Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In this charming and thought-provoking 1926 volume, Arthur Gray, Master of Jesus College, Cambridge from 1912 to 1940, explored the possibility that William Shakespeare spent his formative years at Polesworth Hall in the Forest of Arden, perhaps serving as a page boy. The Forest of Arden once stretched from just north of Stratford-upon-Avon to Tamworth, and covered what is now Birmingham; Polesworth, near Tamworth, was the home of Sir Henry Goodere and the centre of the famed 'Polesworth Circle'. This splendid focus of creative and cultural activity would have offered the young William exposure to the finest minds, a wonderful education and valuable introductions. Sir Henry, who evidently knew John Shakespeare in Stratford, was certainly patron of many young writers and musicians, including the eminent Elizabethan poet, Michael Drayton. If Gray is correct, Drayton would have been a contemporary of Shakespeare's at Polesworth.

CLASSIC EARLY HORROR IN THE STYLE OF MR JAMES BY A FRIEND AND COLLEAGUE

""This Society consisteth of seven Everlastings, who may be Corporeal or Incorporeal, as Destiny shall determine.""

So dictates the first rule of The Everlasting Club, the ghastly and debauched history of which is faithfully recorded herein. Assembled alongside are further narratives of supernatural misadventure and menace, including the curious tale of the death of mathematician Thomas Allen, possible necromancer, definite murder victim; the story of the final days of alchemist Anthony Fryar, discoverer of the Magisterium - the 'master-cure for all human ailments', but sadly not soon enough; and Matthew Makepeace's cautionary tale of unforeseen regret wrought from the dark art of soul transference. These and more ghoulish, macabre classics are reproduced as originally presented in 1919, in this deliciously dark collection.

Stunning, digitally re-mastered illustrations

'Ingulphus' was the pseudonym of Arthur Gray (1852-1940), Master of Jesus College, Cambridge from 1912-40. It is this location that acts as the setting for the series of stories originally written for magazines and then collected as Tedious Brief Tales of Granta and Gramarye.

A contemporary of M.R. James, Gray wrote these stories in similar style as a compliment to the King's College Provost. With digitally remastered illustrations and a completely re-set text, Oleander's reproduction of this long-lost and much sought-after collection of ghost stories is bound to delight lovers of this classic style of supernatural literature.

OTHER RARE, CLASSIC HORROR LITERATURE FROM OLEANDER RANDALLS ROUND by Eleanor Scott (Cut & Paste 9780900891953 to search)
THE HOLE OF THE PIT by Adrian Ross (Cut & Paste 9780900891861 to search)
STONEGROUND GHOST TALES by EG Swain (Cut & Paste 9780906672433 to search)

Tee erfreut sich seit vielen hundert Jahren grosser Beliebtheit. Die Anfange der ausgepragten Teekultur finden sich in China, wo zum ersten Mal Pflanzenblatter zu dem aromatischen Getrank gebraut wurde. Auf dem Seeweg kam der Tee aber recht bald nach Europa, wo er sich zunachst als eine Art Arznei bewahren musste, bevor er vor allem in englischen Adelskreisen zum Genussmittel avancierte. Das vorliegende Buch aus dem Jahr 1903 beschreibt sowohl die Geschichte des Tees als auch typische regionale Zubereitungsarten, und geht uberdies auf seine kulturellen Bedeutungen ein. Es handelt sich hierbei um eine englischsprachige Ausgabe