Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

If you are struggling in areas of your life, and it seems like the devil is working overtime to destroy you, let me give you a piece of truth to consider today: Your victory is in the Word of God In Isaiah 54:17, we see that "no weapon formed against you shall prosper." It is vital that you live in that knowledge. God created you to live victoriously. His Word is your armor Jesus said, "I give you the keys of the kingdom. Whatever you bind on earth will be bound in heaven; whatever you loose on earth will be loosed in heaven" (Matthew 16:19). Our fight is the good fight of faith in Christ Jesus I pray that these sermons will enlighten, encourage, and strengthen your faith to trust and pursue God in everything you do. Romans 1:17 reads, "For in it the righteousness of God is revealed from faith to faith: as it is written, The just shall live by faith."

A Year on the Brink recounts a year in the life of veteran middle school teacher, Randi Jacobs. Month by month, September to June, the day to day challenges of trying to live a balanced life, while striving to remain a consummate professional, are intertwined with the issues besetting public education and the dramas and traumas, both large and small, of often misunderstood and underestimated early adolescents. Set in the affluent coastal community of Manhattan Beach, California, the plot ebbs and flows, revealing both the struggles and joys of a dedicated classroom teacher who is gradually coming to the realization that it may be time to retire. Along the way, administrative styles are explored as are legal obligations impacting the classroom teacher, some as seemingly simple as taking attendance and others as complex as First Amendment rights and the administration of the No Child Left Behind legislation. Randi's energy is tapped as she attempts to meet the divergent needs of individual students, consistently deliver meaningful instruction and maintain quality relationships with family members, as well as lend support to close colleagues - one struggling as a single parent and another with an abusive husband. The year is further complicated when Randi is inadvertently drawn into a criminal investigation by an earnest student who comes to her with a story of an odd citing, made while "Trick-or-Treating" at another student's home. As May turns to June and the time for indecision passes amid the end-of-schoolyear hubbub, Randi sorts through the components of her life and considers her options in order to come to a final decision.

Papua New Guinea has experienced a remarkably rapid transition from scattered primitive societies to a modern unified nation. The dictionary covers major economic, social, political, and cultural developments, basic geographic information and biographies. With maps.

This volume is the second in the series of final reports on the work of the Kavousi Project and the first volume on the cleaning (1982-1984) and excavations (1987-1992) at the mountain sites located above the modern village of Kavousi in eastern Crete. These sites, Vronda and the Kastro, shed light on the Early Iron Age, the transitional period in Cretan history known popularly as the Dark Ages, thereby elucidating the way of life of the people who lived in the area of Kavousi during that period and how their culture changed over time. Kavousi IIA is devoted to the excavation of material from the Late Minoan IIIC settlement at Vronda, particulary the houses on the summit of the Vronda ridge (Buildings A-B, C-D, J-K, and Q), along with earlier (Building P) and later (Building R) structures around them.

Set in 1950s suburban Melbourne, at a time when the Australian government is ferreting out Communists and controlling the rabbit population through the introduction of myxomatosis. To 9-year-old Celia the two policies are somehow connected, while she also does battle with fictional monsters and her own relatives. A disturbing exploration of childhood fears and pre-occupations.

Rebellious colonists have dumped a shipment of tea into Boston Harbor, and all around Katie, men are arming themselves for war. Neighbors don't speak to each other anymore and someone even hissed "Tory " at Katie because her parents are loyal to England. One unforgettable day, the rebels come. Katie's father tells the family to hide in the woods, but Katie runs back to defend her home. As the rebels rush in to loot the house, Katie hides in her mother's wedding trunk. In a surprise ending, one of the rebels unexpectedly saves her from being discovered, and Katie realizes there may be goodness even in those who seem to be enemies. Ann Turner, acclaimed for her powerful historical picture books, tells the gripping story of one Tory girl's experiences during revolutionary times.

Jake and Maggy lived on a farm where they loved to sing and dance to the music from Mama's radio. Then terrible dust storms came and ruined the land. The family had no choice but to auction off the farm and make the long, hard journey west to California-away from the dust storms, where the land is still green.

Along the way, Papa tries to find work, and Jake and Maggy try to help too. But what if Papa can't find a job? What if California isn't better after all?

Ann Turner's dramatic story about the dust bowl, set during the Great Depression and beautifully captured in Robert Barrett's paintings, shows how one family stays together during difficult times.

The first publication on the Yoruba master sculptor Moshood Olusomo Bamigboye Bamigboye: A Master Sculptor of the Yoruba Tradition is the first monograph dedicated to the 50-year career of the Nigerian artist Moshood Olusomo Bamigboye (ca. 1885-1975). One of the most important Yoruba sculptors of the twentieth century, Bamigboye is best known for the spectacular masks that he carved for religious festivals known locally as Epa. Weighing up to 80 pounds and measuring over 4 feet tall, with intricate superstructures that could feature dozens of finely carved individual figures, these masks represent some of the most complex and elaborate works of Yoruba art ever made. With 190 illustrations, this sumptuous volume presents masterpieces from Bamigboye's workshop now housed in collections in America, Europe, and Nigeria. Essays situate Bamigboye's work as part of Africa's oldest and most dynamic art traditions and consider his sculpture in relation to contemporary Yoruba art, culture, politics, and religion. With new and archival photographs and incorporating oral histories conducted with the artist's family and community, this catalogue fills a critical void in African art-historical scholarship. Distributed for the Yale University Art Gallery Exhibition Schedule: Yale University Art Gallery (September 9, 2022-January 8, 2023)