evolution of 'neo-noir' in American cinema, from the modernist critiques of Night Moves and Taxi Driver, to the postmodern hybridity of contemporary noir including Seven, Pulp Fiction and Memento the final chapter surveys the development of British film noir, a significant and virtually unknown cinema, stretching from the thirties to Mike Hodges' Croupier Films discussed include both little known examples and seminal works such as Double Indemnity, Scarlet Street, Kiss Me Deadly and Touch of Evil. A final section provides a guide to further reading, an extensive bibliography and a list of over 500 films referred to in the text. Lucidly written, Film Noir is an accessible, informative and stimulating introduction that will have a broad appeal to undergraduates, cineastes, film teachers and researchers.

Until recently the impact of the Lutheran Reformation has been largely regarded in political and socio-economic terms, yet for most people it was not the abstract theological debates that had the greatest impact upon their lives, but what they saw in their parish churches every Sunday. This collection of essays provides a coherent and interdisciplinary investigation of the impact that the Lutheran Reformation had on the appearance, architecture and arrangement of early modern churches. Drawing upon recent research being undertaken by leading art historians and historians on Lutheran places of worship, the volume emphasises often surprising levels of continuity, reflecting the survival of Catholic fixtures, fittings and altarpieces, and exploring how these could be remodelled in order to conform with the tenets of Lutheran belief. The volume not only addresses Lutheran art but also the way in which the architecture of their churches reflected the importance of preaching and the administration of the sacraments. Furthermore the collection is committed to extending these discussions beyond a purely German context, and to look at churches not only within the Holy Roman Empire, but also in Scandinavia, the Baltic States as well as towns dominated by Saxon communities in areas such as in Hungary and Transylvania. By focusing on ecclesiastical 'material culture' the collection helps to place the art and architecture of Lutheran places of worship into the historical, political and theological context of early modern Europe.

Sean Connery was one of cinema's most iconic stars. Born to a working-class family in Edinburgh, he held jobs as a milkman and an artist's model before making the move into acting. The role of James Bond earned him global fame, but threatened to eclipse his identity as an actor. This book offers a new perspective on Connery's career. It pays special attention to his star status, while arguing that he was a risk-taking actor who fashioned an impressive body of work. Beginning with Connery's early appearances on stage and television, including well-received performances in Shakespeare and Tolstoy, the book goes on to explore the Bond phenomenon and Connery's long struggle to reinvent himself. An Oscar-winning performance in The Untouchables marked the beginning of a second period of stardom, during which Connery successfully developed the character of the father-mentor. Ten years after his retirement from acting, he was still rated as the most popular British star among American audiences. Exploring how Connery's performances combine to form an all-encompassing screen legend, the book also considers how the actor embodied national identity, both on screen and through his public role as an activist campaigning for Scottish independence. -- .

Alastair Duke has long been recognized as one of the leading scholars of the early modern Netherlands, known internationally for his important work on the impact of religious change on political events which was the focus of his Reformation and Revolt in the Low Countries (1990). Bringing together an updated selection of his previously published essays - together with one entirely new chapter and two that appear in English here for the first time - this volume explores the emergence of new political and religious identities in the early modern Netherlands. Firstly it analyses the emergence of a common identity amongst the amorphous collection of states in north-western Europe that were united first under the rule of the Valois Dukes of Burgundy and later the Habsburg princes, and traces the fortunes of this notion during the political and religious conflicts that divided the Low Countries during the second half of the sixteenth century. A second group of essays considers the emergence of dissidence and opposition to the regime, and explores how this was expressed and disseminated through popular culture. Finally, the volume shows how in the age of confessionalisation and civil war, challenging issues of identity presented themselves to both dissenting groups and individuals. Taken together these essays demonstrate how these dissident identities shaped and contributed to the development of the Netherlands during the early modern period.

