London, Burning is a novel about the end of the 1970s, and the end of an era. It concerns a nation divided against itself, a government trembling on the verge of collapse, a city fearful of what is to come, and a people bitterly suspicious of one another. In other words, it is also a novel about now. Vicky Tress is a young policewoman on the rise who becomes involved in a corruption imbroglio with CID. Hannah Strode is an ambitious young reporter with a speciality for skewering the rich and powerful. Callum Conlan is a struggling Irish academic and writer who falls in with the wrong people. While Freddie Selves is a hugely successful theatre impresario stuck deep in a personal and political mire of his own making. These four characters, strangers at the start, happen to meet and affect the course of each other's lives profoundly. The story plots an unpredictable path through a city choked by strikes and cowed by bomb warnings. It reverberates to the sound of alarm and protest, of police sirens, punk rock, street demos, of breaking glass and breaking hearts in dusty pubs. As the clock ticks down towards a general election old alliances totter and the new broom of capitalist enterprise threatens to sweep all before it. It is funny and dark, violent but also moving.

The sole survivor of a murderous ambush, a Belfast police detective is forced into a desperate search for a mysterious informer that takes him to a holy island on Lough Derg, a place shrouded in strange mists and hazy rain, where nothing is as it first appears to be. A keeper of secrets and a purveyor of lies, the detective finds himself surrounded by enemies disguised as pilgrims, and is drawn deeper into the mysteries of the purgatorial island, where he is forced to confront a series of disturbing secrets and ghosts in his own life. Haunting and unsettling,Turncoat probes the legacy of the Troubles, the loss of collective memories and the moral consequences for the individual. It is a story of guilt, survival and the terrible price of self-knowledge, told through the voice of a detective with a double life. Descending into paranoia, he uncovers a sinister panorama of cover-ups and conspiracies. The closer he edges to the truth, the deeper he is drawn into the currents of power, violence and guilt engulfing his country...

Gaussian linear modelling cannot address current signal processing demands. In moderncontexts, suchasIndependentComponentAnalysis(ICA), progresshasbeen made speci?cally by imposing non-Gaussian and/or non-linear assumptions. Hence, standard Wiener and Kalman theories no longer enjoy their traditional hegemony in the ?eld, revealing the standard computational engines for these problems. In their place, diverse principles have been explored, leading to a consequent diversity in the implied computational algorithms. The traditional on-line and data-intensive pre- cupations of signal processing continue to demand that these algorithms be tractable. Increasingly, full probability modelling (the so-called Bayesian approach)-or partial probability modelling using the likelihood function-is the pathway for - sign of these algorithms. However, the results are often intractable, and so the area of distributional approximation is of increasing relevance in signal processing. The Expectation-Maximization (EM) algorithm and Laplace approximation, for ex- ple, are standard approaches to handling dif?cult models, but these approximations (certainty equivalence, and Gaussian, respectively) are often too drastic to handle the high-dimensional, multi-modal and/or strongly correlated problems that are - countered. Since the 1990s, stochastic simulation methods have come to dominate Bayesian signal processing. Markov Chain Monte Carlo (MCMC) sampling, and - lated methods, are appreciated for their ability to simulate possibly high-dimensional distributions to arbitrary levels of accuracy. More recently, the particle ?ltering - proach has addressed on-line stochastic simulation. Nevertheless, the wider acce- ability of these methods-and, to some extent, Bayesian signal processing itself- has been undermined by the large computational demands they typically mak

'A gripping mystery... sweeping across centuries in its three interlinked sections, Molly & the Captain summons the past effortlessly' Observer A celebrated artist of the Georgian era paints his two young daughters at the family home in Bath. The portrait, known as "Molly & the Captain", becomes instantly famous. In the summer of 1889, a young painter glimpses a mother at play with her two daughters in Kensington Gardens and decides to include them in his picture. A century later, in Kentish Town, a painter and her grown-up daughters receive news of an ancestor linking them to the long-vanished double portrait. Molly & the Captain is a story about time and art and love. Through the prism of a single painting it examines the mysteries of creativity, and the ambiguous nature of success. With period subtlety, intricate characterisation and storytelling verve, Anthony Quinn melds three families and three centuries into a single vision of human frailty and longing. 'A delicious mystery' Daily Mail 'A thrilling read' Spectator 'So versatile - Quinn seems to reinvent himself with every book' Jonathan Coe

