In this beautiful and moving novel about family, love, and growing up, Ann Patchett once again proves herself one of America’s finest writers. A Reese’s Book Club Pick.

In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.

Tom Lake is a meditation on youthful love, married love, and the lives parents have led before their children were born. Both hopeful and elegiac, it explores what it means to be happy even when the world is falling apart. As in all of her novels, Ann Patchett combines compelling narrative artistry with piercing insights into family dynamics.

The result is a rich and luminous story, told with profound intelligence and emotional subtlety, that demonstrates once again why she is one of the most revered and acclaimed literary talents working today.

A SUNDAY TIMES TOP 10 BESTSELLER An unforgettably powerful new novel of the indelible bond between two siblings, the house of their childhood, and a past that will not let them go - from the Number One New York Times bestselling author of Commonwealth and Bel Canto 'The book of the autumn. The American author of Commonwealth (brilliant) and Bel Canto (even better) releases perhaps her finest novel yet' - Sunday Times 'The buzz around The Dutch House is totally justified. Her best yet, which is saying something' - John Boyne "'Do you think it's possible to ever see the past as it actually was?' I asked my sister. We were sitting in her car, parked in front of the Dutch House in the broad daylight of early summer." Danny Conroy grows up in the Dutch House, a lavish mansion. Though his father is distant and his mother is absent, Danny has his beloved sister Maeve: Maeve, with her wall of black hair, her wit, her brilliance. Life is coherent, played out under the watchful eyes of the house's former owners in the frames of their oil paintings. Then one day their father brings Andrea home. Though they cannot know it, her arrival to the Dutch House sows the seed of the defining loss of Danny and Maeve's lives. The siblings are drawn back time and again to the place they can never enter, knocking in vain on the locked door of the past. For behind the mystery of their own exile is that of their mother's: an absence more powerful than any presence they have known. Told with Ann Patchett's inimitable blend of humour, rage and heartbreak, The Dutch House is a dark fairy tale and story of a paradise lost; of the powerful bonds of place and time that magnetize and repel us for our whole lives.

'Dazzling ... life-affirming and compulsively readable' Sunday Times 'Patchett blends wisdom and humanity jointly with the icy forensic gaze of someone not afraid to expose the frailties of human behaviour ... Read it' Jojo Moyes 'An outstanding novel ... a master of her art' Observer It is 1964: Bert Cousins shows up at Franny Keating's christening party uninvited and notices a heart stoppingly beautiful woman. When he kisses Beverly Keating, his host's wife, he sets in motion the joining of two families, whose shared fate will be defined on a day seven years later. In 1988, Franny Keating, now twenty-four, is working as a cocktail waitress in Chicago. When she meets the famous author Leon Posen one night at the bar, and tells him about her family, she unwittingly relinquishes control over their story...

Lose yourself in the story of a lifetime - the unforgettable Sunday Times bestseller 'Patchett leads us to a truth that feels like life rather than literature' Guardian Longlisted for the Women's Prize 2020 A STORY OF TWO SIBLINGS, THEIR CHILDHOOD HOME, AND A PAST THAT THEY CAN'T LET GO. Like swallows, like salmon, we were the helpless captives of our migratory patterns. We pretended that what we had lost was the house, not our mother, not our father. We pretended that what we had lost had been taken from us by the person who still lived inside. 'The best book I've read in years' Rosamund Lupton 'Her finest novel yet' Sunday Times 'The buzz around The Dutch House is totally justified. Her best yet, which is saying something' John Boyne 'A masterpiece' Cathy Rentzenbrink 'Bliss' Nigella Lawson

Winner of The Women's Prize for Fiction and the PEN/Faulkner Award for Fiction. The poignant - and at times very funny - novel from the internationally bestselling author of The Dutch House and Commonwealth. Somewhere in South America, at the home of the country's vice president, a lavish birthday party is being held in honour of the powerful businessman Mr. Hosokawa. Roxane Coss, opera's most revered soprano, has mesmerised the international guests with her singing. It is a perfect evening - until a band of gun-wielding terrorists takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves into something quite different, a moment of great beauty, as terrorists and hostages forge unexpected bonds and people from different continents become compatriots, intimate friends, and lovers.