Holy sites, both public - churches, monasteries, shrines - and more private - domestic chapels, oratories - populated the landscape of medieval and early modern Europe, providing contemporaries with access to the divine. These sacred spaces thus defined religious experience, and were fundamental to both the geography and social history of Europe over the course of 1,000 years. But how were these sacred spaces, both public and private, defined? How were they created, used, recognised and transformed? And to what extent did these definitions change over the course of time, and in particular as a result of the changes wrought in the sixteenth and seventeenth centuries. Taking a strongly interdisciplinary approach, this volume tackles these questions from the point of view of archaeology, architectural and art history, liturgy, and history to consider the fundamental interaction between the sacred and the profane. Exploring the establishment of sacred space within both the public and domestic spheres, as well as the role of the secular within the sacred sphere, each chapter provides fascinating insights into how these concepts helped shape, and were shaped by, wider society. By highlighting these issues on a European basis from the medieval period through the age of the reformations, these essays demonstrate the significance of continuity as much as change in definitions of sacred space, and thus identify long term trends which have hitherto been absent in more limited studies. As such this volume provides essential reading for anyone with an interest in the ecclesiastical development of western Europe from the thirteenth to the eighteenth centuries.

This is an examination of a celebrated, but also contested, body of films whose history is more extensive and diverse than American black and white crime thrillers of the forties.

A background chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society. Andrew Spicer discusses 'classic' film noir (1940-59) and investigates 'neo-noir' and British film noir. Films discussed include both little known examples and seminal works such as Double Indemnity, Scarlet Street, Kiss Me Deadly and Touch of Evil. A final section provides a guide to further reading, an extensive bibliography and a list of over 500 films referred to in the text. Film Noir is an accessible, informative and stimulating introduction that will have a broad appeal to undergraduates, cineastes, film teachers and researchers.

Across Europe, the parish church has stood for centuries at the centre of local communities; it was the focal point of its religious life, the rituals performed there marked the stages of life from the cradle to the grave. Nonetheless the church itself artistically and architecturally stood apart from the parish community. It was often the largest and only stone-built building in a village; it was legally distinct being subject to canon law, as well as consecrated for the celebration of religious rites. The buildings associated with the "cure of souls" were sacred sites or holy places, where humanity interacted with the divine. In spite of the importance of the parish church, these buildings have generally not received the same attention from historians as non-parochial places of worship. This collection of essays redresses this balance and reflects on the parish church across a number of confessions - Catholic, Lutheran, Reformed and Anti-Trinitarian - during the early modern period. Rather than providing a series of case studies of individual buildings, each essay looks at the evolution of parish churches in response to religious reform as well as confessional change and upheaval. They examine aspects of their design and construction; furnishings and material culture; liturgy and the use of the parish church. While these essays range widely across Europe, the volume also considers how religious provision and the parish church were translated into a global context with colonial and commercial expansion in the Americas and Asia. This interdisciplinary volume seeks to identify what was distinctive about the parish church for the congregations that gathered in them for worship and for communities across the early modern world.

Evidence gleaned from archaeology sheds dramatic new light on religious practices and identities between the later sixteenth and the nineteenth centuries. The post-medieval period was one of profound religious and cultural change, of sometimes violent religious conflict and of a dramatic growth in religious pluralism. The essays collected here, in what is the first book to focus onthe material evidence, demonstrate the significant contribution that archaeology can make to a deeper understanding of religion. They take a broad interdisciplinary approach to the spatial and material context of religious life, using buildings and landscapes, religious objects and excavated cemeteries, alongside cartographic and documentary sources, to reveal the complexity of religious practices and identities in varied regions of post-medieval Britain,Europe and the wider world. Topics covered include the transformation of religious buildings and landscapes in the centuries after the European Reformation, the role of religious minorities and immigrant groups in early modern cities, the architectural and landscape context of eighteenth and nineteenth-century nonconformity, and the development of post-medieval burial practices and funerary customs. Offering a unique perspective on the material remains ofthe post-medieval period, this volume will be of significant value to archaeologists and historians interested in the religious and cultural transformation of the early modern world. Contributors: Chris King, Duncan Sayer, Andrew Spicer, Philippa Woodcock, Matthias Range, Simon Roffey, Greig Parker, Jeremy Lake, Eric Berry, Peter Herring, Claire Strachan, Peter Benes, Diana Mahoney-Swales, Richard O'Neill, Hugh Willmott, Natasha Powers, Adrian Miles, Anwen Cedifor Caffell, Rachel Clarke, Rosie Morris

Transactions of the Royal Historical Society is an annual collection of articles based on papers given to the Society by distinguished invited speakers and winners of RHS prizes. Volume 31 of the Sixth Series includes the following articles: 'Material Turns in British History: IV. Empire in India, Cancel Cultures and the Country House,' 'Responding to Violence: Liturgy, Authority and Sacred Places, c. 900-c. 1150,' 'Baroque around the Clock: Daniello Bartoli SJ (1608-1685) and the Uses of Global History,' 'What Happens when a Written Constitution is Printed? A History across Boundaries,' 'An Ottoman Arab Man of Letters and the Meanings of Empire, c. 1860,' and 'Revisiting RHS's 'Race, Ethnicity & Equality in UK History: A Report and Resource for Change.''