A celebrated artist of the Georgian era paints his two young daughters at the family home in Bath. The portrait, known as "Molly &the Captain", becomes instantly famous, its fate destined to echo down the centuries, touching many lives. In the summer of 1889 a young man sits painting a line of elms in Kensington Gardens. One day he glimpses a mother at play with her two daughters and decides to include them in his picture. From that moment he is haunted by dreams that seem to foreshadow his doom. A century later, in Kentish Town, a painter and her grown-up daughters receive news of an ancestor linking them to the long-vanished double portrait of "Molly &the Captain". Meanwhile friendship with a young musician stirs unexpected passions and threatens to tear the family apart. Molly & the Captain is a story about time and art and love. Through the prism of a single painting it examines the mysteries of creativity, and the ambiguous nature of success. What weighs more, loyalty to one's talent or loyalty to one's blood? Does self-sacrifice ennoble the soul or degrade it? And what does it mean to speak of the past when its hold on the present is inescapable? Through Anthony Quinn's signature gifts - period subtlety, intricate characterisation and storytelling verve this triptych novel melds three families and three centuries into a single vision of human frailty and longing.

An essential reference for anyone working with ceramics, from weekend crafters and students to practising ceramicists seeking a one-stop reference on techniques and processes, this workshop reference covers both traditional and contemporary practices, collecting the breadth and range of ceramic techniques into one definitive volume for amateur and specialist alike. A directory of materials, tools, machinery and furniture describes everything you need to set up an effective workshop. It includes an extensive guide to forming techniques, from pinch, coil, slab and wheel to mold-making, slip casting and extrusion, detailed sections on slip decoration, embossing and glazing, glaze recipes and applications. These techniques are explored thematically to facilitate the process of discovery that takes place in the workshop, supported by detailed descriptions and step-by-step photography. At the back of the book there is a comprehensive guide to firing and kilns, along with charts and tables for quick reference. All techniques are examined closely for relevance to practice and quality of finish. The practical processes of running a workshop are discussed alongside the more complex techniques of making unique work. Examples of how to set up a studio, good workshop practices, tool making, and recycling of materials act as a foundation to creating a strong workshop environment to carry out your work.

On a sultry afternoon in the summer of 1936 a young woman is witness to an attempted murder in a London hotel room. Nina, a West End actress, faces a dilemma: she shouldn't have been at the hotel in the first place, and certainly not with a married man. But once it becomes apparent that she has seen the face of the man the newspapers have dubbed 'the Tie-Pin Killer' she realises that unless she acts quickly, more women will die... From the glittering murk of Soho's underworld, to the grease paint and ghost-lights of theatreland, Curtain Call is a poignant and gripping story about love and death in a society dancing towards the abyss.

For fans of The Passenger, this thrilling tale of an ex-Nazi surgeon hiding in plain sight in 1960s London by the celebrated filmmaker is a lost noir gem, introduced by Anthony Quinn and narrated on audio by Mark Gatiss. 'Stunning: incredibly good, tense and compelling and morally complex.' Ian Rankin 'This extraordinary novel had me hooked from start to finish.' Sarah Waters 'An outstanding novel: gripping, tense and darkly unsettling. ' Jonathan Freedland 'A wonderfully compelling noir thriller and audacious and challenging act of imagination.' William Boyd Nothing is more inviting to disclose your secrets than to be told by others of their own ... London, June 1965. Karl Braun arrives as a lodger in Pimlico: hatless, with a bow-tie, greying hair, slight in build. His new neighbours are intrigued by this cultured German gentleman who works as a piano tuner; many are fellow emigres, who assume that he, like them, came to England to flee Hitler. That summer, Braun courts a woman, attends classical concerts, dances the twist. But as the newspapers fill with reports of the hunt for Nazi war criminals, his nightmares become increasingly worse . 'A haunting, remarkable novel, as startlingly original as any of Pressburger's films.' Nicola Upson 'A dark and harrowing window on the past: the ending will haunt your dreams.' Janice Hallett

London, Burning is a novel about the end of the 1970s, and the end of an era. It concerns a nation divided against itself, a government trembling on the verge of collapse, a city fearful of what is to come, and a people bitterly suspicious of one another. In other words, it is also a novel about now. Vicky Tress is a young policewoman on the rise who becomes involved in a corruption imbroglio with CID. Hannah Strode is an ambitious young reporter with a speciality for skewering the rich and powerful. Callum Conlan is a struggling Irish academic and writer who falls in with the wrong people. While Freddie Selves is a hugely successful theatre impresario stuck deep in a personal and political mire of his own making. These four characters, strangers at the start, happen to meet and affect the course of each other's lives profoundly. As the clock ticks down towards a general election old alliances totter and the new broom of capitalist enterprise threatens to sweep all before it. It is funny and dark, violent but also moving.

