This book demonstrates how humans can become sensitised to, and intervene in, environmental degradation by writing, reading, analysing and teaching poetry. It offers both theoretical and practice-based essays, providing a diversity of approaches and voices that will be useful in the classroom and beyond. The chapters in this edited collection explore how poetry can make readers climate-ready and climate-responsive through creativity, empathy and empowerment. The book encompasses work from or about Oceania, Africa, Europe, North America, Asia, and Antarctica, integrating poetry into discussions of specific local and global issues, including the value of Indigenous responses to climate change; the dynamics of climate migration; the shifting boundaries between the human and more-than-human world; the eco-poetics of the prison-industrial complex; and the ongoing environmental effects of colonialism, racism, and sexism. With numerous examples of how poetry reading, teaching and learning can enhance or modify mindsets, the book focuses on offering creative, practical approaches and tools that educators can implement into their teaching and equipping them with the theoretical knowledge to support these. This volume will appeal to educational professionals engaged in teaching environmental, sustainability, and development topics, particularly from a humanities-led perspective.

This book demonstrates how humans can become sensitised to, and intervene in, environmental degradation by writing, reading, analysing and teaching poetry. It offers both theoretical and practice-based essays, providing a diversity of approaches and voices that will be useful in the classroom and beyond. The chapters in this edited collection explore how poetry can make readers climate-ready and climate-responsive through creativity, empathy and empowerment. The book encompasses work from or about Oceania, Africa, Europe, North America, Asia, and Antarctica, integrating poetry into discussions of specific local and global issues, including the value of Indigenous responses to climate change; the dynamics of climate migration; the shifting boundaries between the human and more-than-human world; the eco-poetics of the prison-industrial complex; and the ongoing environmental effects of colonialism, racism, and sexism. With numerous examples of how poetry reading, teaching and learning can enhance or modify mindsets, the book focuses on offering creative, practical approaches and tools that educators can implement into their teaching and equipping them with the theoretical knowledge to support these. This volume will appeal to educational professionals engaged in teaching environmental, sustainability, and development topics, particularly from a humanities-led perspective.

This book explores poetry and pedagogy in practice across the lifespan. Poetry is directly linked to improved literacy, creativity, personal development, emotional intelligence, complex analytical thinking and social interaction: all skills that are crucial in contemporary educational systems. However, a narrow focus on STEM subjects at the expense of the humanities has led educators to deprioritize poetry and to overlook its interdisciplinary, multi-modal potential. The editors and contributors argue that poetry is not a luxury, but a way to stimulate linguistic experiences that are formally rich and cognitively challenging. To learn through poetry is not just to access information differently, but also to forge new and different connections that can serve as reflective tools for lifelong learning. This interdisciplinary book will be of value to teachers and students of poetry, as well as scholars interested in literacy across the disciplines.

This edited collection offers educators at all levels a range of practical and theoretical approaches to teaching poetry in the context of environmental sustainability. The contributors are keenly aware of the urgency facing the planet's ecosystems-ecosystems which include all of us-and this volume makes the case that teaching poetry is not a luxury. Each of the book's three sections works from a specific angle and register. Part I focuses on pragmatic approaches to classroom activities and curricular choices; Part II considers policies and politics, including the role of the UN's Education for Sustainable Development (ESD) program; and Part III takes a widescreen view, exploring the philosophical issues that arise when poems are integrated into sustainability curricula. This book exemplifies how poetry empowers readers to think imaginatively about how to sustain-and why to sustain-our world, its resources, and its beauty.

This book explores poetry and pedagogy in practice across the lifespan. Poetry is directly linked to improved literacy, creativity, personal development, emotional intelligence, complex analytical thinking and social interaction: all skills that are crucial in contemporary educational systems. However, a narrow focus on STEM subjects at the expense of the humanities has led educators to deprioritize poetry and to overlook its interdisciplinary, multi-modal potential. The editors and contributors argue that poetry is not a luxury, but a way to stimulate linguistic experiences that are formally rich and cognitively challenging. To learn through poetry is not just to access information differently, but also to forge new and different connections that can serve as reflective tools for lifelong learning. This interdisciplinary book will be of value to teachers and students of poetry, as well as scholars interested in literacy across the disciplines.

Bird Skin Coat is brimming with startling moments of beauty found within a rusty and decayed landscape. With wild lyrical images of ascent and descent - doves and dives, sparrows and slugs, attics and cellars - this collection reflects Sorby's keen eye for blending images. As they shuttle between the Upper Midwest and the Pacific Northwest, these poems explore how the radical instability of the world is also the source of its energy. The woman he hit is still 42. She notes with wonder how her parka fits her perfectly the way a dove's skin holds the whole bird together. 'Fate is not a thing with feathers, it's old, bald, and blind, a pope who can't decipher the man's name, David Pratt, as he scrawls it on scratch paper' - excerpt from ""Bird Skin Coat"" [copyright]. The Board of Regents of the University of Wisconsin System. All rights reserved.

"Winner of the 2014 Felix Pollak Prize in Poetry, selected by Naomi Shihab Nye"
Inspired by thrift store knit sleeves, punk rock record sleeves, and, of course, print book sleeves, Angela Sorby explores how the concrete world hails us in waves of color and sound. She asks implicitly, "What makes the sleeve wave? Is it the body or some force larger than the self?" As Sorby's tough, ironic, and subtly political voice repeatedly insists, we apprehend, use, and release more energy than we can possibly control. This collection includes two main parts--one visual, one aural--flanking a central pastoral poem sung by Virgilian sheep. Meant to be read both silently and aloud, the poems in "The Sleeve Waves" meditate on how almost everything--like light and sound--comes to us in waves that break and vanish and yet continue.

Bird Skin Coat is brimming with startling moments of beauty found within a rusty and decayed landscape. With wild lyrical images of ascent and descent - doves and dives, sparrows and slugs, attics and cellars - this collection reflects Sorby's keen eye for blending images. As they shuttle between the Upper Midwest and the Pacific Northwest, these poems explore how the radical instability of the world is also the source of its energy. The woman he hit is still 42. She notes with wonder how her parka fits her perfectly the way a dove's skin holds the whole bird together. Fate is not a thing with feathers, it's old, bald, and blind, a pope who can't decipher the man's name, David Pratt, as he scrawls it on scratch paper. This is an excerpt from ""Bird Skin Coat"".