Featuring multidisciplinary research by an international team of leading scholars, this volume addresses the contested aspects of arabesque while exploring its penchant for crossing artistic and cultural boundaries to create new forms. Enthusiastically imported from its Near Eastern sources by European artists, the freely flowing line known as arabesque is a recognizable motif across the arts of painting, music, dance, and literature. From the German Romantics to the Art Nouveau artists, and from Debussy's compositions to the serpentine choreographies of Loie Fuller, the chapters in this volume bring together cross-disciplinary perspectives to understand the arabesque across both art historical and musicological discourses.

As a coherent field of research, the field of music and visual culture has seen rapid growth in recent years. The Routledge Companion to Music and Visual Culture serves as the first comprehensive reference on the intersection between these two areas of study, an ideal introduction for those coming to the field for the first time as well as a useful source of information for seasoned researchers. This collection of over forty entries, from musicologists and art historians from the US and UK, delineate the key concepts in the field in five parts: Starting Points Methodologies Reciprocation - the musical in visual culture and the visual in musical culture Convergence -in metaphor, in conception, and in practice Hybrid Arts This reference work speaks to the important questions concerning this burgeoning field of research -what are the established approaches to studying musical and visual cultures side by side? What have been the major points of contact between these two areas and what kind of questions can this interdisciplinary research address moving forward? The Routledge Companion to Music and Visual Culture is an indispensable guide for anyone interested in the field of music and visual culture.

Dr RB McDowell is a legend. To graduates of Trinity College, Dublin, he is a symbol of their years at university, the enduring source of endless amusing anecdotes and memories. Now, for the first time, reminiscences by graduates and friends, recording entertaining encounters with 'RB' over a period of some seventy years, appear in book form, enlivened by comments from Dr McDowell himself and illustrated with evocative sketches of College circa 1950 by Bryan de Grineau, archival photographs, many hitherto unseen, and a Derek Hill painting in full colour. The result is an intriguing portrait of the traditions and the way of life at Ireland's oldest university during the greater part of the twentieth century and the part played by the charismatic and unique RB McDowell. RB MCDOWELL is an Emeritus Fellow of Trinity College, Dublin. His works include Irish Public Opinion 1750-1800, The Church of Ireland 1869-1969, Ireland in the Age of Imperialism and Revolution 1760-1801, Land and Learning: Two Irish Clubs, Crisis and Decline: The Fate of the Southern Unionists, and Grattan: A Life.

An illustrated exploration of the largely unpublished collection of eighteenth-century French drawings, albums, and sketchbooks at the Bibliotheque nationale de France Promenades on Paper explores the largely unmined collection of eighteenth-century drawings held in the Department of Prints and Photography of the Bibliotheque nationale de France. Among the 50 featured artists are some of France's most celebrated eighteenth-century practitioners, including Madeleine Basseporte (1701-1780), Francois Boucher (1703-1770), Gabriel de Saint Aubin (1724-1780), and Jean-Honore Fragonard (1732-1806), alongside architects, designers, and printmakers. Scattered across the institution's vast reserves, these drawings have until now served primarily documentary purposes. In this book, leading international scholars introduce more than 80 drawings, albums, and sketchbooks-many published here for the first time-and reveal how artists used drawing to record, critique, and try to improve the world around them. Distributed for the Clark Art Institute Exhibition Schedule: Clark Art Institute, Williamstown, MA (December 17, 2022-March 12, 2023) Musee des Beaux-Arts de Tours (May 12-August 28, 2023)

