Winner of a PEN Translates Award When Anya is arrested at a Moscow anti-corruption rally under false pretences, she is given a 10-day sentence at a detention centre. Her cellmates are five other ordinary women arrested on petty charges. Ten listless days stretch before Anya and, as she appeals her sentence and recalls her progress from apolitical youth to informed citizen, she is troubled by strange, dreamlike visions, and wonders if her cellmates might somehow not be as ordinary as they seem. A brilliant exploration of what it means to be marginalized both as an independent woman and in an increasingly intolerant Russia in particular, The Incredible Events in Women's Cell Number Three introduces one of the most urgent and gripping new voices in international literature.

Subjugate or Exterminate! is an authoritative first-hand account of the Russo-Chechen conflict by a Chechen leader who played a central role in all the main events. Akhmed Zakayev rose rapidly from an actor of Shakespearean roles to Commander of the Western Group for the Defense of Ichkeria, and later served as Deputy Prime Minister of Chechnya and, in exile, as Prime Minister of the Chechen Republic of Ichkeria (ChRI). It describes how the Kremlin set about discrediting and destroying a democratic government by interacting with criminal gangs and fomenting Islamist forces to split the Chechen independence movement in a perverse reversal of the "War on Terror." Akhmed Zakayev's memoir begins with a historical survey of the fraught relations between the Chechens and the Russian Empire and Soviet Union, up to the collapse of the USSR. The advent of Gorbachev's Perestroika raised hopes that independence might enable Chechnya to end centuries of oppression and exploitation. Russia's first war against Chechnya (1994-1996), initially conceived by the military as a way of disguising the large-scale theft and embezzlement of funds from illegal sales of Soviet armaments during the withdrawal from East Germany, ended in humiliating defeat for Russia. Thereafter, Russia set about subverting the democratically elected government of the Chechen Republic of Ichkeria by instigating the gruesome murder of Western humanitarian aid workers and business partners, and by financing criminal gangs and anti-democratic Islamist groups that the ChRI police were unable to subdue. Interference by nationals of countries in the Middle East caused further disruption. In August 1999, Russia launched a brutal second war in Chechnya, on grounds widely believed to be fabricated and characterized by widespread war crimes. The West did not intervene. This is an eyewitness account of the dangers faced by the Chechen leaders as they tried to resist and negotiate with a treacherous opponent. It ends in the year 2000, with Vladimir Putin's election as Russia's president.

In the archives of the Memorial International Human Rights Centre in Moscow is an extraordinary diary, a rare first-person testimony of a commander of guards in a Soviet labour camp. Ivan Chistyakov was sent to the Gulag in 1937, where he worked at the Baikal-Amur Corrective Labour Camp for over a year. Life at the Gulag was anathema to Chistyakov, a cultured Muscovite with a nostalgia for pre-revolutionary Russia, and an amateur painter and poet. He recorded its horrors with an unmatchable immediacy, documenting a world where petty rivalries put lives at risk, prisoners hacked off their fingers to bet in card games, railway sleepers were burned for firewood and Siberian winds froze the lather on the soap. From his stumbling poetic musings on the bitter landscape to his matter-of-fact grumbles about his stove, from accounts of the conditions of the camp to reflections on the cruelty of loneliness, this diary is unique - a visceral and immediate description of a place and time whose repercussions still affect the shape of modern Russia.

When Vladimir Putin became President of Russia in 2000, his first priority was to reestablish the intelligence agencies' grip on the country by portraying himself as a strongman protecting Russian citizens from security threats. Despite condemnation by the United Nations, the European Parliament, and European Union, the policy of brutal "ethnic cleansing" in Chechnya continued. For Putin, Islamist attacks on the United States of September 11, 2001, were a welcome opportunity to rebrand the war against Chechen independence, not as the crushing of a democracy, but as a contribution to President George W. Bush's "War on Terror." In the years that followed, Putin's regime covertly supported and manipulated extremist factions in Chechnya and stage-managed terrorist attacks on its own citizens to justify continuing aggression. US and European condemnation of Russian atrocities in Chechnya dwindled as Russia continued to portray Chechen independence as an international terrorist threat. Chechnya's Prime Minister-in-Exile Akhmed Zakaev, who had to escape Chechnya, faced Russian calls for his extradition from the United Kingdom, which instead granted him political asylum as Russia's increased its oppressive operations.

Winner of the Nobel Prize in Literature 'Absolutely essential and heartbreaking reading. There's a reason Ms. Alexievich won a Nobel Prize' - Craig Mazin, creator of the HBO / Sky TV series Chernobyl - A new translation of Voices from Chernobyl based on the revised text - In April 1986 a series of explosions shook the Chernobyl nuclear reactor. Flames lit up the sky and radiation escaped to contaminate the land and poison the people for years to come. While officials tried to hush up the accident, Svetlana Alexievich spent years collecting testimonies from survivors - clean-up workers, residents, firefighters, resettlers, widows, orphans - crafting their voices into a haunting oral history of fear, anger and uncertainty, but also dark humour and love. A chronicle of the past and a warning for our nuclear future, Chernobyl Prayer shows what it is like to bear witness, and remember in a world that wants you to forget. 'Beautifully written. . . heart-breaking' - Arundhati Roy, Elle 'One of the most humane and terrifying books I've ever read' - Helen Simpson, Observer

