Sequel to the big-budget reboot of the comic book series following the anthropomorphic ninjutsu-trained turtles Leonardo (Pete Ploszek), Michelangelo (Noel Fisher), Donatello (Jeremy Howard) and Raphael (Alan Ritchson). The turtle's arch nemesis Shredder (Brian Tee) has returned and employed Techno Cosmic Research Institute scientist Dr. Stockman (Tyler Perry) to create some mutants of his own in the form of ferocious duo Bebop (Gary Anthony Williams) and Rocksteady (Stephen Farrelly). Meanwhile, the evil Kraang (voice of Fred Armisen) has arrived from Dimension X to lead an invasion of New York City. With the help of journalist April O'Neil (Megan Fox) and vigilante Casey Jones (Stephen Amell), the turtles face a fight on two fronts to save the city from certain destruction.

The language of Jung's writings, and of analytical psychology generally, is sometimes difficult to understand. This guide, in dictionary format, combines scholarship and historical accuracy with a stimulating, critical attitude.

The language of Jung's writings, and of analytical psychology generally, is sometimes difficult to understand. This guide, in dictionary format, combines scholarship and historical accuracy with a stimulating, critical attitude.

A three-volume set of documentaries examining different aspects of the drug trade. 'Ecstasy Bandits' (2010), profiles the scientists responsible for the development of so-called 'designer drugs', including Ecstasy, in recent times. 'Cocaine Bandits' (2008), examines the way drug barons in the border region between the US and Mexico are increasingly using paramiltary forces to achieve their aims. Finally, 'Weed Bandits' (2003), examines both sides' views in the campaign to allow the planting of industrial hemp in the United States. In the pro camp, celebrity activists including Woody Harrelson, Willie Nelson, Merle Haggard and Ralph Nader put forward the argument that American farmers, already finding it hard to survive in today's economic climate, are being criminalised for going into competition with their rival synthetic manufacturers.

An exploration of the meaning and reception of "modernist" music. The debate over modernist music has continued for almost a century: from Strauss's Elektra and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bartok, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists inthat they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse. The aim of this volume is to negotiate a varied and open middle ground between polemical extremes of reception. The contributors sketch out the possible significance of a repertory that in past discussions has been deemed either meaningless or beyond describable meaning. With an emphasis on recent aesthetics and contexts-- including film music, sexuality, metaphor, and ideas of a listening grammar -- they trace the meanings that such works and composers have held for listeners of different kinds. None of them takes up the usual mandate of "educated listening" to modernist works: the notion that a person can appreciate "difficult" music if given enough time and schooling. Instead the book defines novel but meaningful avenues of significance for modernist music, avenues beyond those deemed appropriate or acceptable by the academy. While some contributors offer new listening strategies, most interpret the listening premise more loosely: as a metaphor for any manner of personal and immediate connection with music. In addition to a previously untranslated article by Pierre Boulez, the volume contains articles (all but one previously unpublished) by twelve distinctive and prominent composers, music critics, and music theorists from America, Europe, Australia, and South Africa: Arved Ashby, Amy Bauer, William Bolcom, Jonathan Bernard, Judy Lochhead, Fred Maus, Andrew Mead, Greg Sandow, Martin Scherzinger, Jeremy Tambling, Richard Toop, and Lloyd Whitesell. Arved Ashby is Associate Professor of Music at the Ohio State University.

Explore the question of the extent of Christ's atonement: to whom will grace be extended in the end? Will only professing Christians be saved? Or does the Bible suggest that the breadth of Grace is greater? And, if so, what does that mean for the Church? These are questions of great importance for the Christian faith and to our understanding of Scripture. This volume of the clear and fair-minded Counterpoints series elevates the conversation about atonement to include a range of contributors who represent the breadth of Christian tradition: Traditional Reformed: Michael Horton Wesleyan: Fred Sanders Roman Catholic: Matthew Levering Eastern Orthodox: Andrew Louth Barthian Universalism: Tom Greggs This book serves not only as a single-volume resource for engaging the views on the extent of the atonement but also as a catalyst for understanding and advancing a balanced approach to this core Christian doctrine.

This book offers a critical examination of existing cycling structures and the current policy and practices used to promote cycling. An international range of contributors provide an interdisciplinary analysis of the complex cultural politics of infrastructural provision and interrogate the pervasive bias against cyclists in city planning and transport systems across the globe. Infrastructural planning is revealed to be an intensely political act and its meaning variable according to larger political processes and contexts. The book also considers questions surrounding safety and risk, urban space wars and sustainable futures, connecting this to broader questions about citizenship and justice in contemporary cities.

