To understand the profound changes in the modes of public political debate over the past decade, this volume develops a new conception of public spheres as spaces of resonance emerging from the power of language to affect and to ascribe and instill collective emotion. Political discourse is no longer confined to traditional media, but increasingly takes place in fragmented and digital public spheres. At the same time, the modes of political engagement have changed: discourse is said to increasingly rely on strategies of emotionalization and to be deeply affective at its core. This book meticulously shows how public spheres are rooted in the emotional, bodily, and affective dimensions of language, and how language - in its capacity to affect and to be affected - produces those dynamics of affective resonance that characterize contemporary forms of political debate. It brings together scholars from the humanities and social sciences and focuses on two fields of inquiry: publics, politics, and media in Part I, and language and artistic inquiry in Part II. The thirteen chapters provide a balanced composition of theoretical and methodological considerations, focusing on highly illustrative case studies and on different artistic practices. The volume is an indispensable source for researchers and postgraduate students in cultural studies, literary studies, sociology, and political science. It likewise appeals to practitioners seeking to develop an in-depth understanding of affect in contemporary political debate.

To understand the profound changes in the modes of public political debate over the past decade, this volume develops a new conception of public spheres as spaces of resonance emerging from the power of language to affect and to ascribe and instill collective emotion. Political discourse is no longer confined to traditional media, but increasingly takes place in fragmented and digital public spheres. At the same time, the modes of political engagement have changed: discourse is said to increasingly rely on strategies of emotionalization and to be deeply affective at its core. This book meticulously shows how public spheres are rooted in the emotional, bodily, and affective dimensions of language, and how language - in its capacity to affect and to be affected - produces those dynamics of affective resonance that characterize contemporary forms of political debate. It brings together scholars from the humanities and social sciences and focuses on two fields of inquiry: publics, politics, and media in Part I, and language and artistic inquiry in Part II. The thirteen chapters provide a balanced composition of theoretical and methodological considerations, focusing on highly illustrative case studies and on different artistic practices. The volume is an indispensable source for researchers and postgraduate students in cultural studies, literary studies, sociology, and political science. It likewise appeals to practitioners seeking to develop an in-depth understanding of affect in contemporary political debate.

The series "QUELLEN UND FORSCHUNGEN ZUR LITERATUR- UND KULTURGESCHICHTE" (Sources and Research in the History of Literature and Culture), with a rich tradition stretching back to 1874, is an established feature among the renowned publications for German Literary Studies. Edited by Mark-Georg Dehrmann and Christiane Witthoeft, the series presents examples of high-quality scholarship examining literary texts in conjunction with historical cultural phenomena, particularly with the other arts. There is an explicit demand for literary studies with a transdisciplinary approach. German literature from the Middle Ages to the present day forms the main focus of the series. As the historical cultural thrust of the series includes aspects of intercultural experience and national perceptions of the other, Quellen und Forschungen is also open to occasional comparative studies. The publications of the series include monographs, doctoral and professorial theses. Works presented for acceptance in the series are required to display scholarly relevance and excellence in method and presentation.

Das Kleist-Jahrbuch 2022 dokumentiert die Verleihung des Kleist-Preises 2020 im November 2021 mit den Reden des Preistragers Clemens J. Setz, der Vertrauensperson der Jury Daniela Strigl und des Prasidenten der Heinrich-von-Kleist-Gesellschaft Gunter Blamberger. Den Schwerpunkt bilden die von Andrea Allerkamp und Martin Roussel betreuten Beitrage der internationalen Jahrestagung der Heinrich-von-Kleist-Gesellschaft 2021 >Um einen Kleist von aussen bittend< (u.a. von Laszlo F. Foeldenyi, Rudiger Goerner, Andrea Pagni, Paul Michael Lutzeler und Carlotta von Maltzan). Abhandlungen zu Kleists Werken und Rezensionen wissenschaftlicher Neuerscheinungen zu Kleist sowie zu seinen historischen und systematischen Kontexten beschliessen den Band.