George R.R. Martin drew on Tolkien, who was inspired by William Morris, Medieval epics, and Norse mythology. This new collection of epic fantasy tales explores the classic themes of good vs evil, the low-born hero, and the arrogant overlord, and laced them with a taste of sorcery that reaches back to the early sources, and stirs them in with the brand new storytellers of today. This new title in our successful Gothic Fantasy Short Stories collection contains a fabulous mix of classic and brand new writing, with contemporary authors from the US, Canada, and the UK. Contemporary authors include Brian Bogart, Ramsey Campbell, Evey Brett, Leah Cypess, Kate Dollarhyde, Lucinda Gunnin, Joshua K. Haarstad, Anne Leonard, E.H. Mann, Alison McBain, Emily McCosh, Dan Micklethwaite, Wendy Nikel, Mary O'Donnell, Aimee Ogden, Cassandra Taylor, M. Elizabeth Ticknor and Nemma Wollenfang. Classic stories by William Beckford, Ernest Bramah, Eric Rucker Eddison, Richard Garnett, Robert E. Howard, C. J. Cutcliffe Hyne, Andrew Lang, George MacDonald, William Morris, Edith Nesbit, Howard Pyle, Clark Ashton Smith, Chretien de Troyes.

As a coherent field of research, the field of music and visual culture has seen rapid growth in recent years. The Routledge Companion to Music and Visual Culture serves as the first comprehensive reference on the intersection between these two areas of study, an ideal introduction for those coming to the field for the first time as well as a useful source of information for seasoned researchers. This collection of over forty entries, from musicologists and art historians from the US and UK, delineate the key concepts in the field in five parts: Starting Points Methodologies Reciprocation - the musical in visual culture and the visual in musical culture Convergence -in metaphor, in conception, and in practice Hybrid Arts This reference work speaks to the important questions concerning this burgeoning field of research -what are the established approaches to studying musical and visual cultures side by side? What have been the major points of contact between these two areas and what kind of questions can this interdisciplinary research address moving forward? The Routledge Companion to Music and Visual Culture is an indispensable guide for anyone interested in the field of music and visual culture.

As an aesthetic ideal, classicism is often associated with a conventional set of rules founded on supposedly timeless notions such as order, reason, and decorum. As a result, it is sometimes viewed as rigid, outdated, or stodgy. But in actuality, classicism is far from a stable concept throughout history, it has given rise to more debate than consensus, and at times has been put to use for subversive ends. With contributions from an interdisciplinary group of scholars, this volume explodes the idea of classicism as an unchanging ideal. The essays trace the shifting parameters of classicism from antiquity to the twentieth century, documenting an exhibition of seventy objects in various media from the collection of the Smart Museum of Art and other American and international institutions. With its impressive historical and conceptual reach from ancient literature to contemporary race relations and beyond this colorfully illustrated book is a dynamic exploration of classicism as a fluctuating stylistic and ideological category.

Art is often appreciated for its ability to delight our eyes and refresh our minds. But it can also serve as a powerful vehicle for exploring darker emotions, such as fear, sadness, and grief. And while these themes have an artistic history dating back to the ancients, the ways in which they have been represented in art have changed dramatically over time. Published to coincide with an exhibition at the Smart Museum of Art, "The Tragic Muse: Art and Emotion, 1700-1900" draws on the work of several distinguished scholars to examine the richly varied representation of tragedy in the European artistic tradition over the course of two centuries. This catalog is generously illustrated with full-color reproductions of all the works contained in the exhibition, and the fascinating contributions offer new insights into the approaches taken by the visual arts, as well as literature and drama, in expressing and eliciting strong emotions.

A Tale of Magic, Adventure and True Love. In the country of Caithen, Prince Corin is tasked with freeing the dragons from their bondage to the Emperor. To help him in his quest, the terrifying beasts have allowed Corin a little of their power. But the history of the dragons' slavery is shrouded in mystery and no one can assist in his quest to free them ... until the arrival of Tam at court - a sensible doctor's daughter, who discovers a remarkable talent. She is a seer, gifted with visions. Sparks fly when Corin and Tam meet ... but it's not all happily ever after. Not only is the prince forbidden to marry a commoner, but war is coming to Caithen. Torn between love and duty, Corin and Tam must work together to master their newfound powers and unleash the dragons at last.