Gaussian linear modelling cannot address current signal processing demands. In moderncontexts, suchasIndependentComponentAnalysis(ICA), progresshasbeen made speci?cally by imposing non-Gaussian and/or non-linear assumptions. Hence, standard Wiener and Kalman theories no longer enjoy their traditional hegemony in the ?eld, revealing the standard computational engines for these problems. In their place, diverse principles have been explored, leading to a consequent diversity in the implied computational algorithms. The traditional on-line and data-intensive pre- cupations of signal processing continue to demand that these algorithms be tractable. Increasingly, full probability modelling (the so-called Bayesian approach)-or partial probability modelling using the likelihood function-is the pathway for - sign of these algorithms. However, the results are often intractable, and so the area of distributional approximation is of increasing relevance in signal processing. The Expectation-Maximization (EM) algorithm and Laplace approximation, for ex- ple, are standard approaches to handling dif?cult models, but these approximations (certainty equivalence, and Gaussian, respectively) are often too drastic to handle the high-dimensional, multi-modal and/or strongly correlated problems that are - countered. Since the 1990s, stochastic simulation methods have come to dominate Bayesian signal processing. Markov Chain Monte Carlo (MCMC) sampling, and - lated methods, are appreciated for their ability to simulate possibly high-dimensional distributions to arbitrary levels of accuracy. More recently, the particle ?ltering - proach has addressed on-line stochastic simulation. Nevertheless, the wider acce- ability of these methods-and, to some extent, Bayesian signal processing itself- has been undermined by the large computational demands they typically mak

The seventy-fifth anniversary edition, with a new introduction by Anthony Quinn. 'I recommend Hamilton at every opportunity, because he was such a wonderful writer and yet is rather under-read today. All his novels are terrific' Sarah Waters 'If you were looking to fly from Dickens to Martin Amis with just one overnight stop, then Hamilton is your man' Nick Hornby Patrick Hamilton's novels were the inspiration for Matthew Bourne's new dance theatre production, The Midnight Bell. London, 1939, and in the grimy publands of Earls Court, George Harvey Bone is pursuing a helpless infatuation. Netta is cool, contemptuous and hopelessly desirable to George. George is adrift in a drunken hell, except in his 'dead' moments, when something goes click in his head and he realises, without a doubt, that he must kill her. In the darkly comic Hangover Square Patrick Hamilton brilliantly evokes a seedy, fog-bound world of saloon bars, lodging houses and boozing philosophers, immortalising the slang and conversational tone of a whole generation and capturing the premonitions of doom that pervaded London life in the months before the war.

Michael Cochran has just left the Navy after 12 years. He's not quite sure what he's going to do, except that he knows he wants a holiday.

He decides to visit Tiburon Mendez, a powerful but shady Mexican businessman who he once flew to Alaska for a hunting trip. Arriving at the Mendez mansion in Mexico, he is immediately surprised by the beauty and youth of Mendez' wife Mireya.

Their attraction to each other is undeniable, but Cochran is aware that Mendez is a powerful, vindictive and a very possessive man who does not tolerate betrayal.

'An intricate, moving novel... Quinn's best book to date' Observer 'Every sentence he produces is a joy' Metro 'Opens up timeless themes of family, success and love' New Statesman 'Truly magnificent... this is Quinn's masterpiece' The Tablet 'Quinn is an intelligent analyst of the uncertainties of love and art' Sunday Times A celebrated artist of the Georgian era paints his two young daughters at the family home in Bath. The portrait, known as "Molly &the Captain", becomes instantly famous, its fate destined to echo down the centuries, touching many lives. In the summer of 1889 a young man sits painting a line of elms in Kensington Gardens. One day he glimpses a mother at play with her two daughters and decides to include them in his picture. From that moment he is haunted by dreams that seem to foreshadow his doom. A century later, in Kentish Town, a painter and her grown-up daughters receive news of an ancestor linking them to the long-vanished double portrait of "Molly &the Captain". Meanwhile friendship with a young musician stirs unexpected passions and threatens to tear the family apart. Molly & the Captain is a story about time and art and love. Through the prism of a single painting it examines the mysteries of creativity, and the ambiguous nature of success. What weighs more, loyalty to one's talent or loyalty to one's blood? Does self-sacrifice ennoble the soul or degrade it? And what does it mean to speak of the past when its hold on the present is inescapable? Through Anthony Quinn's signature gifts - period subtlety, intricate characterisation and storytelling verve this triptych novel melds three families and three centuries into a single vision of human frailty and longing.

