The society in which we were now to take our place is a unique one, an ever-changing kaleidoscope of dogs and their owners. The dogs represent most of the popular breeds and many of the mutt-like mixtures - and so do their accompanying humans, who come from diverse nationalities and from many walks of life: professionals and job seekers, young and old, family members and loners. They are united in their love of dogs, and on the central green of the park, on its walkways and at the cafe where they gather after exercising their animals, they often let this affection for dogs carry them into friendships that transcend park life and involve many of them in additional social activities. The society in which we were now to take our place is a unique one, an ever-changing kaleidoscope of dogs and their owners. The dogs represent most of the popular breeds and many of the mutt-like mixtures - and so do their accompanying humans, who come from diverse nationalities and from many walks of life: professionals and job seekers, young and old, family members and loners. They are united in their love of dogs, and on the central green of the park, on its walkways and at the cafe where they gather after exercising their animals, they often let this affection for dogs carry them into friendships that transcend park life and involve many of them in additional social activities.

He was considered a musician's musician, the most gifted artist in that exciting Southern California world dominated by the great emigre composers, the film industry, the brilliant soloists and the avant-gardists who made Los Angeles a musical capital. Ingolf Dahl (1912-1970) was an accomplished composer, conductor, pianist and a mentor to eminent contemporary figures like Michael Tilson Th omas - yet he never achieved the celebrity which others felt he deserved. He was not the man his public knew, a happily married gentile of Swedish extraction. His thirty-year marriage to Etta, one that seemed the epitome of mutual love and devotion, was beset by insoluble problems of identity - for Dahl was a closeted homosexual. He was also a German whose father was a Jew, and his name was not even Ingolf Dahl. His decision to disguise all of these truths, even from members of his own family, lead to fatal distortions in his creative being and public persona. Although he numbered many famous figures among his friends, from Gracie Fields to Igor Stravinsky and Benny Goodman, Dahl always experienced life as an outsider. When he died he left behind an extensive body of correspondence and 42 years worth of intimate daily journals. Etta Dahl (1905-1970) left many written records as well. These sources, never made public before, and the recollections of many survivors, give us a portrait of an intriguingly complex character, noble and self-absorbed, creative and crankish, passionate and repressed. The Lives of Ingolf Dahl has one other unique source, the author himself. Anthony Linick was the child of this famous marriage, the son whose very existence contributed to the elaborate deformations of fact and persona that so disfi gured Dahl's life. With love and respect - and the historian's devotion to the truth - he can tell their whole story at last.

The Dog People of Paddington Rec The society into which we were now to take our place was a unique one, an ever-changing kaleidoscope of dogs and their owners. The dogs represented most of the popular breeds and many of the mutt-like mixtures-and so did their accompanying humans, who came from diverse nationalities and from many walks of life: professionals and job seekers, young and old, family members and loners. They were united in their love of dogs, and on the central green of the park, on its walkways and at the cafe where they gathered after exercising their animals. They often let this affection for dogs carry them into friendships that transcended park life and involved many of them in additional social activities.

For those who need encouragement in taking up the pleasures of the long-distance footpath, a good beginning might be Chapter 1 ("A: Adventure"). If you want to know what to bring with you, look at Chapter 12 (L: Lists) and if you want to consider whom to bring with you, check out Chapter 3 (C: Companions), Chapter 11 (K: Kids) or even 4 (D: Dogs).

If you need some hints on where to head, particularly in Britain, consider Chapter 22 (V: Viewpoints); in the U.K. you will also find use for Chapter 20 (T: Transportation), Chapter 2 (B: Bed & Breakfast), Chapter 8 (H: Hotels), Chapter 16 (P: Pubs), Chapter 25 (Y: Youth Hostels), Chapter 6 (F: Food) and Chapter 23: (W: Weather). How to cope with health crises is discussed in Chapter 9 (I: Illness and Injury).

What your feet will encounter on British footpaths is illustrated in Chapter 19 (S: Surfaces); human encounters are discussed in Chapter 5 (E: Encounters) and animal ones in Chapter 26 (Z: Zoo Story). Typical trailside chatter is revealed in Chapter 17 (Q: Questions).

How to select and use an appropriate guidebook is covered in Chapter 7 (G: Guidebooks), maps in Chapter 13 (M: Maps), and hints on figuring it all out on the ground in Chapter 18 (R: Route finding). What to do when your route in blocked is considered in Chapter 15 (O: Obstruction ), how to react when you get lost in Chapter 24 (X: X - The Unknown) and when to call it a day in Chapter 10 (J: Judgment).

Finally, if you want a quick insight into the reliability or even the sanity of the present author, check out his catalogue of grievances in Chapter 21 (U: Unforgiven) or his rambling obsessions in Chapter 14 (N: Neurotica).

He was considered a musician's musician, the most gifted artist in that exciting Southern California world dominated by the great emigre composers, the film industry, the brilliant soloists and the avant-gardists who made Los Angeles a musical capital. Ingolf Dahl (1912-1970) was an accomplished composer, conductor, pianist and a mentor to eminent contemporary figures like Michael Tilson Th omas - yet he never achieved the celebrity which others felt he deserved. He was not the man his public knew, a happily married gentile of Swedish extraction. His thirty-year marriage to Etta, one that seemed the epitome of mutual love and devotion, was beset by insoluble problems of identity - for Dahl was a closeted homosexual. He was also a German whose father was a Jew, and his name was not even Ingolf Dahl. His decision to disguise all of these truths, even from members of his own family, lead to fatal distortions in his creative being and public persona. Although he numbered many famous figures among his friends, from Gracie Fields to Igor Stravinsky and Benny Goodman, Dahl always experienced life as an outsider. When he died he left behind an extensive body of correspondence and 42 years worth of intimate daily journals. Etta Dahl (1905-1970) left many written records as well. These sources, never made public before, and the recollections of many survivors, give us a portrait of an intriguingly complex character, noble and self-absorbed, creative and crankish, passionate and repressed. The Lives of Ingolf Dahl has one other unique source, the author himself. Anthony Linick was the child of this famous marriage, the son whose very existence contributed to the elaborate deformations of fact and persona that so disfi gured Dahl's life. With love and respect - and the historian's devotion to the truth - he can tell their whole story at last.

Have I Got Dogs For You continues its exploration of daily life in London's Paddington Recreation Ground. The society pictured in this account is a unique one, an ever-changing kaleidoscope of dogs and their owners. The dogs represent most of the popular breeds and many of the mutt-like mixtures - as so do their accompanying humans, who come from diverse nationalities and from many walks of life: professionals and job seekers, young and old, family members and loners. They are united in their love of dogs, and on the central green of the park, on its walkways and at the cafe where they gather after exercising their animals, they often let this affection for dogs carry them into friendships that transcend park life and involve many of them in additional social activities. The book is also the story of Fritz the Schnauzer and provides a daily record of his antics and the folkways of the rest of the crew, human and canine. Not only do we have an insight into the relationship of man and beast but a glimpse into London life as it experienced in the first decade of the 21st Century. Such a life, we know, is full of struggles and tensions and these are certainly reflected in this chronicle - and so is a lot of good canine fun.

The society in which we were now to take our place is a unique one, an ever-changing kaleidoscope of dogs and their owners. The dogs represent most of the popular breeds and many of the mutt-like mixtures - and so do their accompanying humans, who come from diverse nationalities and from many walks of life: professionals and job seekers, young and old, family members and loners. They are united in their love of dogs, and on the central green of the park, on its walkways and at the caf where they gather after exercising their animals, they often let this affection for dogs carry them into friendships that transcend park life and involve many of them in additional social activities.