The first English-language account of Ivan Morozov and his ambition to build one of the world's greatest collections of modern art "A century of Russian culture distilled in the story of the life, family and collection of the lavish, lazy, kindly, eccentric grandson of a serf who brought Monet and Matisse to Moscow, waited three years for the right 'Blue Gauguin'-and survived the first years of Bolshevik rule."-Jackie Wullschlager, Financial Times "Best Books of 2020: Visual Arts" A wealthy Moscow textile merchant, Morozov started buying art in a modest way in 1900 until, on a trip to Paris, he developed a taste for the avant-garde. Meticulous and highly discerning, he acquired works by the likes of Monet, Pissarro, and Cezanne. Unlike his friendly rival Sergei Shchukin, he collected Russian as well as European art. Altogether he spent 1.5 million francs on 486 paintings and 30 sculptures-more than any other collector of the age. Natalya Semenova traces Morozov's life, family, and achievements and sheds light on the interconnected worlds of European and Russian art at the turn of the twentieth century. Morozov always intended to leave his art to the state-but with the Revolution in 1917 he found himself appointed "assistant curator" to his own collection. He fled Russia and his collection was later divided between Moscow and St. Petersburg, only to languish in storage for decades. Morozov: The Story of a Family and a Lost Collection was published to coincide with "The Morozov Collection" exhibition at the Fondation Louis Vuitton, Paris, May 2021. Exhibition Schedule: Paris Fondation Louis Vuitton May 12 - October 10, 2021

Subjugate or Exterminate! is an authoritative first-hand account of the Russo-Chechen conflict by a Chechen leader who played a central role in all the main events. Akhmed Zakayev rose rapidly from an actor of Shakespearean roles to Commander of the Western Group for the Defense of Ichkeria, and later served as Deputy Prime Minister of Chechnya and, in exile, as Prime Minister of the Chechen Republic of Ichkeria (ChRI). It describes how the Kremlin set about discrediting and destroying a democratic government by interacting with criminal gangs and fomenting Islamist forces to split the Chechen independence movement in a perverse reversal of the "War on Terror." Akhmed Zakayev's memoir begins with a historical survey of the fraught relations between the Chechens and the Russian Empire and Soviet Union, up to the collapse of the USSR. The advent of Gorbachev's Perestroika raised hopes that independence might enable Chechnya to end centuries of oppression and exploitation. Russia's first war against Chechnya (1994-1996), initially conceived by the military as a way of disguising the large-scale theft and embezzlement of funds from illegal sales of Soviet armaments during the withdrawal from East Germany, ended in humiliating defeat for Russia. Thereafter, Russia set about subverting the democratically elected government of the Chechen Republic of Ichkeria by instigating the gruesome murder of Western humanitarian aid workers and business partners, and by financing criminal gangs and anti-democratic Islamist groups that the ChRI police were unable to subdue. Interference by nationals of countries in the Middle East caused further disruption. In August 1999, Russia launched a brutal second war in Chechnya, on grounds widely believed to be fabricated and characterized by widespread war crimes. The West did not intervene. This is an eyewitness account of the dangers faced by the Chechen leaders as they tried to resist and negotiate with a treacherous opponent. It ends in the year 2000, with Vladimir Putin's election as Russia's president.

A searing portrait of a country in disarray, and of the man at its helm, from "the bravest of journalists" ("The New York Times") Hailed as "a lone voice crying out in a moral wilderness" (New Statesman), Anna Politkovskaya made her name with her fearless reporting on the war in Chechnya. Now she turns her steely gaze on the multiple threats to Russian stability, among them President Putin himself.
Putin's Russia depicts a far-reaching state of decay. Politkovskaya describes an army in which soldiers die from malnutrition, parents must pay bribes to recover their dead sons' bodies, and conscripts are even hired out as slaves. She exposes rampant corruption in business, government, and the judiciary, where everything from store permits to bus routes to court appointments is for sale. And she offers a scathing condemnation of the ongoing war in Chechnya, where kidnappings, extrajudicial killings, rape, and torture are begetting terrorism rather than fighting it.
Sounding an urgent alarm, "Putin's Russia" is both a gripping portrayal of a country in crisis and the testament of a great and intrepid reporter.

The hero of Baize-Covered Table undergoes a searching bureaucratic investigation, that staple of the old Soviet and even older Russian police state. With the naked intensity of personal nightmare, the hero visits and returns to the stark scene of his inquisition: the bare room, the table, the ever-present decanter, and behind the table those recurring phantoms, 'The Party Man, ' 'The Young Wolf, ' 'The Almost Pretty Woman, ' 'The One Who Asks the Questions.'.

Plucked from every background, and led by an N.K.V.D. Major, the new recruits who boarded a train in Moscow on 16th October 1941 to go to war had much in common with millions of others across the world. What made the 586th Fighter Regiment, the 587th Heavy-bomber Regiment and the 588th Regiment of light night-bombers unique was their gender: the Soviet Union was creating the first all-female active combat units in modern history. Drawing on original interviews with surviving airwomen, Lyuba Vinogradova weaves together the untold stories of the female Soviet fighter pilots of the Second World War. From that first train journey to the last tragic disappearance, Vinogradova's panoramic account of these women's lives follows them from society balls to unmarked graves, from landmark victories to the horrors of Stalingrad. Battling not just fearsome Aces of the Luftwaffe but also patronising prejudice from their own leaders, women such as Lilya Litvyak and Ekaterina Budanova are brought to life by the diaries and recollections of those who knew them, and who watched them live, love, fight and die.