A history that reframes the Bolsheviks’ unprecedented attempts to abolish private property after the revolutions of 1917 The revolutions of 1917 swept away not only Russia’s governing authority but also the property order on which it stood. The upheaval sparked waves of dispossession that rapidly moved beyond the seizure of factories and farms from industrialists and landowners, envisioned by Bolshevik revolutionaries, to penetrate the bedrock of social life: the spaces where people lived. In Power and Possession in the Russian Revolution, Anne O’Donnell reimagines the Bolsheviks’ unprecedented effort to eradicate private property and to create a new political economy—socialism—to replace it. O’Donnell’s account captures the story of property in reverse, showing how the bonds connecting people to their things were broken and how new ways of knowing things, valuing them, and possessing them coalesced amid the political ferment and economic disarray of the Revolution. O’Donnell reminds us that Russia’s postrevolutionary confiscation of property, like many other episodes of mass dispossession in the twentieth century, largely escaped traditional forms of record keeping. She repairs this omission, drawing on sources that chronicle the lived experience of upheaval—popular petitions, apartment inspections, internal audits of revolutionary institutions, and records of the political police—to reconstruct an archive of dispossession. The result is an unusually intimate history of the Bolsheviks’ attempts to conquer people and things. The Bolsheviks’ reimagining of property not only changed peoples’ lives and destinies, it formed the foundation of a new type of state—one that eschewed the defense of private property rights in favor of an enduring but enigmatic new domain: socialist state property.

This annotated bibliography constitutes a thoroughly revised and more easily readable study of Behn's publications, of those edited or translated by her, of publications that included her works, and of writings ascribed to her, along with an annotated bibliography of over 1600 works about her from 1671 to 2001, with an unannotated update covering 2002. The augmented primary bibliography describes all known editions and issues of her works to 1702, and adds a catalogue of editions to 2002, including on-line sources. The secondary bibliography adds close to 1000 items published since 1984 to the original 600 of the first edition along with about 175 more from 1671 to 1984, with attention to materials not in English. New appendices include a list of dedicatees, actors, recent productions (with reviews), and provenances. This volume will be invaluable for book dealers, collectors and librarians, as well as students and scholars of Aphra Behn and of Restoration literature.

This multidisciplinary volume, the first of its kind, presents an account of China's contemporary transformation via one of its most important yet overlooked cities: Shenzhen, located just north of Hong Kong. In recent decades, Shenzhen has transformed from an experimental site for economic reform into a dominant city at the crossroads of the global economy. The first of China's special economic zones, Shenzhen is today a UNESCO City of Design and the hub of China's emerging technology industries. Bringing China studies into dialogue with urban studies, the contributors explore how the post-Mao Chinese appropriation of capitalist logic led to a dramatic remodeling of the Chinese city and collective life in China today. These essays show how urban villages and informal institutions enabled social transformation through cases of public health, labor, architecture, gender, politics, education, and more. Offering scholars and general readers alike an unprecedented look at one of the world's most dynamic metropolises, this collective history uses the urban case study to explore critical problems and possibilities relevant for modern-day China and beyond.

This anthology focuses on autobiographical works by Wang Anyi, the most prolific and critically acclaimed woman writer in contemporary China, highlighting a personal and emotional dimension of her writing that is essential to a deeper understanding of her creativity and productivity. The three pieces selected for this volume-"A Woman Writer's Sense of Self," "Utopian Verses," and "Years of Sadness"-explore some of the most fundamental and complex issues concerning Wang's identity as a woman and as a writer in early post-socialist China, the creative and emotional challenges she faced during her sojourn in the United States in the early 1980s, and her memories of adolescent years, a period of obsession, uncertainty, and loneliness during the Cultural Revolution.

Jessica's Garden is a wonderful children's story about the need every child has to go outside and play ... and get dirty Jessica wants so badly to play in the garden and get dirty like Katie, the little girl next door, but Jessica's mummy doesn't want her little girl to ruin her pretty clothes. Daddy tries to console Jessica, but everything changes when Nanny comes to visit. Nanny soon sees to it that Jessica has lovely new play clothes as well as seeds to plant in her garden. Now Jessica can see how flowers and veggies grow, and she can enjoy herself with Katie and not worry about her clothes. Jeanette O'Donnell is retired and spends much of her time in the garden. She plans to write more children's books, naming the characters after her grandchildren. "I grew up in the West Midlands of England and emigrated to Australia with my parents as a sixteen-year-old. I love Australia, but have never forgotten the pretty gardens and countryside of England." Publisher's website: http: //sbpra.com/jeanetteannodonnell

This anthology focuses on autobiographical works by Wang Anyi, the most prolific and critically acclaimed woman writer in contemporary China, highlighting a personal and emotional dimension of her writing that is essential to a deeper understanding of her creativity and productivity. The three pieces selected for this volume-"A Woman Writer's Sense of Self," "Utopian Verses," and "Years of Sadness"-explore some of the most fundamental and complex issues concerning Wang's identity as a woman and as a writer in early post-socialist China, the creative and emotional challenges she faced during her sojourn in the United States in the early 1980s, and her memories of adolescent years, a period of obsession, uncertainty, and loneliness during the Cultural Revolution.