The Nadir and the Zenith is a study of temperance and melodramatic excess in African American fiction before the Harlem Renaissance. Anna Pochmara combines formal analysis with attention to the historical context, which, in addition to postbellum race relations in the United States, includes white and black temperance movements and their discourses. Despite its proliferation and popularity at the time, African American fiction between Reconstruction and World War I has not attracted nearly as much scholarly attention as the Harlem Renaissance. Pochmara provocatively suggests that the historical moment when black people's "status in American society" reached its lowest point-- what historian Rayford Logan called the "Nadir"--coincides with the zenith of black novelistic productivity before World War II. Pochmara examines authors such as William Wells Brown, Charles W. Chesnutt, Paul Laurence Dunbar, Frances Ellen Watkins Harper, Pauline Elizabeth Hopkins, and Amelia E. Johnson. Together, these six writers published no fewer than seventeen novels in the years of the Nadir (1877-1901), surpassing the creativity of all New Negro prose writers and the number of novels they published during the height of the Harlem Renaissance in the 1920s.

The Nadir and the Zenith is a study of temperance and melodramatic excess in African American fiction before the Harlem Renaissance. Anna Pochmara combines formal analysis with attention to the historical context, which, in addition to postbellum race relations in the United States, includes white and black temperance movements and their discourses. Despite its proliferation and popularity at the time, African American fiction between Reconstruction and World War I has not attracted nearly as much scholarly attention as the Harlem Renaissance. Pochmara provocatively suggests that the historical moment when black people's "status in American society" reached its lowest point-- what historian Rayford Logan called the "Nadir"--coincides with the zenith of black novelistic productivity before World War II. Pochmara examines authors such as William Wells Brown, Charles W. Chesnutt, Paul Laurence Dunbar, Frances Ellen Watkins Harper, Pauline Elizabeth Hopkins, and Amelia E. Johnson. Together, these six writers published no fewer than seventeen novels in the years of the Nadir (1877-1901), surpassing the creativity of all New Negro prose writers and the number of novels they published during the height of the Harlem Renaissance in the 1920s.

This anthology sheds new light on cosmopolitanism and culture in the contemporary world. Drawing on postcolonial, ethnic, and critical race studies as well as recent literary and critical theory, it demonstrates that new cosmopolitan thinking can embrace an awareness of ethnic and local differences. It disputes the utopianism of colorblind universalism and argues for the persistence of "race" and racialized thinking in lived experience. The essays collected in this volume valorize minoritarian perspectives and urge readers to rethink cosmopolitanism from the perspective of the underprivileged and marginalized and highlight the role of culture in mobilizing social empathy and solidarity with the world's precariat. The contributors, who come from over a dozen different countries and from diverse socio-cultural backgrounds, constitute a vibrant cosmopolitan community in itself.