London, Burning is a novel about the end of the 1970s, and the end of an era. It concerns a nation divided against itself, a government trembling on the verge of collapse, a city fearful of what is to come, and a people bitterly suspicious of one another. In other words, it is also a novel about now. Vicky Tress is a young policewoman on the rise who becomes involved in a corruption imbroglio with CID. Hannah Strode is an ambitious young reporter with a speciality for skewering the rich and powerful. Callum Conlan is a struggling Irish academic and writer who falls in with the wrong people. Whilst Freddie Selves is a hugely successful theatre impresario stuck deep in a personal and political mire of his own making. These four characters, strangers at the start, happen to meet and affect the course of each other's lives profoundly. The story plots an unpredictable path through a city choked by strikes and cowed by bomb warnings. It reverberates to the sound of alarm and protest, of police sirens, punk rock, street demos, of breaking glass and breaking hearts in dusty pubs. As the clock ticks down towards a general election old alliances totter and the new broom of capitalist enterprise threatens to sweep all before it. It is funny and dark, violent but also moving.

This book is an investigation into the design and history of British magazines over the past 170 years. It identifies turning points and new directions in one of the most sensitive barometers of mass-market design taste, from the advent of two periodicals - Punch and the Illustrated London News - that changed publishing fundamentally, through to the beginnings of digital distribution. A magazine flourishes or folds according to its audience's response to its look and feel - sometimes more so than its written content - and this study of a developing history encompasses discussion of graphic design, typography, photography and innovative print technology. It explores why magazines have looked how they do. Published with full access to the National Art Library's unparalleled archive of periodicals, British Magazine Design is a definitive history.

This is a book about five ex Army friends and when they get together they enjoy what they do.There's a lot of Comedy Violence and Humour and there are a lot of twists as the story unfolds.

‘A smart, tautly rendered, atmospheric beach read’ Metro

‘An addictive cocktail of action, romance and politics’ Observer

London, 1941. The city is in blackout and an enemy is hiding in plain sight.

Amy Strallen’s life is a world away from the machinations of Nazi sympathisers but she could be the only one who can help uncover the most dangerous Nazi agent in the country.

Jack Hoste has become entangled in a national treachery and he needs Amy’s help.

When he pays a visit to Amy’s office, they are both about to become embroiled in a game that could have deadly consequences….

*Perfect for fans of Kate Atkinson’s Transcription*

'Powered by a satisfactorily pacy plot and oiled by Quinn's effortless prose, this is a book that slips down as easily as a gin-and-it' Guardian Summer, 1967. As London shimmers in a heat haze and swoons to the sound of Sergeant Pepper, a mystery film - Eureka - is being shot by German wunderkind Reiner Werther Kloss. The screenwriter, Nat Fane, would do anything for a hit but can't see straight for all the acid he's dropping. Fledgling actress Billie Cantrip is hoping for her big break but can't find a way out of her troubled relationship with an older man. And journalist Freya Wyley wants to know why so much of what Kloss touches turns to ash in his wake.

In 1943 a group of mismatched Allied soldiers are sent to sabotage two powerful Nazi guns situated on a Greek island. If their mission fails, the guns will wipe out the 2,000 British soldiers who are attempting to evacuate civilians further down the coast. The mission is led by the dispassionate Captain Mallory (Gregory Peck), whose clinical approach does not find favour with explosives expert Corporal Miller (David Niven). Meanwhile, the group's Greek patriot guide Andrea Stavros (Anthony Quinn) is nursing a grudge against Mallory for an old injustice. A belated sequel, 'Force 10 from Navarone', followed in 1978.

In 1943 a group of mismatched Allied soldiers are sent to sabotage two powerful Nazi guns situated on a Greek island. If their mission fails, the guns will wipe out the 2,000 British soldiers who are attempting to evacuate civilians further down the coast. The mission is led by the dispassionate Captain Mallory (Gregory Peck), whose clinical approach does not find favour with explosives expert Corporal Miller (David Niven). Meanwhile, the group's Greek patriot guide Andrea Stavros (Anthony Quinn) is nursing a grudge against Mallory for an old injustice. A belated sequel, 'Force 10 from Navarone', followed in 1978.

London at the dawn of 1918 and Ireland's most famous literary figure, WB Yeats, is immersed in supernatural investigations at his Bloomsbury rooms. Haunted by the restless spirit of an Irish girl whose body is mysteriously washed ashore in a coffin, Yeats undertakes a perilous journey back to Ireland with his apprentice ghost-catcher Charles Adams to piece together the killer's identity. Surrounded by spies, occultists and Irish rebels, the two are led on a gripping journey along Ireland's wild Atlantic coast, through the ruins of its abandoned estates, and into its darkest, most haunted corners. Falling under the spell of dark forces, Yeats and his novice ghost-catcher come dangerously close to crossing the invisible line that divides the living from the dead.