'An epic tale and a brutal evocation of a disappearing world' The Times A young peasant girl is sold as servant and apprentice to a renowned geisha house. Many years later she tells her story from a hotel in New York, opening a window into an extraordinary half-hidden world of eroticism and enchantment, exploitation and degradation and summoning up a quarter of a century of Japan's dramatic history. 'Intimate and brutal, written in cool, lucid prose it is a novel whose psychological empathy and historical truths are outstanding' Mail on Sunday

This is a seductive and evocative epic on an intimate scale, which tells the extraordinary story of a geisha girl. Summoning up more than twenty years of Japan's most dramatic history, it uncovers a hidden world of eroticism and enchantment, exploitation and degredation. From a small fishing village in 1929, the tale moves to the glamorous and decadent heart of Kyoto in the 1930s, where a young peasant girl is sold as servant and apprentice to a renowned geisha house. She tells her story many years later from the Waldorf Astoria in New York; it exquisitely evokes another culture, a different time and the details of an extraordinary way of life. It conjures up the perfection and the ugliness of life behind rice-paper screens, where young girls learn the arts of the geisha - dancing and singing, how to wind the kimonok, how to walk and pour tea, and how to beguile the most powerful men.

A seductive and evocative epic on an intimate scale, that tells the extraordinary story of a geisha girl. Summoning up more than twenty years of Japan's most dramatic history, it uncovers a hidden world of eroticism and enchantment, exploitation and degradation. From a small fishing village in 1929, the tale moves to the glamorous and decadent heart of Kyoto in the 1930s, where a young peasant girl is sold as servant and apprentice to a renowned geisha house. She tells her story many years later from the Waldorf Astoria in New York; it exquisitely evokes another culture, a different time and the details of an extraordinary way of life. It conjures up the perfection and the ugliness of life behind rice-paper screens, where young girls learn the arts of geisha - dancing and singing, how to wind the kimono, how to walk and pour tea, and how to beguile the most powerful men.

Throughout his life, Walt Whitman continually revised and re-released Leaves of Grass. He added and deleted words, emended lines, divided poems, dropped and created titles, and shifted the order of poems. Leaves of Grass: A Textual Variorum of the Printed Poems includes all the variants that Whitman ever published, from the collections first appearance in 1855 through the posthumous Old Age Echoes annex printed in 1897. Each edition was unique, with its own character and emphasis, and the Textual Variorum enables scholars to follow the development of both the individual poems and the work as a whole. Volume I contains introductory material, including a chronology of the poems and a summary of all the editions and annexes, along with the poems from 1855 and 1856. Volume II includes the poems from 1860 through 1867, including the first appearance of When Lilacs Last in the Door-Yard Bloomd and O Captain my Captain Volume III features the poems 18701891, plus the Old Ages Annex and an index to the three-volume set. Sculley Bradley was Vice-Chancellor of the University of Pennsylvania. Harold W. Blodgett was Professor of English at Union College. Arthur Golden was Professor of English at City College at the City University of New York. William White was Professor and Director of the Journalism Program at Oakland University.

Throughout his life, Walt Whitman continually revised and re-released Leaves of Grass. He added and deleted words, emended lines, divided poems, dropped and created titles, and shifted the order of poems. Leaves of Grass: A Textual Variorum of the Printed Poems includes all the variants that Whitman ever published, from the collections first appearance in 1855 through the posthumous Old Age Echoes annex printed in 1897. Each edition was unique, with its own character and emphasis, and the Textual Variorum enables scholars to follow the development of both the individual poems and the work as a whole. Volume I contains introductory material, including a chronology of the poems and a summary of all the editions and annexes, along with the poems from 1855 and 1856. Volume II includes the poems from 1860 through 1867, including the first appearance of When Lilacs Last in the Door-Yard Bloomd and O Captain my Captain Volume III features the poems 18701891, plus the Old Ages Annex and an index to the three-volume set. Sculley Bradley was Vice-Chancellor of the University of Pennsylvania. Harold W. Blodgett was Professor of English at Union College. Arthur Golden was Professor of English at City College at the City University of New York. William White was Professor and Director of the Journalism Program at Oakland University.

Throughout his life, Walt Whitman continually revised and re-released Leaves of Grass. He added and deleted words, emended lines, divided poems, dropped and created titles, and shifted the order of poems. Leaves of Grass: A Textual Variorum of the Printed Poems includes all the variants that Whitman ever published, from the collections first appearance in 1855 through the posthumous Old Age Echoes annex printed in 1897. Each edition was unique, with its own character and emphasis, and the Textual Variorum enables scholars to follow the development of both the individual poems and the work as a whole. Volume I contains introductory material, including a chronology of the poems and a summary of all the editions and annexes, along with the poems from 1855 and 1856. Volume II includes the poems from 1860 through 1867, including the first appearance of When Lilacs Last in the Door-Yard Bloomd and O Captain my Captain Volume III features the poems 18701891, plus the Old Ages Annex and an index to the three-volume set. Sculley Bradley was Vice-Chancellor of the University of Pennsylvania. Harold W. Blodgett was Professor of English at Union College. Arthur Golden was Professor of English at City College at the City University of New York. William White was Professor and Director of the Journalism Program at Oakland University.

A literary sensation and runaway bestseller, this brilliant debut novel tells with seamless authenticity and exquisite lyricism the true confessions of one of Japan's most celebrated geisha.

Speaking to us with the wisdom of age and in a voice at once haunting and startlingly immediate, Nitta Sayuri tells the story of her life as a geisha. It begins in a poor fishing village in 1929, when, as a nine-year-old girl with unusual blue-gray eyes, she is taken from her home and sold into slavery to a renowned geisha house. We witness her transformation as she learns the rigorous arts of the geisha: dance and music; wearing kimono, elaborate makeup, and hair; pouring sake to reveal just a touch of inner wrist; competing with a jealous rival for men's solicitude and the money that goes with it.

In Memoirs of a Geisha, we enter a world where appearances are paramount; where a girl's virginity is auctioned to the highest bidder; where women are trained to beguile the most powerful men; and where love is scorned as illusion. It is a unique and triumphant work of fiction—at once romantic, erotic, suspenseful—and completely unforgettable.