A unique anthology of short stories and poetry by feminist contemporaries of Virginia Woolf, who were writing about work, discrimination, war, relationships and love in the early part of the 20th Century. Includes works by English and American writers Zelda Fitzgerald, Charlotte Perkins Gillman, Radclyffe Hall, Katherine Mansfield, Alice Dunbar Nelson, Edith Wharton, and Virginia Woolf, alongside their recently rediscovered 'sisters' from around the world. This book offers a diverse and international array of over 20 literary gems from women writers living in Bulgaria, Chile, China, Egypt, France, Italy, Palestine, Romania, Russia, Spain and Ukraine.

From the artistic passion of the St Petersburg poets and bohemians, to the collective suffering of a nation through this turbulent century, Akhmatova spoke to, and for, the soul of her people. Born in 1889, Anna survived upheavals, refusing to abandon either Russia or her craft despite vicious attacks on her name and censorship of her work. When committing poems to paper threatened to cause her arrest, a few close friends faithfully memorized her lines. By the time she died in 1966, Anna was recognized as one of the world's great poets. This book contains 800 of her poems, an extensive photo-essay, a preface by the translator, an introduction Anatoly Naiman (Akhmatova's literary agent during the 1960s), and a reprint of Isaiah Berlin's memoir of Anna from his book "Personal Impressions".

Poetry. Translated from Russian by Judith Hemschemeyer. This book contains more than one hundred poems from The Complete Poems of Anna Akmatova, which was named of the best books of 1990 by the New York Times. Akhmatova first achieved fame as an icon of pre-Revolutionary literary society. In the post revolution era she became the unofficial spokesperson for her fellow countrymen who suffered through Stalinism. This book features poems both originally written in Russian and English and represents the full span of the poet's career. Also included is a translator's introduction and a preface to Akhmatova's life by Roberta Reeder and notes from Hemschemeyer's definitive translation.

From her appearance in a small magazine in 1906 to her death in 1965, Anna Akhmatova was a dominant presence in Russian literary life. But this friend of Pasternak and Mandelstam was a poet in a country where poetry was literally a matter of life and death, as she found when Mandelstam and her own husband, Gumilyev, were executed, and her son imprisoned for many years in the Gulag. Akhmatova's first collection, Evening, appeared in 1912. Rosary (1914) made her a household name. After the Revolution she went in and out of favour with the authorities, who sometimes allowed her to publish, sometimes banned her work. She is now most celebrated in the West for Poem Without A Hero and Requiem, a sequencemourning the victims of Stalin's Terror which was only published (and then outside Russia) in 1963.

Anna Akhmatova (June 23, 1889 - March 5, 1966) is considered by many to be one of the greatest Russian poets of the Silver Age. One of the forefront leaders of the Acmeism movement, which focused on rigorous form and directness of words, she was a master of conveying raw emotion in her portrayals of everyday situations. Her works range from short lyric love poetry to longer, more complex cycles, such as Requiem, a tragic depiction of the Stalinist terror. During the time of heavy censorship and persecution, her poetry gave voice to the Russian people. To this day, she remains one of Russia's most beloved poets and has left a lasting impression on generations of poets that came after her. Rosary, published in 1914, is Akhmatova's second book, and one of her most popular collections. After its publication, Akhmatova became a household name and further established her place among the greatest Russian poets.

Anna Akhmatova (June 23, 1889 - March 5, 1966) is considered by many to be one of the greatest Russian poets of the Silver Age. Although true fame and recognition did not come until her later, Evening, her first poetry collection, had caught the attention of many prominent literary critics of the time and helped to solidify her career as a writer. One of the forefront leaders of the Acmeism movement, which focused on rigorous form and directness of words, she was a master of conveying raw emotion in her portrayals of everyday situations. Her works range from short lyric love poetry to longer, more complex cycles, such as Requiem, a tragic depiction of the Stalinist terror. During the time of heavy censorship and persecution, her poetry gave voice to the Russian people. To this day, she remains one of Russia's most beloved poets and has left a lasting impression on generations of poets that came after her.

