Art, in its many forms, has long played an important role in people's imagination, experience and remembrance of places, cultures and travels as well as in their motivation to travel. Travel and tourism, on the other hand, have also inspired numerous artists and featured in many artworks. The fascinating relationships between travel, tourism and art encompass a wide range of phenomena from historical 'Grand Tours' during which a number of travellers experienced or produced artwork, to present-day travel inspired by art, artworks produced by contemporary travellers or artworks produced by locals for tourist consumption. Focusing on the representations of 'touristic' places, locals, travellers and tourists in artworks; the role of travel and tourism in inspiring artists; as well as the role of art and artwork in imagining, experiencing and remembering places and motivating travel and tourism; this edited volume provides a space for an exploration of both historical and contemporary relationships between travel, tourism and art. Bringing together scholars from a wide range of disciplines and fields of study including geography, anthropology, history, philosophy, and urban, cultural, tourism, art and leisure studies, this volume discusses a range of case studies across different art forms and locales.

Art, in its many forms, has long played an important role in people's imagination, experience and remembrance of places, cultures and travels as well as in their motivation to travel. Travel and tourism, on the other hand, have also inspired numerous artists and featured in many artworks. The fascinating relationships between travel, tourism and art encompass a wide range of phenomena from historical 'Grand Tours' during which a number of travellers experienced or produced artwork, to present-day travel inspired by art, artworks produced by contemporary travellers or artworks produced by locals for tourist consumption. Focusing on the representations of 'touristic' places, locals, travellers and tourists in artworks; the role of travel and tourism in inspiring artists; as well as the role of art and artwork in imagining, experiencing and remembering places and motivating travel and tourism; this edited volume provides a space for an exploration of both historical and contemporary relationships between travel, tourism and art. Bringing together scholars from a wide range of disciplines and fields of study including geography, anthropology, history, philosophy, and urban, cultural, tourism, art and leisure studies, this volume discusses a range of case studies across different art forms and locales.

Crusading was a religious movement involving papal authorization, the incentive of remission of sins, pious motivation on behalf of the individual, and the justification of holy war. Much recent historiography in this area has focused on resolving the questions of what a crusade was, and why people went on them. But crusading became a cultural and social phenomenon that changed across time and geographical space. In turn, crusading was shaped by the ways specific crusades and their participants were remembered in specific historical contexts. Moreover, crusade memory had profound effects on the cultivation of family lineage, kinship ties, national and regional identity, and religious orthodoxy. Integrating memory into crusades scholarship thus offers new ways of exploring the aftermath of war, the construction of cultural and social memory, the role of women and families in this process, and the crusading movement itself. This book explores memory as a methodological means of understanding the crusades. It engages with theories of communicative memory, social and cultural memory, war commemoration, and historical processes of remembering. Contributions explore the variety of cultural forms used in cultivating crusade memory. Material, visual, liturgical and textual objects are all reflective of crusade culture and the process of crafting its memory, and the analysis of such sources is of particular interest. This publication furthers new trends in crusade scholarship which understand the crusades as a broad religious movement that called upon and developed within a wider cultural framework than previously acknowledged. This book was originally published as a special issue of the Journal of Medieval History.

Crusading was a religious movement involving papal authorization, the incentive of remission of sins, pious motivation on behalf of the individual, and the justification of holy war. Much recent historiography in this area has focused on resolving the questions of what a crusade was, and why people went on them. But crusading became a cultural and social phenomenon that changed across time and geographical space. In turn, crusading was shaped by the ways specific crusades and their participants were remembered in specific historical contexts. Moreover, crusade memory had profound effects on the cultivation of family lineage, kinship ties, national and regional identity, and religious orthodoxy. Integrating memory into crusades scholarship thus offers new ways of exploring the aftermath of war, the construction of cultural and social memory, the role of women and families in this process, and the crusading movement itself. This book explores memory as a methodological means of understanding the crusades. It engages with theories of communicative memory, social and cultural memory, war commemoration, and historical processes of remembering. Contributions explore the variety of cultural forms used in cultivating crusade memory. Material, visual, liturgical and textual objects are all reflective of crusade culture and the process of crafting its memory, and the analysis of such sources is of particular interest. This publication furthers new trends in crusade scholarship which understand the crusades as a broad religious movement that called upon and developed within a wider cultural framework than previously acknowledged. This book was originally published as a special issue of the Journal of Medieval History.

Traditionally, tourism media has referred to the image of destinations constructed through media texts such as brochures and postcards, with increasing attention towards other mediascapes such as films and television. Yet, with prolific advancements in technologies of media communication, such traditional formats have experienced a shift in the productive and consumptive practices through which they come into being. The possibilities of production and subsequent consumption are unequivocally changing the ways in which tourists imagine, understand and engage with destinations. This book therefore explores the role of tourism media and mediating practices in the development of non-linear processes of communication and understanding as both producers and consumers come together to negotiate the tourist experience. In varying ways it examines the emergent relationships and connections between media practices and tourism practices, everyday experiences and encounters of place. Collectively, the authors in this book address a range of media and technologies from brochures, television, video and film to mediated virtual spaces, such as e-brochures, Internet cultures, social networks, and Google Earth. In doing so, the book highlights the continued significance of media in tourism contexts; recognising both traditional and newer technologies, and the non-linear, continuous cycle of mediated representations and experiences.

Tourism is an essentially visual experience: we leave our homes so as to travel to see places, thus adding to our personal knowledge about, and experience of, the world. The study of tourism as a complex social phenomenon, beyond simply business, is increasing in importance, and by providing an examination of perceptions of culture and society in tourism destinations through the tourist's eyes, this book discusses how destinations were, and are, created and perceived through the 'lens' of the tourist's gaze.

Traditionally, tourism media has referred to the image of destinations constructed through media texts such as brochures and postcards, with increasing attention towards other mediascapes such as films and television. Yet, with prolific advancements in technologies of media communication, such traditional formats have experienced a shift in the productive and consumptive practices through which they come into being. The possibilities of production and subsequent consumption are unequivocally changing the ways in which tourists imagine, understand and engage with destinations. This book therefore explores the role of tourism media and mediating practices in the development of non-linear processes of communication and understanding as both producers and consumers come together to negotiate the tourist experience. In varying ways it examines the emergent relationships and connections between media practices and tourism practices, everyday experiences and encounters of place. Collectively, the authors in this book address a range of media and technologies from brochures, television, video and film to mediated virtual spaces, such as e-brochures, Internet cultures, social networks, and Google Earth. In doing so, the book highlights the continued significance of media in tourism contexts; recognising both traditional and newer technologies, and the non-linear, continuous cycle of mediated representations and experiences.

The study of tourism as a complex social trend is growing in importance as it receives recognition as a force far more significant than economic, environmental, and social analyses convey. This volume explores tourism as a significant phenomenon in both generating and receiving societies, examining methods and cases that demonstrate, develop, and affirm tourism's essentially visual nature. Tourism-related methodologies such as photographs, souvenirs and advertising material are used to discuss findings.