An irresistible collection of essays and memoir from the internationally bestselling, Women's Prize-winning author of The Dutch House 'Any story that starts will also end.' As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth as she explores family, friendship, marriage, failure, success, and what it all means. A literary alchemist, Patchett plumbs the depths of her experiences to create gold: essays that are both self-portrait and landscape, each vibrant with emotion and rich in insight. Ranging from the personal - her portrait of the three men she called her fathers; unexpectedly falling into a life-changing friendship with Tom Hanks; how to answer when someone asks why you don't have children - to the sublime - exploring the Harvard Museum of Natural History before its doors open; the unexpected influence of Snoopy; the importance of knitting - each essay transforms the particular into the universal, letting us all see our own worlds anew. Illuminating, penetrating, funny and generous, These Precious Days is joyful time spent in the company of one of our greatest living authors.

From the bestselling author of The Magician's Assistant, a novel of love, opera, and terrorism, set in South America.

Latin terrorists storm an international gathering hosted by an underprivileged country to promote foreign interest, only to find their intended target, the President, has stayed home to watch his favourite soap opera. The takeover brings together an unlikely assortment of hostages, among them Roxanne Coss, an America opera diva; Mr. Hosokawa, a Japanese CEO and her biggest fan; and his translator, Gen. Forced to reach out across the chasms of language, politics, and culture, the hostages, and their captors, must change their established beliefs, if they are to survive.

In a novel of daring and dramatic intensity, two couples, complete opposites, fall in love, and a horrific imprisonment is transformed into an unexpected heaven on earth. Exploring passion in all its guises, even as the violence of its setting threatens to intrude, this magical novel surprises and enchants.

'The best short story writer in the world' Susan Hill 'This book is a spectacular literary revelation' Sunday Times The collected stories of an award-winning, modern classic American writer who has been compared to Alice Munro, John Updike - and even Anton Chekhov Tenderly, incisively, Edith Pearlman captured life on the page like no one else. Spanning forty years of writing, moving from tsarist Russia to the coast of Maine, from Jerusalem to Massachusetts, these astonishing stories reveal one of America's greatest modern writers. Across a stunning array of scenes-an unforeseen love affair between adolescent cousins, an elderly couple's decision to shoplift, an old woman's deathbed confession of her mother's affair-Edith Pearlman crafts a timeless and unique sensibility, shot through with wit, lucidity and compassion. Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand-picked from around the globe Edith Pearlman (1936-2023) published her debut collection of stories in 1996, aged 60. She won The National Book Critics Circle Award for Fiction for Binocular Vision. She published over 250 works of short fiction in magazines, literary journals, anthologies and online publications. Her work won three O. Henry Prizes, the Drue Heinz Prize for Literature, and a Mary McCarthy Prize, among others. In 2011, Pearlman was the recipient of the PEN/Malamud Award, which put her in the ranks of luminaries like John Updike and Joyce Carol Oates.

THIS SUMMER, DIVE INTO TOM LAKE – THE BREATH-TAKING NEW NOVEL FROM ANN PATCHETT ‘Filled with the moments I live for in a story – careful, compelling insights into human nature, the most effortless humour, and the kind of vivid descriptions that reveal exactly how something is’ BONNIE GARMUS, bestselling author of Lessons in Chemistry ‘Beautifully imagined, funny and tender ... Ann Patchett leads us with the intelligence, detail, wit and nuance of the greatest chroniclers of human nature and relationships’ RACHEL JOYCE, bestselling author of The Unlikely Pilgrimage of Harold Fry ----------------------------- This is a story about Peter Duke who went on to be a famous actor. This is a story about falling in love with Peter Duke who wasn’t famous at all. It’s about falling so wildly in love with him – the way one will at twenty-four – that it felt like jumping off a roof at midnight. There was no way to foresee the mess it would come to in the end. It’s spring and Lara’s three grown daughters have returned to the family orchard. While picking cherries, they beg their mother to tell them the one story they’ve always longed to hear – of the film star with whom she shared a stage, and a romance, years before. Tom Lake is a meditation on youthful love, married love, and the lives parents lead before their children are born. Both hopeful and elegiac, it explores what it means to be happy even when the world is falling apart. ‘One of our greatest living chroniclers of love and marriage … Expect wonder; Patchett always delivers’ ELLE ----------------------------- Praise for The Dutch House: ‘Patchett leads us to a truth that feels like life rather than literature’ Guardian ‘The best book I've read in years’ Rosamund Lupton ‘Her finest novel yet’ Sunday Times ‘The buzz around The Dutch House is totally justified. Her best yet, which is saying something’ John Boyne ‘A masterpiece’ Cathy Rentzenbrink ‘Bliss’ Nigella Lawson The Dutch House was a Sunday Times top 10 bestseller w/e 28.09.19

