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Second series of the cult US prison drama, following the fortunes
of a group of prisoners plotting a big breakout. This second season
continues where the first left off, eight hours after the prison
breakout. A significant development in this series is the
introduction of FBI agent Alexander Mahone (William Fichtner),
given the task of tracking down the eight escapees. The fugitives
each follow their own journeys, which lead them across America,
hotly pursued by the authorities. Episodes comprise: 'Manhunt',
'Otis', 'Scan', 'First Down', 'Map 1213', 'Subdivision', 'Buried',
'Dead Fall', 'Unearthed', 'Rendezvous', 'Bolshoi Booze',
'Disconnect', 'The Killing Box', 'John Doe', 'The Message',
'Chicago', 'Bad Blood', 'Wash', 'Sweet Caroline', 'Panama', 'Fin
Del Camino' and 'Sona'.
An improved, larger-format edition of the Cambridge School
Shakespeare plays, extensively rewritten, expanded and produced in
an attractive new design. An active approach to classroom
Shakespeare enables students to inhabit Shakespeare's imaginative
world in accessible and creative ways. Students are encouraged to
share Shakespeare's love of language, interest in character and
sense of theatre. Substantially revised and extended in full
colour, classroom activities are thematically organised in
distinctive 'Stagecraft', 'Write about it', 'Language in the play',
'Characters' and 'Themes' features. Extended glossaries are aligned
with the play text for easy reference. Expanded endnotes include
extensive essay-writing guidance for 'Romeo and Juliet' and
Shakespeare. Includes rich, exciting colour photos of performances
of 'Romeo and Juliet' from around the world.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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Julius Caesar (Hardcover)
Christopher Andrews; Contributions by William Shakespeare
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R536
R454
Discovery Miles 4 540
Save R82 (15%)
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Ships in 10 - 15 working days
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Gospel of the Absurd (Hardcover)
R. Scot Miller; Foreword by Andrew William Smith
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R1,087
R877
Discovery Miles 8 770
Save R210 (19%)
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Ships in 10 - 15 working days
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The decision by the US and UK governments to use military force
against Iraq in 2003 and the subsequent occupation and
administration of that State, has brought into sharp focus
fundamental fault lines in international law. The decision to
invade, the conduct of the war and occupation and the mechanisms
used to administer the country all challenge the international
legal community placing it at a crossroads. When can the use of
force be justified? What are the limits of military operations?
What strength does international criminal law possess in the face
of such interventions? How effective is the international regime of
human rights in these circumstances? What role does domestic law
have to play? How the law now responds and develops in the light of
these matters will be of fundamental global importance for the 21st
century and an issue of considerable political and legal concern.
This book explores this legal territory by examining a number of
issues fundamental to the future direction of international law in
the War's aftermath. Consideration is also given to the impact on
UK law. Both practical and academic perspectives are taken in order
to scrutinise key questions and consider the possible trajectories
that international law might now follow.
This book presents a broad range of empirical research papers
covering key issues in development finance. Despite having gained
significant momentum in Africa and other emerging economies,
textbooks and research publications on development finance are
still very limited. This book shines a light on the main focal
areas of the international 'finance for development' agenda and
outlines innovative approaches to enhance economic growth and
development finance to contribute towards realizing global
sustainable development goals. Chapters from expert contributors
cover topics such as domestic resource mobilization, debt relief,
microfinance, financial sustainability, tax buoyancy, Foreign
Direct Investment, foreign capital flows, and labour productivity.
This book serves as a valuable reference tool for researchers,
students and practitioners in this field.
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