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Sequel to the big-budget reboot of the comic book series following
the anthropomorphic ninjutsu-trained turtles Leonardo (Pete
Ploszek), Michelangelo (Noel Fisher), Donatello (Jeremy Howard) and
Raphael (Alan Ritchson). The turtle's arch nemesis Shredder (Brian
Tee) has returned and employed Techno Cosmic Research Institute
scientist Dr. Stockman (Tyler Perry) to create some mutants of his
own in the form of ferocious duo Bebop (Gary Anthony Williams) and
Rocksteady (Stephen Farrelly). Meanwhile, the evil Kraang (voice of
Fred Armisen) has arrived from Dimension X to lead an invasion of
New York City. With the help of journalist April O'Neil (Megan Fox)
and vigilante Casey Jones (Stephen Amell), the turtles face a fight
on two fronts to save the city from certain destruction.
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Rick and Morty Deluxe Double Feature Vol. 3
Alex Firer; Illustrated by Fred C Stresing, Andrew Dalhouse, Puste; Magdalene Visaggio; Illustrated by …
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R1,562
R1,124
Discovery Miles 11 240
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The language of Jung's writings, and of analytical psychology generally, is sometimes difficult to understand. This guide, in dictionary format, combines scholarship and historical accuracy with a stimulating, critical attitude.
The language of Jung's writings, and of analytical psychology
generally, is sometimes difficult to understand. This guide, in
dictionary format, combines scholarship and historical accuracy
with a stimulating, critical attitude.
A three-volume set of documentaries examining different aspects of
the drug trade. 'Ecstasy Bandits' (2010), profiles the scientists
responsible for the development of so-called 'designer drugs',
including Ecstasy, in recent times. 'Cocaine Bandits' (2008),
examines the way drug barons in the border region between the US
and Mexico are increasingly using paramiltary forces to achieve
their aims. Finally, 'Weed Bandits' (2003), examines both sides'
views in the campaign to allow the planting of industrial hemp in
the United States. In the pro camp, celebrity activists including
Woody Harrelson, Willie Nelson, Merle Haggard and Ralph Nader put
forward the argument that American farmers, already finding it hard
to survive in today's economic climate, are being criminalised for
going into competition with their rival synthetic manufacturers.
An exploration of the meaning and reception of "modernist" music.
The debate over modernist music has continued for almost a century:
from Strauss's Elektra and Webern's Symphony Op.21 to John Cage's
renegotiation of musical control, the unusual musical practices of
the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux
Aeterna in the epic film 2001. The composers discussed in these
pages -- including Bartok, Stockhausen, Bernard Herrmann, Steve
Reich, and many others -- are modernists inthat they are defined by
their individualism, whether covert or overt, and share a basic
urge toward redesigning musical discourse. The aim of this volume
is to negotiate a varied and open middle ground between polemical
extremes of reception. The contributors sketch out the possible
significance of a repertory that in past discussions has been
deemed either meaningless or beyond describable meaning. With an
emphasis on recent aesthetics and contexts-- including film music,
sexuality, metaphor, and ideas of a listening grammar -- they trace
the meanings that such works and composers have held for listeners
of different kinds. None of them takes up the usual mandate of
"educated listening" to modernist works: the notion that a person
can appreciate "difficult" music if given enough time and
schooling. Instead the book defines novel but meaningful avenues of
significance for modernist music, avenues beyond those deemed
appropriate or acceptable by the academy. While some contributors
offer new listening strategies, most interpret the listening
premise more loosely: as a metaphor for any manner of personal and
immediate connection with music. In addition to a previously
untranslated article by Pierre Boulez, the volume contains articles
(all but one previously unpublished) by twelve distinctive and
prominent composers, music critics, and music theorists from
America, Europe, Australia, and South Africa: Arved Ashby, Amy
Bauer, William Bolcom, Jonathan Bernard, Judy Lochhead, Fred Maus,
Andrew Mead, Greg Sandow, Martin Scherzinger, Jeremy Tambling,
Richard Toop, and Lloyd Whitesell. Arved Ashby is Associate
Professor of Music at the Ohio State University.
Explore the question of the extent of Christ's atonement: to whom
will grace be extended in the end? Will only professing Christians
be saved? Or does the Bible suggest that the breadth of Grace is
greater? And, if so, what does that mean for the Church? These are
questions of great importance for the Christian faith and to our
understanding of Scripture. This volume of the clear and
fair-minded Counterpoints series elevates the conversation about
atonement to include a range of contributors who represent the
breadth of Christian tradition: Traditional Reformed: Michael
Horton Wesleyan: Fred Sanders Roman Catholic: Matthew Levering
Eastern Orthodox: Andrew Louth Barthian Universalism: Tom Greggs
This book serves not only as a single-volume resource for engaging
the views on the extent of the atonement but also as a catalyst for
understanding and advancing a balanced approach to this core
Christian doctrine.
This book offers a critical examination of existing cycling
structures and the current policy and practices used to promote
cycling. An international range of contributors provide an
interdisciplinary analysis of the complex cultural politics of
infrastructural provision and interrogate the pervasive bias
against cyclists in city planning and transport systems across the
globe. Infrastructural planning is revealed to be an intensely
political act and its meaning variable according to larger
political processes and contexts. The book also considers questions
surrounding safety and risk, urban space wars and sustainable
futures, connecting this to broader questions about citizenship and
justice in contemporary cities.
