This is the story of how the Mackeson brothers of Deal bought a brewery in the small town of Hythe and eventually transformed it into the manufacturer of one of the biggest brewing success stories of the twentieth century - Milk Stout. The drink was a favourite in pubs and shops across the country and famously found its way into the snug in Coronation Street’s ‘Rover’s Return’. But the family’s journey was not a smooth one. Four generations from 1801 struggled with economic depression and recession, war, suicide, bankruptcies, a law suit, wastrel and importunate relatives, and premature deaths. There were triumphs, too: delivering the Koh-I-Nor diamond to Queen Victoria, discovering a new dinosaur and finally, in the person of Harry Ripley Mackeson, producing a Lord of the Treasury and a baronet.

A richly illustrated history exploring life in Kent. This book tells the amazing story of Kent from earliest times to the modern day. Some of the pivotal moments in the Garden of England's history are recalled, including invasions from Romans, Anglo-Saxons, Vikings and Normans. It has seen the Black Death, the Peasants' Revolt, the Swing Riots and, more recently, audacious escapades by suffragettes in the battle for Votes for Women. The story is brought right up to date with the challenges faced by traditional industries and the transformation of cross-Channel travel. The resilient people of Kent have taken it all in their stride and this story encompasses how they lived, worked and played through hundreds of years of colourful history.

With a new introduction by TAYARI JONES, author of An American Marriage 'This is a wonderful novel - the prose is clear, the plot is page-turning, the characters are utterly believable' CHIMAMANDA NGOZI ADICHIE 'Ann Petry's first novel, The Street, was a literary event in 1946, praised and translated around the world - the first book by a black woman to sell more than a million copies . . . Her work endures not merely because of the strength of its message but its artistry' NEW YORK TIMES 'My favorite type of novel, literary with an astonishing plot . . . insightful, prescient and unputdownable' TAYARI JONES New York City, 1940s. In a crumbling tenement in Harlem, Lutie Johnson is determined to build a new life for herself and her eight-year-old boy, Bub - a life that she can be proud of. Having left her unreliable husband, Lutie believes that with hard work and resolve, she can begin again; she has faith in the American dream. But in her struggle to earn money and raise her son amid the violence, poverty and racial dissonance of her surroundings, Lutie is soon trapped: she is a woman alone, 'too good-looking to be decent', with predators at every turn.

Originally published in 1947, Ann Petry's classic Country Place depicts a predominantly white community disillusioned by the indignities and corruption of small-town life. Johnnie Roane returns from four years of military service in World War II to his wife, Glory. They had been married just a year when he left Lennox, Connecticut, where both their families live and work. In his taxi ride home, Johnnie receives foreboding hints that all has not been well in his absence. Eager to mend his fraying marriage, Johnnie attempts to cajole Glory to recommit to their life together. But something sinister has taken place during the intervening years-an infidelity that has not gone unnoticed in the superficially placid New England town. Accompanied by a new foreword from Farah Jasmine Griffin on the enduring legacy of Petry's oeuvre, Country Place complicates and builds on the legacy of a literary celebrity and one of the foremost African American writers of her time.

Where did the dragons go? Where are they hiding? What happens when two young dragons, Cedric and Matilda (yes I know those are funny names for dragons) find their way into Peter's garden in the middle of the night? Emily (from next door) and Peter talk to the dragons, The young dragons soon fly away, back to their Dragon World far across the stars. But they come back and strange things start to happen. .The oldest dragon egg is stolen from the Dragon World. Where does it go? Does it ever hatch out? And why did it end up on Jo's windowsill? Dragon energy is strong, and the return of the dragons wakes up powers that have been sleeping for many centuries. This leads the children into some rather scary adventures. Dragons are magical, interesting, and not always easy to get on with. The world will never be the same again..... Website www.dragonsinging.com

BY THE BESTSELLING AUTHOR OF THE STREET With a new introduction by Kaitlyn Greenidge, author of Libertie 'Petry is the writer we have been waiting for, hers are the stories we need to fully illuminate the questions of our moment . . . insightful, prescient and unputdownable . . . The Narrows is the story of an interracial romance that proves that passion and prejudice are not mutually exclusive' Tayari Jones It's Saturday, past midnight, and thick fog rolls in from the river like smoke. Link Williams is standing on the dock when he hears quick footsteps approaching, and the gasp of a woman too terrified to scream. After chasing off her pursuer, he takes the woman to a nearby bar to calm her nerves, and as they enter, it's as if the oxygen has left the room: they, and the other patrons, see in the dim light that he's Black and she's white. Link is a brilliant Dartmouth graduate, former athlete and soldier who, because of the lack of opportunities available to him, tends bar; Camilo is a wealthy, married heiress who has crossed the town's racial divide to relieve the tedium of her privileged life. Brought together by chance, Link and Camilo draw each other into furtive encounters that violate the rigid and uncompromising social codes of their times. 'Petry will always feel on time. Her kind of talent will always feel startling and sui generis. . . . Her work endures not only because it illuminates reality, but because it harnesses the power of fiction to supplant it' Parul Seghal, New York Times 'The Street and The Narrows are masterpieces of social realism . . . . [Petry's] writing transcends comparisons. It's volatile but exacting, heartbreaking but often brutally funny. Labels don't stick to it' Wall Street Journal