Just who did the British think they were? For much of the last 1,500 years, when the British looked back to their origins they saw the looming mythological figure of Brutus of Troy. A great-great-grandson of the love goddess Aphrodite through her Trojan son Aeneas (the hero of Virgil's Aeneid), Brutus accidentally killed his father and was exiled to Greece. He liberated the descendants of the Trojans who lived there in slavery and led them on an epic voyage to Britain. Landing at Totnes in Devon, Brutus overthrew the giants who lived in Britain, laid the foundations of Oxford University and London and sired a long line of kings, including King Arthur and the ancestors of the present Royal Family.Invented to give Britain a place in the overarching mythologies of the Classical world and the Bible, Brutus's story long underpinned the British identity and played a crucial role in royal propaganda and foreign policy. His story inspired generations of poets and playwrights, including Spenser, Shakespeare, Milton, Pope, Wordsworth, Dickens and Blake, whose hymn 'Jerusalem' was a direct response to the story of Brutus founding London as the New Troy in the west.Leading genealogist Anthony Adolph traces Brutus's story from Roman times onwards, charting his immense popularity and subsequent fall from grace, along with his lasting legacy in fiction, pseudo-history and the arcane mythology surrounding some of London's best-known landmarks, in this groundbreaking biography of the mythological founder of Britain.

The book covers the story of Britains search for its identity before and after the arrival of Christianity, leading up to the invention of the seeds of the Brutus myth in the 600s AD. It charts the development of his myth into a fully blown adventure story under the pen of Geoffrey of Monmouth in the 1100s. It then explores Brutuss story through the Middle Ages, as the centrepiece of Britains national consciousness and an important tool in royal and national propaganda and foreign policy (i.e. his myth was used as an excuse for invading Wales and Scotland). The book then charts the way his myth dropped out of mainstream politics and history after the Glorious Revolution of 1688 and lived on in a new afterlife in literature. Though no longer part of the way Britain sees itself now (though maybe this book will change that!), the Brutus myth has been used in many alternative theories about Britains origins and is still believed in by a small but hard core of Christians who see him as the divine instrument by which the ancestors of the Americans reached Britain in the first place

Charles II's succession to the throne came at a time of national turbulence: his father had been beheaded, Oliver Cromwell had usurped his right to reign. England was at sea among Europe's constantly shifting allegiances. But Henry Jermyn, a Suffolk commoner, lover to the queen mother and possibly even father to the king, was there to keep the royal family together. Jermyn's deft way of secretly manipulating government and raising an army almost prevented Civil War. He was instrumental in saving the monarchy and set in motion the rise of the British Empire. A duellist, soldier and spymaster, Jermyn was close to the great men of the 17th century: Francis Bacon (his kinsman), Louis XIV, Cardinal Richelieu, Inigo Jones, Samuel Peypys, Christopher Wren and Thomas Hobbes (whose Leviathan he inspired). The King's Henchman is a story of love, family, regicide, adversity and last-minute escapes, set against the backdrop of bloody Civil War. It is also the remarkable love story of a commoner and a royal who together shared a vision for Britain and created St James's Square and Greenwich Park as its first grand expression.

Aeneas is one of the most prominent heroes who fought at Troy, as told in Homer’s Iliad, and he is the subject of Virgil’s Aeneid. Both works lie at the heart of western civilisation and are fantastic adventures involving love and war, journeys across wine-dark seas and the destruction and founding of cities. Anthony Adolph analyses all the Greek and Roman myths about Aeneas to create the biography of a character who, though heavily fictionalised, may well have been a real person. In Search of Aeneas is essential reading for anyone interested in the links between classical mythology and ancient history, and the great empires of the Mediterranean. The author transports the reader on a fabulous journey in Aeneas’s footsteps through the archaeological sites of the ancient world, from Troy to Rome. He cuts through the complexities of the classical texts and academic papers, explaining what they say about Aeneas in straightforward terms. By rooting the myths in real places, he makes them more comprehensible, especially for newcomers to the story. Rather than be daunted by Aeneas as a semi-divine, mythological figure, Adolph has approached him as any genealogist should treat an ancestor, seeking to understand him in the context of his family and the era, and builds on the growing academic view that the core of the Iliad is based on real events.