"I had a premonition of setting out on a journey and getting lost inside a distant tide ... It was the beginning of summer, and I was nineteen years old."

Yayoi lives with her perfect, loving family - something 'like you'd see in a Spielberg movie'. But while her parents tell happy stories of her childhood, she is increasingly haunted by the sense that she's forgotten something important about her past.

Deciding to take a break, she goes to stay with her mysterious but beloved aunt Yukino, whose strange behaviour includes waking Yayoi at two in the morning to be her drinking companion, watching Friday the 13th repeatedly and throwing away all the things she wants to forget.

Living a life without order, Yukino seems to be protecting herself, but beneath this facade Yayoi starts to recover lost memories, and everything she knows about her past threatens to change forever.

THE INTERNATIONAL BESTSELLER WINNER OF THE 2020 AKUTAGAWA PRIZE 'My oshi was on fire. Word was he'd punched a fan' High-school student Akari has only one passion in her life: her oshi, her idol. His name is Masaki Ueno, best known as one-fifth of Japanese pop group Maza Maza. Akari's dedication to her oshi consumes her days completely. She keeps a blog entirely devoted to him, religiously chronicling and analysing all his events. He is the spine of her life; she cannot survive without him. When Masaki is rumoured to have assaulted a female fan, facing waves of social media backlash, Akari's world falls apart. Offering a vivid insight into otaku culture and adolescence, Idol, Burning is a brilliantly gripping story of obsession, coming of age and the addictive, relentless nature of fandom culture.

WINNER OF THE AKUTAGAWA PRIZE 'Usami so successfully depicts the consequences of pure obsession' Guardian 'Essential reading for anyone who wants to understand what it is like to be a teenage girl' Catherine Prasifka High-school student Akari has only one passion in her life: her oshi, her idol. His name is Masaki Ueno, best known as one-fifth of Japanese pop group Maza Maza. Akari's dedication to her oshi consumes her days completely - until he disgraces himself and Akari's world goes into a tailspin.

Winner of the Akutagawa Prize and the Kenzaburo Oe Prize A New York Times Book Review Editors' Choice "In Yukiko Motoya's delightful new story collection, the familiar becomes unfamiliar . . . Certainly the style will remind readers of the Japanese authors Banana Yoshimoto and Sayaka Murata, but the stories themselves--and the logic, or lack thereof, within their sentences--are reminiscent, at least to this reader, of Joy Williams and Rivka Galchen and George Saunders." --Weike Wang, The New York Times Book Review A housewife takes up bodybuilding and sees radical changes to her physique, which her workaholic husband fails to notice. A boy waits at a bus stop, mocking commuters struggling to keep their umbrellas open in a typhoon, until an old man shows him that they hold the secret to flying. A saleswoman in a clothing boutique waits endlessly on a customer who won't come out of the fitting room, and who may or may not be human. A newlywed notices that her spouse's features are beginning to slide around his face to match her own. In these eleven stories, the individuals who lift the curtains of their orderly homes and workplaces are confronted with the bizarre, the grotesque, the fantastic, the alien--and find a doorway to liberation. The English-language debut of one of Japan's most fearlessly inventive young writers.

Winner of the Akutagawa Prize and the Kenzaburo Oe Prize A New York Times Book Review Editors' Choice 'In Yukiko Motoya's delightful new story collection, the familiar becomes unfamiliar . . . Certainly the style will remind readers of the Japanese authors Banana Yoshimoto and Sayaka Murata, but the stories themselves?and the logic, or lack thereof, within their sentences?are reminiscent, at least to this reader, of Joy Williams and Rivka Galchen and George Saunders' ?Weike Wang, New York Times Book Review A housewife takes up bodybuilding and sees radical changes to her physique - which her workaholic husband fails to notice. A boy waits at a bus stop, mocking businessmen struggling to keep their umbrellas open in a typhoon - until an old man shows him that they hold the secret to flying. A woman working in a clothing boutique waits endlessly on a customer who won't come out of the fitting room - and who may or may not be human. A newlywed notices that her husband's features are beginning to slide around his face - to match her own. In these eleven stories, the individuals who lift the curtains of their orderly homes and workplaces are confronted with the bizarre, the grotesque, the fantastic, the alien - and, through it, find a way to liberation. Winner of the Kenzaburo Oe Prize, Picnic in the Storm is the English-language debut of one of Japan's most fearless young writers.

Published in the US as The Lonesome Bodybuilder Winner of the Akutagawa Prize and the Kenzaburo Oe Prize. 'These arresting, hyper-real stories linger in the imagination . . . By the first few sentences, you know you're hearing the voice of a remarkable writer; by the end of [the story] "An Exotic Marriage", you're certain that Yukiko Motoya's shivery, murmuring voice will never completely leave you' Financial Times 'Delightful . . . Fun and funny . . . The style will remind readers of the Japanese authors Banana Yoshimoto and Sayaka Murata, but the stories themselves . . . are reminiscent, at least to this reader, of Joy Williams and Rivka Galchen and George Saunders' The New York Times Book Review A housewife takes up bodybuilding and sees radical changes to her physique - which her workaholic husband fails to notice. A boy waits at a bus stop, mocking businessmen struggling to keep their umbrellas open in a typhoon - until an old man shows him that they hold the secret to flying. A woman working in a clothing boutique waits endlessly on a customer who won't come out of the fitting room - and who may or may not be human. A newly wed notices that her husband's features are beginning to slide around his face - to match her own. In these eleven stories, the individuals who lift the curtains of their orderly homes and workplaces are confronted with the bizarre, the grotesque, the fantastic, the alien - and, through it, find a way to liberation. Winner of the Kenzaburo Oe Prize, Picnic in the Storm (published in the US as The Lonesome Bodybuilder) is the English-language debut of one of Japan's most fearless young writers. 'People around the world have been whispering Motoya's name in my ear. Now she's translated into English!' Gary Shteyngart 'Readers who still enjoy fiction for sheer entertainment should get their hands on these stories' The Japan Times