PAPERBACK FOR SALE IN AFRICA ONLY ALT 36 turns a "queer eye" on Africa, offering provocative (re-)readings of texts to position formerly erased sexualities and contemporary sexual expression among Africans on the continent, and abroad. Debates on the future of the African continent and the role of gender identities in these visions are increasingly present in literary criticism forums as African writers become bolder in exploring the challenges they face and celebrating gender diversity in the writing of short stories, novels, poetry, plays and films. Controversies over the rights of Lesbian, Gay, Bisexual, Trans, Intersex, Queer (LGBTIQ) communities in Africa, as elsewhere, continue inthe context of criminalization and/or intimidation of these groups. Residual colonial moralizing and contemporary western identity norms and politics vie with longstanding polyvalent indigenous sexual expression. In addition to traditional media, the new social media have gained importance, both as sources of information exchange and as sites of virtual construction of gender identities. As with many such contentious issues, the variety of responses to the"state of the question" is strikingly visible across the continent. In this issue of ALT, guest editor John Hawley has sampled the ongoing conversations, in both African writing and in the analysis of contemporary African cinema,to show how queer studies can break with old concepts and theories and point the way to new gender perspectives on literary and cinematic output. This volume also includes a non-themed section of Featured Articles anda Literary Supplement. Guest Editor: John C. Hawley is Professor in the Department of English, Santa Clara University Series Editor: Ernest N. Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA. Reviews Editor: Obi Nwakanma

ALT 36 turns a "queer eye" on Africa, offering provocative (re-)readings of texts to position formerly erased sexualities and contemporary sexual expression among Africans on the continent, and abroad. Debates on the future of the African continent and the role of gender identities in these visions are increasingly present in literary criticism forums as African writers become bolder in exploring the challenges they face and celebrating gender diversity in the writing of short stories, novels, poetry, plays and films. Controversies over the rights of Lesbian, Gay, Bisexual, Trans, Intersex, Queer (LGBTIQ) communities in Africa, as elsewhere, continue inthe context of criminalization and/or intimidation of these groups. Residual colonial moralizing and contemporary western identity norms and politics vie with longstanding polyvalent indigenous sexual expression. In addition to traditional media, the new social media have gained importance, both as sources of information exchange and as sites of virtual construction of gender identities. As with many such contentious issues, the variety of responses to the"state of the question" is strikingly visible across the continent. In this issue of ALT, guest editor John Hawley has sampled the ongoing conversations, in both African writing and in the analysis of contemporary African cinema,to show how queer studies can break with old concepts and theories and point the way to new gender perspectives on literary and cinematic output. This volume also includes a non-themed section of Featured Articles anda Literary Supplement. Guest Editor: John C. Hawley is Professor in the Department of English, Santa Clara University Series Editor: Ernest N. Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA. Reviews Editor: Obi Nwakanma

"Nice idea, but it doesn't work in practice." How often have socialists had this claim thrown back at them? And now, after the events of 1989, many of the Left are openly wondering what a defensible idea of socialism would be. This work addresses this question, taking as its point of departure John Roemer's model of "coupon socialism". Roemer's model aims to combine the market with a commitment to equality through a simple, yet starkly radical, proposal: all citizens would receive an equal number of coupons with which to buy ownership rights (voting, dividends) in companies. These coupons would constitute a second, separate form of currency, but could not be exchanged for ordinary money, nor transferred to other people. Not all the contributors to this collection endorse Roemer's working model of market socialism, but they are all stimulated by his foray into a "real utopia".

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Bean Rust; Volume 220 Of Bulletin (Virginia Agricultural Experiment Station) Fred Denton Fromme, Samuel Andrew Wingard Virginia Polytechnic Institute. Virginia Agricultural Experiment Station, 1918 Cooking; Specific Ingredients; Vegetables; Beans; Cooking / Specific Ingredients / Vegetables; Science / Life Sciences / Botany

The Making of Modern Law: Foreign, Comparative and International Law, 1600-1926, brings together foreign, comparative, and international titles in a single resource. Its International Law component features works of some of the great legal theorists, including Gentili, Grotius, Selden, Zouche, Pufendorf, Bijnkershoek, Wolff, Vattel, Martens, Mackintosh, Wheaton, among others. The materials in this archive are drawn from three world-class American law libraries: the Yale Law Library, the George Washington University Law Library, and the Columbia Law Library.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.+++++++++++++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: +++++++++++++++Harvard Law School LibraryLP2H020420019080101The Making of Modern Law: Primary Sources, Part II Lewiston?]: S. N.], 1908?]539 p. incl. tables, forms. 24 cmUnited States