'Dazzling ... life-affirming and compulsively readable' Sunday Times 'Patchett blends wisdom and humanity jointly with the icy forensic gaze of someone not afraid to expose the frailties of human behaviour ... Read it' Jojo Moyes 'An outstanding novel ... a master of her art' Observer It is 1964: Bert Cousins shows up at Franny Keating's christening party uninvited and notices a heart stoppingly beautiful woman. When he kisses Beverly Keating, his host's wife, he sets in motion the joining of two families, whose shared fate will be defined on a day seven years later. In 1988, Franny Keating, now twenty-four, is working as a cocktail waitress in Chicago. When she meets the famous author Leon Posen one night at the bar, and tells him about her family, she unwittingly relinquishes control over their story...

SHORTLISTED FOR THE ORANGE PRIZE FOR FICTION There were people on the banks of the river. Among the tangled waterways and giant anacondas of the Brazilian Rio Negro, an enigmatic scientist is developing a drug that could alter the lives of women for ever. Dr Annick Swenson's work is shrouded in mystery; she refuses to report on her progress, especially to her investors, whose patience is fast running out. Anders Eckman, a mild-mannered lab researcher, is sent to investigate. A curt letter reporting his untimely death is all that returns. Now Marina Singh, Anders' colleague and once a student of the mighty Dr Swenson, is their last hope. Compelled by the pleas of Anders's wife, Marina leaves the snowy plains of Minnesota and retraces her friend's steps into the heart of the South American darkness, determined to track down Dr. Swenson and uncover the secrets being jealously guarded among the remotest tribes of the rainforest. What Marina does not yet know is that, in this ancient corner of the jungle, where the muddy waters and susurrating grasses hide countless unknown perils and temptations, she will face challenges beyond her wildest imagination. Marina is no longer the student, but only time will tell if she has learnt enough. ________________________________ 'The best book I have read all year. It made me laugh and weep and left me in a state of wonder: perfect from first page to last ... a masterpiece' EMMA DONOGHUE 'A triumph ... Pachett's best book yet' GUARDIAN

John Nickel is a black ex-jazz musician who only wants to be a good father. When his son is taken away to Miami by his mother, Nickel is left with nothing but Muddy’s, the Memphis blues bar that he manages. Then he hires Fay Taft, a young white waitress from east Tennessee who has a volatile brother, Carl, in tow. They spell nothing but trouble for Nickel. Fay stirs up both romantic and paternal impulses in him and Carl is clearly a no-good.

But Nickel finds himself consumed with the idea of Taft, Fay and Carl’s dead father, and begins to reconstruct the life of a man he never met but whose place he has taken.

It is 1968. Rose Clinton arrives at St Elizabeth's, a Roman Catholic home for unwed mothers in Habit, Kentucky. Rose has fled her dull but loving husband without telling him she is pregnant and has decided to be 'a liar for the rest of my life'. As penance, she has also abandoned her widowed and much loved mother, with no mention of her condition.

Rose plans to give her baby up because she knows she cannot be the mother it needs. But St. Elizabeth's is home to a healing spring, and when Rose's time draws near, she realises that she cannot go through with her plans. Nor can she remain untouched by those she has left behind; by the ever-watchful Sister Evangeline; by the love of Son, the handyman at St. Elizabeth; or later by the birth of her daughter Cecilia.

Enchantingly graceful, Ann Patchett's first novel is about sanctuary and pilgrimage, pain and healing and the helping hand of chance.

In this beautiful and moving novel about family, love, and growing up, Ann Patchett once again proves herself one of America's finest writers. "Patchett leads us to a truth that feels like life rather than literature." --The Guardian In the spring of 2020, Lara's three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew. Tom Lake is a meditation on youthful love, married love, and the lives parents have led before their children were born. Both hopeful and elegiac, it explores what it means to be happy even when the world is falling apart. As in all of her novels, Ann Patchett combines compelling narrative artistry with piercing insights into family dynamics. The result is a rich and luminous story, told with profound intelligence and emotional subtlety, that demonstrates once again why she is one of the most revered and acclaimed literary talents working today.