Transactions of the Royal Historical Society is an annual collection of major articles based on papers given to the society by distinguished invited speakers, and by winners of the Society's prizes. Volume 26 of the sixth series includes the following articles: 'Presidential Address: Educating the Nation III. Social Mobility', 'Better off Dead than Disfigured'? The Challenges of Facial Injury in the Pre-modern Past', 'Who Was Simon de Montfort, Earl of Leicester?', ''Protestantism' as a Historical Category', 'Tall Histories: Height and Georgian Masculinities', 'Slavery and the Birth of Working-Class Racism in England, 1814-1833', 'Between Poise and Power: Embodied Manliness in Eighteenth and Nineteenth-Century British Culture', 'Last Resort or Key Resource? Women Workers from the Nazi-Occupied Soviet Territories, the Reich Labour Administration and the German War Effort', and 'The Grail of Original Meaning: Uses of the Past in American Constitutional Theory'.

"The best entry yet in the British Film Makers series, this is an astonishingly detailed work. A truly remarkable achievement, it brings Britain's post-war film industry vividly to life. " Howard Maxford, Film Review An authoritative account of the career of Sydney Box, (1940-1965), one of British cinema's most successful and significant producers. This study highlights the crucial but often misunderstood role that the producer plays in the film making process and, using largely unpublished material, affords an exceptional insight into the workings of the film industry during one of its most important periods. It also provides detailed discussion of Box's films, including The Seventh Veil, Good Time Girl, The Bad Lord Byron, Christopher Columbus and Deadlier than the Male. Box's career was exceptionally varied and this study analyses the work of his company Verity Films which wartime produced over 100 short propaganda films during the Second World War, as well as Box's work as a feature film producer and as managing director of Gainsborough Pictures (1946-49). It encompasses the difficulties he experienced as an independent producer in the 1950s and the formation of Sydney Box Associates, his role in early television history, and his imaginative if unsuccessful bids for British Lion and London Weekday Television in 1963/64. Introductory chapters survey the role of the producer and the importance of Box's childhood and his early career as a playwright in understanding the motivations that drove him throughout his career. A concluding chapter assess his significance. This study will be essential reading for scholars and students interested in British cinema and television history, but its focus on the frequently misrepresented or misunderstood role of the producer will make it valuable for students of film generally.

Film noir literally "black cinema" is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon."

For ordinary people, the impact of the Reformation would have centred around local parish churches, rather than the theological debates of the Reformers. Focusing on the Calvinists, this volume explores how the architecture, appearance and arrangement of places of worship were transformed by new theology and religious practice. Based on original research and site visits, this book charts the impact of the Reformed faith across Europe, concentrating in particular on France, the Netherlands and Scotland. While in some areas a Calvinist Reformation led to the adaptation of existing buildings, elsewhere it resulted in the construction of new places of worship to innovative new designs. Reformed places of worship also reflected local considerations, vested interests and civic aspirations, often employing the latest styles and forms of decoration, and here provide a lens through which to examine not only the impact of the Reformation at a local level but also the character of the different religious settlements across Europe during the late sixteenth and seventeenth centuries. -- .

European Film Noir is the first book to bring together specialist discussions of film noir in specific European national cinemas. Written by leading scholars, this groundbreaking study provides an authoritative understanding of an important aspect of European cinema and of film noir itself, for too long considered as a solely American form. The Introduction reviews the problems of defining film noir, its key characteristics and discusses its significance to the development of European film, the relationship of specific national films noirs to each other, to American noir and to historical and social change. Eight chapters then discuss film noir in France, Germany, Britain and Spain, analysing both earlier developments and the evolution of neo-noir through to the present. A further chapter explores film noir in Italian cinema where its presence is not so well defined. Each piece provides a critical overview of the most significant films in relation to their industrial and social contexts. European Film Noir is an important contribution to the study of European cinema that will have a broad appeal to undergraduates, cineastes, film teachers and researchers. -- .

