This volume offers new perspectives on the appeal and profound cultural meaning of socialism over the past two centuries. It brings together scholarship from various disciplines addressing diverse national contexts, including Britain, China, France, Germany, Norway, Sweden, and the USA. Taken together, the contributions highlight the aesthetic, narrative, and religious dimensions of socialism as it has developed through three broad phases in the modern era: early nineteenth-century beginnings, mass-based political organizations, and the attainment of state power in the twentieth century and beyond. Socialism did not attract millions of people primarily because of logical argument and empirical evidence, important though those were. Rather, it told the most compelling story about the past, present, and future. Refocusing attention on socialism's imaginative dimensions, this volume aims to revive scholarly interest in one of the modern world(1)s most important political orientations.

This volume offers new perspectives on the appeal and profound cultural meaning of socialism over the past two centuries. It brings together scholarship from various disciplines addressing diverse national contexts, including Britain, China, France, Germany, Norway, Sweden, and the USA. Taken together, the contributions highlight the aesthetic, narrative, and religious dimensions of socialism as it has developed through three broad phases in the modern era: early nineteenth-century beginnings, mass-based political organizations, and the attainment of state power in the twentieth century and beyond. Socialism did not attract millions of people primarily because of logical argument and empirical evidence, important though those were. Rather, it told the most compelling story about the past, present, and future. Refocusing attention on socialism's imaginative dimensions, this volume aims to revive scholarly interest in one of the modern world(1)s most important political orientations.

Narrative Cultures and the Aesthetics of Religion presents the aesthetics of narrativity in religious contexts by approaching narrative acts as situated modes of engaging with reality, equally shaped by the immersive character of the stories told and the sensory qualities of their performances. Introducing narrative cultures as an integrative framework of analysis, the volume builds a bridge between classical content-based approaches to narrative sources and the aesthetic study of religions as constituted by sensory and mediated practices. Studying stories in conjunction with the role that performative acts of storytelling play in the cultivation of the senses, the contributors explore the efficacy of storytelling formats in narrative cultures from ancient times until today, in regions and cultures across the globe.