Since her first publication in 1992, celebrated novelist Ann Patchett has crafted a number of elegant novels, garnering accolades and awards along the way. Now comes a reissue of the best-selling debut novel that launched her remarkable career.

St. Elizabeth's, a home for unwed mothers in Habit, Kentucky, usually harbors its residents for only a little while. Not so Rose Clinton, a beautiful, mysterious woman who comes to the home pregnant but not unwed, and stays. She plans to give up her child, thinking she cannot be the mother it needs. But when Cecilia is born, Rose makes a place for herself and her daughter amid St. Elizabeth's extended family of nuns and an ever-changing collection of pregnant teenage girls. Rose's past won't be kept away, though, even by St. Elizabeth's; she cannot remain untouched by what she has left behind, even as she cannot change who she has become in the leaving.

'Enthralling' Observer 'A spectacular read' Sunday Express 'An award-winning writer at the top of her game' Telegraph A moving story of overlapping lives from the Orange Prize-winning author of Bel Canto Tip and Teddy are becoming men under the very eyes of their adoptive father, Bernard Doyle. A student at Harvard, Tip is happiest in a lab, whilst Teddy thinks he has found his calling in the Church, and both are increasingly strained by their father's protective plans for them. But when they are involved in an accident on an icy road, the Doyles are forced to confront certain truths about their lives, how the death of Doyle's wife Bernadette has affected the family, and an anonymous figure who is always watching...

The American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman in this "forceful, beautifully written" (Associated Press) collection that brings together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case. On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation's premier defender of the rights and freedoms guaranteed by the Constitution. In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays "full of struggle, emotion, fear, resilience, hope, and triumph" (Los Angeles Review of Books) about landmark cases in the organization's one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in-Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona-need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue. Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights-which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU's spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU's stance on campaign finance. These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted. Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.

From the international bestselling author of Bel Canto and The Dutch House, Ann Patchett, and the bestselling illustrator of the Fancy Nancy series, Robin Preiss Glasser, comes a hilarious children's story about a scapegoat who escapes blame just in time. The Farmer family has a big problem! Every day their goat escapes, and every day, Mr. Farmer brings him back. So when things start to go awry on the farm, it must be the goat's fault. Who's to blame when Mrs. Farmer's petunias are trampled? Or when all the cupcakes for Archie's party disappear? And when the whole bucket of paint is spilled? Of course, everyone blames the goat! But is it really his fault? Find out in this epic collaboration between Ann Patchett and Robin Preiss Glasser, who create this perfect picture book about telling the truth.

Bestselling author and Orange Prize winner Ann Patchett's first work of non-fiction is a searing, emotionally wrenching account of her long friendship with the critically acclaimed, and recently deceased author, Lucy Grealy. 'It is remarkable for me to remember now that I thought it would be possible to walk away from her, that she might have gone on living, but without me. I know now I never would have had the strength of my convictions. I am living in a world without Lucy. I have no choice about that. If she were alive and I had that choice, I wouldn't have been able to last without her for a day.' What happens when the person who is your family is someone you aren't bound to by blood? What happens when the person you promise to love and to honour for the rest of your life is not your lover, but your best friend? In her frank and startlingly intimate first work of nonfiction, Truth & Beauty, Ann Patchett shines light on the little explored world of women's friendships and shows us what it means to stand together. the Iowa Writer's Workshop, began a friendship that would be as defining to both of their lives as their work. In her critically acclaimed and hugely successful memoir, Autobiography of a Face, Lucy Grealy wrote about the first half of her life: losing part of her jaw to childhood cancer, the years of chemotherapy and radiation, and then the endless reconstructive surgeries. In Truth & Beauty, the story isn't Lucy's life or Ann's life, but the parts of their lives they shared together. This is a portrait of unwavering commitment that spans twenty years, from the long cold winters of the Midwest, to surgical wards, to book parties in New York. Through love, fame, drugs and despair, this is what it means to be part of two lives that are intertwined. This is a tender, yet sometimes brutal book about loving the person we cannot save. It is about loyalty, and about being lifted up by the sheer effervescence of someone who knew how to live life to the fullest