Studies in Church History 59 addresses the historical development of life events to which the churches have responded with specific rites and ceremonies. The volume contributes to current discussion in life cycle history and the ongoing debate about 'rites of passage,' both ecclesiastical and secular. The major life cycle events, such as birth, marriage and death, are considered; so too are the churching or 'purification' of women after childbirth, confirmation and first communion, and ordination, as well as less widespread rites of passage, such as royal anointing and the renunciation of wealth. The twenty-two papers span Christian history and include contributions from Frances Knight, Thomas O'Loughlin, Elisabeth van Houts and Alexandra Walsham. Taken together, the articles offer clear evidence of the continuing potency of ecclesiastical rites of passage, as well as of their ability to be refashioned for the needs of successive generations of believers.

Transactions of the Royal Historical Society is an annual collection of major articles representing some of the best historical research by some of the world's most distinguished historians. Volume 29 of the sixth series includes the following articles: 'Musicalising history', 'The politics of time and state identity in the German Democratic Republic', 'Politicising Chernobyl: Wales and nuclear power during the 1980s', 'Saladin's 'spin doctors'', 'Proportionate maiming: the origins of Thomas Jefferson's provision for facial disfigurement in Bill 64', 'Love, care and the illegitimate child in eighteenth-century Scotland', 'The self and self-help: women pursuing autonomy in post-war Britain', 'Colouring outside the lines: methods for a global history of Eastern Eurasia, 600-1350', 'Time and distance: reflections on local and global history from East Africa', and 'How natural is natural? Historical perspectives on wildlife and the environment in Britain'.

This is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors' introduction provides a conceptual and methodological overview, arguing that the producer's complex and multifaceted role is crucial to a film's success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of producer, the collection analyses the rich variety of roles producers play, providing fascinating and informative insights into how the film industry actually works. This groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students.

Transactions of the Royal Historical Society is an annual collection of major articles representing some of the best historical research by some of the world's most distinguished historians. Volume 30 of the sixth series includes the following articles: 'Material turns in British history: III. Collecting: Colonial Bombay, Basra, Baghdad and the Enlightenment Museum'; 'The Edict of Pitres, Carolingian defence against the Vikings, and the origins of the Medieval castle'; ''Acceptable Truths' during the French Religious Wars'; 'Monarchs, travellers and empire in the Pacific's Age of Revolutions'; 'Children against slavery: Juvenile agency and the sugar boycotts in Britain'; 'Unfinished business: Remembering the Great War between truth and reenactment'; and 'The 'Martyrdom of things': Iconoclasm and its meanings in the Spanish Civil War'.

Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. But a new generation of writers is pushing aside the fog of cigarette smoke surrounding classic noir scholarship. In Kiss the Blood Off My Hands: On Classic Film Noir, Robert Miklitsch curates a bold collection of essays that reassesses the genre's iconic style, history, and themes. Contributors analyze the oft-overlooked female detective and little-examined aspects of filmmaking like love songs and radio aesthetics, discuss the significance of the producer and women's pulp fiction, and investigate topics as disparate as Disney noir and the Fifties heist film, B-movie back projection and blacklisted British directors. At the same time the writers' collective reconsideration shows the impact of race and gender, history and sexuality, technology and transnationality on the genre. As bracing as a stiff drink, Kiss the Blood Off My Hands writes the future of noir scholarship in lipstick and chalk lines for film fans and scholars alike. Contributors: Krin Gabbard, Philippa Gates, Julie Grossman, Robert Miklitsch, Robert Murphy, Mark Osteen, Vivian Sobchack, Andrew Spicer, J. P. Telotte, and Neil Verma.

Since the apostolic age, Christian churches have seen a constant dialectic between inspiration and institution: how the ungoverned spontaneity of Spirit-led religion negotiates its way through laws, structures and communities. If institutional frameworks are absent or insufficient, new, creative and dynamic expressions of Christianity can disappear or collapse into disorder almost as quickly as they have flared up. If those frameworks are excessively rigid or punitive, they can often quench the spirit of any new movements. This volume explores the interplay between inspirational movements and institutional structures throughout Christianity's history, examining how the paradox of inspiration and institution has been negotiated from the ancient world to the modern era, tracing how different Christian movements have striven to hold these two vital aspects of their faith together, often finding creative or unexpected ways to institutionalize inspiration or to breathe new life into their institutions.