Witness to the international and domestic chaos of the first half of the twentieth century, Anna Akhmatova (1888-1966) chronicled Russia's troubled times in poems of sharp beauty and intensity. Her genius is now universally acknowledged, and recent biographies attest to a remarkable resurgence of interest in her poetry in this country. Here is the essence of Akhmatova - a landmark selection and translation, including excerpts from "Poem with a Hero."

A legend in her own time both for her brilliant poetry and for her resistance to oppression, Anna Akhmatova--denounced by the Soviet regime for her "eroticism, mysticism, and political indifference"--is one of the greatest Russian poets of the twentieth century.
Before the revolution, Akhmatova was a wildly popular young poet who lived a bohemian life. She was one of the leaders of a movement of poets whose ideal was "beautiful clarity"--in her deeply personal work, themes of love and mourning are conveyed with passionate intensity and economy, her voice by turns tender and fierce. A vocal critic of Stalinism, she saw her work banned for many years and was expelled from the Writers' Union--condemned as "half nun, half harlot." Despite this censorship, her reputation continued to flourish underground, and she is still among Russia's most beloved poets.
Here are poems from all her major works--including the magnificent "Requiem" commemorating the victims of Stalin's terror--and some that have been newly translated for this edition.

Anna Akhmatova (1889-1966) had a life that spanned prerevolution Russia, Bolshevism, and Stalinism. Throughout it all, she maintained a restrained, graceful, yet muscular style that could grab a reader by the throat, or the heart, at a moment's notice. Her themes include romantic yearning and frustration, the pull of the sensory, the emotional power of the mundane, and her belief that a Russian poet could only produce poetry in Russia. By reputation, both Akhmatova's poems and the poet herself are defined by tragedy and beauty in equal measure, and she is for many the quintessential twentieth-century Russian poet. You Will Hear Thunder spans Akhmatova's very early career into the early 1960s. These poems were written through her bohemian prerevolution days, her many marriages, the terror and privation of life under Stalin, and her later years, during which she saw her work once again recognized by the Soviet state. Intricately observed and unwavering in their emotional immediacy, these strikingly modern poems represent one of the twentieth century's most powerful voices.

"Distributed by the University of Nebraska Press for Whale and Star Press"
Anna Akhmatova (1889-1966) was a skilled love poet who, through no choice of her own, became a witness to mass violence, a widely recognized exemplar of endurance and moral strength, and finally a symbol of Russian national resilience. At the start of her career, during the final years of the Russian Empire, Akhmatova was a cultural celebrity who fascinated a generation not only with her poetry but also with the drama that she created around herself.
After the revolution of 1917, she was attacked as a decadent bourgeois author and driven into silence and obscurity. Living in relative poverty, with her family and friends repeatedly arrested and harassed, and she herself publicly cursed by the representatives of the state, Akhmatova survived the darkest decades of Soviet history. Near the end of her life, when timorous cultural bureaucrats allowed her to reemerge as a public figure, she revealed to readers that even if the "collective" had rejected her as an unworthy member she had continued to write poetry reflecting the trials and calamities of Soviet men and women with greater truth and moral authority than any official poet could attain.

Anna Akhmatova (1889-1966), one of twentieth-century Russia's greatest poets, was viewed as a dangerous element by post-Revolution authorities. One of the few unrepentant poets to survive the Bolshevik revolution and subsequent Stalinist purges, she set for herself the artistic task of preserving the memory of pre-Revolutionary cultural heritage and of those who had been silenced. This book presents Nancy K. Anderson's superb translations of three of Akhmatova's most important poems: Requiem, a commemoration of the victims of Stalin's Terror; The Way of All the Earth, a work to which the poet returned repeatedly over the last quarter-century of her life and which combines Old Russian motifs with the modernist search for a lost past; and Poem Without a Hero, widely admired as the poet's magnum opus. Each poem is accompanied by extensive commentary. The complex and allusive Poem Without a Hero is also provided with an extensive critical commentary that draws on the poet's manuscripts and private notebooks. Anderson offers relevant facts about the poet's life and an overview of the political and cultural forces that shaped her work. The resulting volume enables English-language readers to gain a deeper level of understanding of Akhmatova's poems and how and why they were created.