PAPERBACK FOR SALE IN AFRICA ONLY ALT 36 turns a "queer eye" on
Africa, offering provocative (re-)readings of texts to position
formerly erased sexualities and contemporary sexual expression
among Africans on the continent, and abroad. Debates on the future
of the African continent and the role of gender identities in these
visions are increasingly present in literary criticism forums as
African writers become bolder in exploring the challenges they face
and celebrating gender diversity in the writing of short stories,
novels, poetry, plays and films. Controversies over the rights of
Lesbian, Gay, Bisexual, Trans, Intersex, Queer (LGBTIQ) communities
in Africa, as elsewhere, continue inthe context of criminalization
and/or intimidation of these groups. Residual colonial moralizing
and contemporary western identity norms and politics vie with
longstanding polyvalent indigenous sexual expression. In addition
to traditional media, the new social media have gained importance,
both as sources of information exchange and as sites of virtual
construction of gender identities. As with many such contentious
issues, the variety of responses to the"state of the question" is
strikingly visible across the continent. In this issue of ALT,
guest editor John Hawley has sampled the ongoing conversations, in
both African writing and in the analysis of contemporary African
cinema,to show how queer studies can break with old concepts and
theories and point the way to new gender perspectives on literary
and cinematic output. This volume also includes a non-themed
section of Featured Articles anda Literary Supplement. Guest
Editor: John C. Hawley is Professor in the Department of English,
Santa Clara University Series Editor: Ernest N. Emenyonu is
Professor of Africana Studies at the University of Michigan-Flint,
USA. Reviews Editor: Obi Nwakanma
ALT 36 turns a "queer eye" on Africa, offering provocative
(re-)readings of texts to position formerly erased sexualities and
contemporary sexual expression among Africans on the continent, and
abroad. Debates on the future of the African continent and the role
of gender identities in these visions are increasingly present in
literary criticism forums as African writers become bolder in
exploring the challenges they face and celebrating gender diversity
in the writing of short stories, novels, poetry, plays and films.
Controversies over the rights of Lesbian, Gay, Bisexual, Trans,
Intersex, Queer (LGBTIQ) communities in Africa, as elsewhere,
continue inthe context of criminalization and/or intimidation of
these groups. Residual colonial moralizing and contemporary western
identity norms and politics vie with longstanding polyvalent
indigenous sexual expression. In addition to traditional media, the
new social media have gained importance, both as sources of
information exchange and as sites of virtual construction of gender
identities. As with many such contentious issues, the variety of
responses to the"state of the question" is strikingly visible
across the continent. In this issue of ALT, guest editor John
Hawley has sampled the ongoing conversations, in both African
writing and in the analysis of contemporary African cinema,to show
how queer studies can break with old concepts and theories and
point the way to new gender perspectives on literary and cinematic
output. This volume also includes a non-themed section of Featured
Articles anda Literary Supplement. Guest Editor: John C. Hawley is
Professor in the Department of English, Santa Clara University
Series Editor: Ernest N. Emenyonu is Professor of Africana Studies
at the University of Michigan-Flint, USA. Reviews Editor: Obi
Nwakanma
"Nice idea, but it doesn't work in practice." How often have
socialists had this claim thrown back at them? And now, after the
events of 1989, many of the Left are openly wondering what a
defensible idea of socialism would be. This work addresses this
question, taking as its point of departure John Roemer's model of
"coupon socialism". Roemer's model aims to combine the market with
a commitment to equality through a simple, yet starkly radical,
proposal: all citizens would receive an equal number of coupons
with which to buy ownership rights (voting, dividends) in
companies. These coupons would constitute a second, separate form
of currency, but could not be exchanged for ordinary money, nor
transferred to other people. Not all the contributors to this
collection endorse Roemer's working model of market socialism, but
they are all stimulated by his foray into a "real utopia".
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Captives Three (Paperback)
James a (James Andrew) 1872 Braden, Fred A Ill Elliott, Saalfield Pub Co Pbl
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R657
Discovery Miles 6 570
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Bean Rust... (Paperback)
Fred Denton Fromme; Created by Samuel Andrew Wingard
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R363
R292
Discovery Miles 2 920
Save R71 (20%)
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This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ Bean Rust; Volume 220 Of Bulletin (Virginia Agricultural
Experiment Station) Fred Denton Fromme, Samuel Andrew Wingard
Virginia Polytechnic Institute. Virginia Agricultural Experiment
Station, 1918 Cooking; Specific Ingredients; Vegetables; Beans;
Cooking / Specific Ingredients / Vegetables; Science / Life
Sciences / Botany
The Making of Modern Law: Foreign, Comparative and International
Law, 1600-1926, brings together foreign, comparative, and
international titles in a single resource. Its International Law
component features works of some of the great legal theorists,
including Gentili, Grotius, Selden, Zouche, Pufendorf,
Bijnkershoek, Wolff, Vattel, Martens, Mackintosh, Wheaton, among
others. The materials in this archive are drawn from three
world-class American law libraries: the Yale Law Library, the
George Washington University Law Library, and the Columbia Law
Library.Now for the first time, these high-quality digital scans of
original works are available via print-on-demand, making them
readily accessible to libraries, students, independent scholars,
and readers of all ages.+++++++++++++++The below data was compiled
from various identification fields in the bibliographic record of
this title. This data is provided as an additional tool in helping
to insure edition identification: +++++++++++++++Harvard Law School
LibraryLP2H020420019080101The Making of Modern Law: Primary
Sources, Part II Lewiston?]: S. N.], 1908?]539 p. incl. tables,
forms. 24 cmUnited States
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